Forget M.I.A.: Here comes Emmanuel Jal, Kenyan ex-child soldier

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Ex-child soldier now Kenya's hottest rapper

Mon Mar 14,11:03 AM ET

By Rob Crilly, Special for USA TODAY

Emmanuel Jal was eight when he was handed an AK-47 and trained to fight. By the time he was 13, he was a veteran of two civil wars and had seen hundreds of his comrades reduced to cannibalism as they struggled to survive in the Sudanese bush.


Today, the former child soldier is coming to grips with his new status as Kenya's hottest rapper.


Taking a break in a Nairobi recording studio, he sprawls on a cushion and tells his remarkable tale of death, music and the British wife of a warlord who saved him.


"What I have gone through and where I have been should encourage other people to realize that they can be saved, too," he says above the throbbing bass line pumping through the studio.


Earlier this month, his debut album -Gua, which means peace in his native Nuer language - had hit No. 4 on the Kenyan charts. The songs mix messages of peace, delivered in staccato English, Arabic and Nuer, with Jal's personal tale.


Now 25, Jal was born in southern Sudan just before the region was split by civil war. In 1983, rebels of the Sudan People's Liberation Army (SPLA) began a battle against the government in Khartoum for independence and control of the region's lucrative oilfields.


Taken away by rebels


When war reached Jal's small village in the Bentiu oil field, he says SPLA commanders ordered children to be transferred to U.N.-run refugee camps in Ethiopia where they would be fed by aid agencies and offered a simple education.


Jal's father had signed up with the rebels and his mother had recently died. So the 7-year-old had little choice but to find safety in the swollen camps. He stayed in school there for only six months.


"Then we were taken away from the camp to the bush for training," he says. "The United Nations (news - web sites) had no idea what was going on."


The SPLA was using the camps to recruit soldiers. The bigger boys were handed grenade launchers. Jal could only manage an AK-47. He grins as he remembers the thrill. "I was psyched up. It was so exciting to learn how to use a gun."


He was among thousands of child soldiers who were used to prop up Mengistu Haile Mariam's communist regime, allied with Sudanese rebels, as Ethiopian rebels closed in on the capital, Addis Ababa. As one of the youngest soldiers Jal was assigned to SPLA headquarters in Ethiopia. But he would sneak away to the front line.


When Mengistu was gone, the Sudanese rebels had to return to their homeland. Jal made his way to Juba, in southern Sudan, where SPLA troops were massing for an assault. "There were thousands of young boys like me," he says. "Their work was to weaken the government defenses by running through minefields and getting right at the enemy. Because they were lighter and could run fast, they had a better chance of surviving. I was among them."


One night, Jal, then 13, and almost 400 other child soldiers simply walked out.


The children carried enough corn grain and sorghum flour for a month, the time they thought it would take to reach safety. Three months later, racked with hunger and thirst, the child soldiers and a handful of adults were still stumbling through the Sudanese bush.


Cannibalism became the only way to eat. Jal remembers his lowest moment. "There was a night when my friend died and I was tempted to eat him the next day," he says. "I was eating almost anything. Snails. And when those things were no longer there I had no choice.


"We put mines around him so that if hyenas came at night they would not be able to take the body," Jal says. "The hyenas still managed to take him."


Jal was lucky. He reached the safety of Waat, a town in southeastern Jonglei state, before he had to consider cannibalism again. But by the time the children had staggered into the town, only 12 of the original 400 runaways had survived.

He was immediately picked out from the throng of homeless children by Emma McCune, a young Briton who worked for the Canadian aid group Street Kids International. McCune had married Riek Machar, leader of one of the two rival SPLA groups. She smuggled Jal from Sudan to Nairobi in a suitcase aboard an aid flight.

'Emma's War'

McCune died in 1993 in a car accident in Nairobi, leaving her 14-year-old charge in the care of friends and other aid workers. "She was like a mum," he says. "She would take me everywhere with her and got me into school."

McCune's story of love in a war-torn state was turned into a book, Emma's War, by Deborah Scroggins. 20th Century Fox and Tony Scott, director of Top Gun, are basing a movie on the book.

