Eric Clapton - Sessions for Robert J

Message Bookmarked
Bookmark Removed
Did anyone else pick this up? I haven't kept up with Clapton's recent work at all but I was surprised by the sound of this. It's a tight, hard guitar band, not soft or soppy at all. The playing and singing sound really solid, with some intense moments, to me. I don't know the originals that well though. The DVD repeats most of the same material musically but it's fun to watch Clapton talk about his experiences with the music.

Sundar (sundar), Wednesday, 4 May 2005 23:00 (twenty-one years ago)

i worked in a record store when 'reptile' came out--and since then i have not, for better or worse, listened to clapton of my own volition ever again

mookieproof (mookieproof), Wednesday, 4 May 2005 23:08 (twenty-one years ago)

Steve Gadd on drums...it's gotta be pretty damn intense if he is on it. Second greatest drummer of all time.

bahtology, Wednesday, 4 May 2005 23:26 (twenty-one years ago)

Yeah, all the players seem really strong. Some nice guitar interplay. And I never really noticed EC's voice before but it seems to work really well on this.

Sundar (sundar), Wednesday, 4 May 2005 23:42 (twenty-one years ago)

I haven't heard the record, but when I've seen Clapton covering Johnson songs over the last 12 months it's made me violent: totally straining for respect by association. You're talking about songs whose impact depends completely upon construction and feel. Clapton's versions bury them in 2 feet of set plastic. Evil. And I'm not a purist.

TV's Mr Noodle Vague (noodle vague), Thursday, 5 May 2005 00:37 (twenty-one years ago)

I'd be interested to hear this, but I wouldn't really search it out. By the way, I wish I was at the Cream show tonight.

57 7th (calstars), Thursday, 5 May 2005 01:08 (twenty-one years ago)

As a Slowhand fan with a sense of reality, Clapton has been playing Robert Johnson songs since he started playing music. His first recorded vocals were on "Rambling on My Mind", which he recorded WAY the hell back in the mid 60s with John Mayall.

I myself have only heard a few of the tracks from the album, and the band sounds good. Clapton seldom plays with hacks, and his album output is, by and large, professional and well-polished. The problem that I have with a lot of Clapton's blues playing is just that...its just too perfect...too studied. I'm not saying that everyone has to be a Hubert Sumlin or an Albert Collins and just play wacky, off the wall crazy blues shit, but we all know Clapton has the "I'm on the edge of losing control" sound in him, whether its contrived or not. Listen to "Bell Bottom Blues" on the Layla album. That song hurts, and the solo is one of his finest moments as an emotive guitar player.

That being said, Clapton remains a bad motherfuyer on the six string, and the more he plays blues albums and the less he plays "Change the World" or "My Father's Eyes," the better. I could have stabbed my own eyes when that song came out.

I also wish I were going to a Cream show tonight. Alas, its more studying for me.

Big Loud Mountain Ape (Big Loud Mountain Ape), Thursday, 5 May 2005 10:53 (twenty-one years ago)

I'm only a very lukewarm Clapton fan, but the Clapton I do like is the stuff that made his name: some of the white man's blues stuff he did with Mayall and the Dominoes and the prog-pop stuff he did with Cream.

I've never liked his Robert Johnson covers - they completely miss the weird power of the originals. The odd thing is that Clapton is such a huge fan of Johnson and obviously a sensitive and gifted musician - I can't understand why he can't see how much he is diluting the emotional force of this music.

frankiemachine, Thursday, 5 May 2005 11:14 (twenty-one years ago)

No, that's a good point, Frankie, but I think that Clapton takes Johnson, more than any other artist, as his master. While he will never attain the exact feeling that Robert Johnson did with his songs (utterly impossible), the constant attempts to do so have led him to explore all that he has over his career. I don't think that the newest album is an example of Clapton putting it on for commercial gain, per se. I just think he may have wanted to focus on RJ for an entire recorded album.

Big Loud Mountain Ape (Big Loud Mountain Ape), Thursday, 5 May 2005 21:47 (twenty-one years ago)

Robert Johnson beats Eric Clapton as a guitar player, by a country mile. I never got the whole Clapton thing myself, apart from a few things on "Layla" and some of his playing on that Howlin' Wolf album done in London with Charlie Watts and Bill Wyman. What can I say, I think James Burton or any number of country players, or Curtis Mayfield or Jimmy Nolen, are far more to the heart of the matter, musicianship-wise and guitar-picker-wise, than Eric Clapton. He does have a beautiful tone and sure, he plays quite well, but he's never moved me too much apart from the great "Bell Bottom Blues." I just don't get it, I guess.

edd s hurt (ddduncan), Friday, 6 May 2005 02:09 (twenty-one years ago)

I like "Bell Bottom Blues" fine but it's the Layla cover of "Little Wing" that floors me more than anything. For that alone I can never kneejerkily hate the guy (though it's tempting for obvious reasons, chief among them my own hipster-jerkiness).

Matos-Webster Dictionary (M Matos), Friday, 6 May 2005 05:21 (twenty-one years ago)

this record is awful. admit it you clapton fellaters.

blahbarian, Friday, 6 May 2005 13:37 (twenty-one years ago)

five years pass...

I have to revisit this dude, after having read his autobiography:

So, I had just read Keef's autobiography, which I enjoyed - I think he is a very good story teller, his exploits are pretty jaw-dropping in the "I'm a rock star. Of course I'm getting away with it." sort of way. He is also helped by a ghost writer.

And, while it is his own telling of his own story, and therefore to be taken with at least a grain or two of salt, he seems to have a much healthier and enjoyable outlook on life and relationships with other people than Clapton.

Clapton, for all his musical skills, seems like a complete asshole. Smug, egotistical, spoiled from day one, and completely someone I would punch in the face instead of arguing with.

HOWEVER - there is a complete shift in tone from the part of the book that is BEFORE his first stint in rehab, and the rest of the book. The man clearly has an addiction problem - I won't hypothesize any more than that - and he spends a good deal of pretty thoughtful, albeit somewhat hamhanded, writing discussing his journey into sobriety. For THAT part, I actually took a good bit from this book. And, for the amount of work he has done to set up and maintain the Crossroads treatment center in Antigua, I have to give him some credit. He has sold off a huge number of his prized instruments (although who knows how many this multi-millionaire packrat actually has) in order to raise funds for the center, and that, if nothing else, indicates to me that he is both serious and committed about running this place.

His description of purchasing a yacht is absolutely nauseating, despite his attempt to make it seem like something purely for his family.

Ugh. Yardbirds, Bluesbreakers, Cream, Derek and the Dominoes, and selected tracks since then. The over-synthed eighties can go hang.

Sauvignon Blanc Mange (B.L.A.M.), Wednesday, 22 December 2010 17:44 (fifteen years ago)


You must be logged in to post. Please either login here, or if you are not registered, you may register here.