Today Jal lives with Machar, who is a distant cousin. They live in Kileleshwa, one of Nairobi's more fashionable districts, where Machar is the vice chairman of the Sudanese People's Liberation Movement.

Kenya's capital also is home to a thriving rap music scene. Jal turned his growing interest in African music toward hip-hop and performing to raise money for children's homes. With the support of backers in the USA and Europe, he recorded Gua last year. It reached record shops last month.

DJ Moz (the stage name of Moses Mathenge) was one of the first to play the album on Kenyan radio after seeing the rapper perform for Sudanese refugees in northern Kenya. "As well as simply being great songs, people are really getting into the lyrics, really understanding his message," says DJ Moz, who hosts a rap show on the Nairobi radio station Metro FM. "And he is a great role model for young Sudanese and Kenyan men."

Two months ago, Sudanese rebel leaders and government ministers met to agree on the final terms of a peace deal designed to end Sudan's 21-year civil war between the north and the south. It took considerable pressure from the international community, particularly the United States, to keep both sides at the talks. Government and rebels agreed on a series of power-sharing structures and on holding a referendum in six years on independence for the south.

In his Nairobi recording studio, Jal says he is optimistic about the future of his country. "There have been many peace deals that have failed before. This one looks more serious. The world is focused on it and America is really behind it, so I think it will work."

Chris Dahlen (Chris Dahlen), Tuesday, 15 March 2005 02:17 (twenty years ago)

I don't know whether to laugh or cry.

o. nate (onate), Tuesday, 15 March 2005 02:40 (twenty years ago)

I wonder if his music is as good as M.I.A.'s.

Spencer Chow (spencermfi), Tuesday, 15 March 2005 03:16 (twenty years ago)

Well USA Today has never llet me down before.

Magic City (ano ano), Tuesday, 15 March 2005 03:23 (twenty years ago)

six months pass...
HAHAHAHAHA I thought Scott and barbarian cities were kidding!

The Ghost of Black Elegance (Dan Perry), Friday, 7 October 2005 14:01 (twenty years ago)

he gone done a track called Gua on the new War Child album where he collaborated with other former child soldiers such as Alex Kapranos and Chris Martin.

barbarian cities (jaybob3005), Friday, 7 October 2005 14:26 (twenty years ago)

Hey
(I want a Soldier!)
The way you got it, I'm the hottest around
They'll know it when they see you rollin' impala's around
(I got a Soldier!)
Wit the top down feeling the sounds
Quakin' and vibratin' your thighs ridin' harder than guys
Wit the chrome wheels at the bottom, white leather inside
When them lames be spittin' at you tell 'em don't even try it
To shot it wit Chelle and kick it wit Kelly or holla at B
Ya, gotta be g's you way outta your league
Please!

[First Verse: Kelly (DC)]

We like dem boys that be in them lac's leanin' {Leanin'}
Open their mouth their grill gleamin' {Gleamin'}
Candy paint, keep that whip clean and {Clean and}
(They always be talkin that country slang, we like)
They keep that beat that be in the back beatin' {Beatin'}
Eyes be so low from there chief {chief and}
I love how he keep my body screamin' {Screamin'}
A rude boy that's good to me, wit street credibility

[Hook: DC]
If his status ain't hood
I ain't checkin' for him
Betta be street if he lookin' at me
I need a soldier
That ain't scared to stand up for me
Known to carry big things
If you know what I mean
If his status ain't hood
I ain't checkin' for him
Betta be street if he looking at me
I need a soldier
That ain't scared to stand up for me
Gotta know to get dough
And he betta be street

[Second Verse: Beyonce (DC)]
We like dem boys up top from the BK {BK}
Know how to flip that money three ways {Three ways}
Always ridin' big on the freeway {Freeway}
(Wit that east coast slang that us country girls be like)
Low cut -- wit the deep waves {deep waves}
So quick to snatch up your Beyonce {Beyonce}
Always comin down poppin our way {Our way}
(Tellin us that country girls the kinda girl they like)

[Hook: DC]
If his status ain't hood
I ain't checkin' for him
Betta be street if he lookin' at me
I need a soldier
That ain't scared to stand up for me
Known to carry big things
If you know what I mean
If his status ain't hood
I ain't checkin' for him
Betta be street if he looking at me
I need a soldier
That ain't scared to stand up for me
Gotta know to get dough
And he betta be street

[Bridge: Beyonce (DC):]
I know some soldiers in here (Where they at, where they at)
They wanna take care of me (Where they at)
I know some soldiers in here (Where they at, where they at)
Don't mind takin one for me (Where they at)
I know some soldiers in here (Where they at, where they at)
They wanna spend that on me (Where they at)
I know some soldiers in here (Where they at, where they at)
Wouldn't mind puttin that on me (Where they at)

[2nd Rap: Lil Wayne]
Hey, see cash money is a army
I'm walkin' wit purple hearts on me
You talkin' to the sargeant
Body marked up like the subway in harlem
Call him, weezy f baby, please say the baby
If you don't see me on the block I ain't tryna hide
I blend in wit the hood, i'm camouflage
Bandana tied, so mommy join my troop
Now every time she hear my name she so ..umf:

[Verse 3: Michelle (DC)]
I like dem boys over there they lookin' strong tonight {Strong tonight}
Just might give one the phone tonight {Phone tonight}
Homey in the dickies in my zone tonight {Zone tonight}
He don't know it might be on tonight {On tonight}
Ooh he lookin' good and he talkin' right {Talkin' right}
He the type that might change my life {Change my life}
Everytime he look at me my girls be like {Girls be like}
(That one may be the one tonight)

[Hook: DC]
If his status ain't hood
I ain't checkin' for him
Betta be street if he lookin' at me
I need a soldier
That ain't scared to stand up for me
Known to carry big things
If you know what I mean
If his status ain't hood
I ain't checkin' for him
Betta be street if he looking at me
I need a soldier
That ain't scared to stand up for me
Gotta know to get dough
And he betta be street

[Bridge: Beyonce (DC):]
I know some soldiers in here (Where they at, where they at)
They wanna take care of me (Where they at)
I know some soldiers in here (Where they at, where they at)
Wouldn't mind puttin that on me (Where they at)

N_RQ, Friday, 7 October 2005 14:34 (twenty years ago)

ysi please

nervous (cochere), Friday, 7 October 2005 14:53 (twenty years ago)

Now That's What I Call A Press Release

joseph cotten (joseph cotten), Friday, 7 October 2005 14:59 (twenty years ago)

fucking sell out he's doing Mitsubishi car ads now. well, i mean he licensed his songs.

RED HOOK Noize pwns Bushwick Trust Fund Babies (mookie wilson), Friday, 7 October 2005 15:10 (twenty years ago)

Do you get extra cred if you've fought to prop up a shitty Marxist regime against an American-backed coalition of sub-par ideal-less rebels?

nabiscothingy, Friday, 7 October 2005 16:44 (twenty years ago)

Does anything cool happen if he meets Kenna?

nabiscothingy, Friday, 7 October 2005 16:45 (twenty years ago)

I like how they chicken out (or wise up) one step away from claiming he was involved in cannibalism (instead he "saw his friends resort to it").

joseph cotten (joseph cotten), Friday, 7 October 2005 16:50 (twenty years ago)

Is "Kenya's Hottest Rapper" a meaningful phrase?

Roxymuzak, Mrs. Carbohydrate (roxymuzak), Friday, 7 October 2005 16:58 (twenty years ago)

wtf if this was my life story i'd put it in my bio too

jones (actual), Friday, 7 October 2005 17:02 (twenty years ago)

NB it's misleading for the headline to call him Kenyan -- he's Sudanese, and one among the current cluster of Lost Boys who've wound up elsewhere.

nabiscothingy, Friday, 7 October 2005 17:11 (twenty years ago)

Now, see, if he were STILL a child soldier and he wore one of those cool wigs, I might have listened to his album more than once.

scott seward (scott seward), Friday, 7 October 2005 17:28 (twenty years ago)

Ceasefire,the new collaboration with Abdel Gadir Salim, is beautiful. They both compose, and there's as much singing as rapping, in English and other languages (And the rapping doesn't imitate any American approaches, particularly; not that I can think of, anyway.) "Salim and his band build Sudanese folk rhythms into sweeping orchestral pieces, and Salim's favorite rhythm is 'merdoum,' the distinctive 6/8 beat from western Sudan. He adds lyrics of his own, fires up the tempo and arranges songs for violins, oud, bass, saxophone and keyboard, with congas, bongos, and tablas...his rich, powerful voice and dynamic arrangements make music that is less fussy and more hard-driving than many of his urban counterparts. His music bridges the Arabic and African tradtions of Sudan and he is well known for the songs 'Jamil Al Sourah'('The Beautiful Face'), 'Ghaba Nawmi,' ('I Lost The Sleep') and 'Maktoul Kawak' ('Attached By Your Love')." Yas, he does have a way with titles. It's out Oct.11, and one of the best I've heard this year. Don't know much about African music, but it reaches me, somehow.

don, Saturday, 8 October 2005 05:09 (twenty years ago)

"He's an upcoming rapper whose father was in the Israeli army and whose grandfather died in a World War II concentration camp. His DJ/best friend is an Austrian neo-Nazi. Together they make the most controversial and compelling intelligent dance music on earth."- 2007 NYT

Cunga (Cunga), Saturday, 8 October 2005 05:25 (twenty years ago)

Ceasefire is indeed terrific. Rod Smith wrote a great review of it: http://www.seattleweekly.com/features/0535/050831_music_america.php

Matos-Webster Dictionary (M Matos), Saturday, 8 October 2005 06:27 (twenty years ago)

Is "Kenya's Hottest Rapper" a meaningful phrase?

yep. hip-hop is huge there, loads of records being made.

Matos-Webster Dictionary (M Matos), Saturday, 8 October 2005 06:40 (twenty years ago)

Thanks for that one, Matos! Yeah, " coaxing jazz and r&b figures out of his oud": if somebody liked, say, that Luaka Bop comp of 70s African bands, Love's A Real Thing, that would be a good reference point, although this is has its own approach, def. not retro (and benefits from modern studio); and he mentions Marley, which pertains melodically, although this isn't reggae; and the orchestral flow (and focus) of Fela Kuti, the better-than-Dad's sax of Fema: true! Plus Ceasefire's tracks don't tend to the endless, like Fema's could. (So, as Xgau points out, The Best Best Of Fela Kuti lives up to its title via great edits, among other things.) I don't have all the credits yet, but there are several vocalists, at times, a good blend, and more English will be in the booklet (though there's enough in the singing and rapping to keep a sense of the themes--actually, it could be all instrumental and work just as well, I think.)

don, Saturday, 8 October 2005 14:28 (twenty years ago)

Have to say that I'm not feeling Ceasefire at all - and I've loved Abdel Gadir Salim's earlier work. It just all seems a bit, I dunno, pappy and diluted. Pleasant enough in its own way - but in an amazing year for African music, it's come as a bit of a let-down.

mike t-diva (mike t-diva), Saturday, 8 October 2005 15:25 (twenty years ago)

Several earlier Salims on Amazon I want to check out. What African music came out this year that we should know about, Mike?

don, Saturday, 8 October 2005 17:41 (twenty years ago)

I was gonna ask the same thing--what other African stuff are you digging, MTD?

Matos-Webster Dictionary (M Matos), Saturday, 8 October 2005 21:41 (twenty years ago)

Thione Seck - Orientation is my pick of the year. Masterpiece.

mike t-diva (mike t-diva), Saturday, 8 October 2005 23:56 (twenty years ago)

Cease fire is a great album, the beats are unique, this guys are not copying any American style they are relaxed I feel it especially the song Gua .soldier boy keep it up I love you as much as Daara J.
African Hip pop has to come out africa is the mother of all Music.

william PAn, Monday, 17 October 2005 11:08 (twenty years ago)


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