Touche' ... I don't have any lyrics in front of me to quote - but
as an example, "Choochtown" - lyrics written as a narrative of a thug
who's hired to recover some photos "That would close the door - on
future shots at Baywatch and Mary Fuckin' Tyler Moore" - The lyrics
are genius because, while they are "lyrical", they are also very
descriptive and fitting of their subjects. (i.e. Thugs use words
like "Fuck" a lot - but casually.) Hamell's lyrics are a
documentary.
Another example - "In a Bar" -. "This was your
hangout, but the gang's out, no more... You hear about Freddy Dell,
man that guy's all gone to hell. He had the flirt, the needle dirt -
no mystery. Same goes for Tony Pure, happens fast that's for sure -
just a year ago he was here, now history. ... It's like you just got
here - whaddya say another beer? - well you gotta go? ... I know ...
well.. that's cool."
Robert Frost, it aint - Bob Dylan,
maybe... it captures the sentiment of the subject & the setting like
nothing I've ever heard before. It may not read well out of context,
but I get a very vivid picture of what he's describing and the
feelings he's trying to convey.
Hence, genius.
uuuhhh... Wood Duck.
― Dave225, Tuesday, 29 January 2002 01:00 (twenty-four years ago)
three months pass...
This is why I think Ed Hammell is fucking brilliant:
"My name is chooch.
I don't know what you heard
about the night in question.
word.
It's only half the story
'cause a lot more when down
I don't hang out with Bobby, man
He's a fucking clown
I mean, I might sell him drugs
or a stereo that's hot
but I hang with players
and Bobby definitely is not
I hang in bars uptown
I got a credit card scam
I got a call from McClusky
You know he think's HE's the man
'cause he's Some hot-shit lawyer
friend to the stars
and it's mad-crazy money
and it's style and bad cars
He calls me up to his office
'cause he knows I know the street
he says, "uh close the door"
whoo! very discreet!
He's says he's got a little problem
maybe I can check
He says do you want to make a thousand
I say, "yeah, what the heck"
It seems he's got a famous client
that had his house cleaned
in more ways than one
if you know what I mean
And the house maid stole some photos
of him with some kids
and if this stuff should surface
then his client hits the skids
A blackmail letter
I didn't ask how much
he gave me an address
I said I'd be in touch
I'm good to go
So I check out the address
She moved out on the 15th
There's a guy, Joe brush, who lives there
and he spills the beans
It seems she moves out at night
She didn't pay the rent
She got a boyfriend calling the shots
But he don't know where they went
Well then Joe remembers
that this boyfriend's a cook
At the Toddle House
So I go over there and take a look
It's the graveyard shift
I'm there at 3 AM
I ask about the photos
But things get out of hand
So I stuff him in the cooler
'cause I rearrange his face
and I rifle through his pockets
I find a lease on a new place
I hear noises in the back
so I go out where there eating
And there's fucking Bobby, man
Giving the place a verbal beating
And I'm trying to be invisible
He's yelling, "Hey Chooch, c'mere"
I think, "Aw fuck" - I'll sit with these guys
until I can make it clear
But I've gotta hit the cook's house
you know, tonight
And of course when we're leaving
Fuckin' Bobby's gotta fight
I'm good to go
So I ditch these guys quick
I take a cab to the address
And the house maid gives up the photos
with very little stress
But as I round the corner
something dawns on me
I recognize from these photos
This old actor from TV
And he's having sex with children
Now this would close the door
on future shots at Baywatch
and Mary fuckin' Tyler Moore
So I visit this old actor
Firmly explain my situation
and he gives me 90 G's
To show his appreciation
And I buy an El Camino
Until the heat dies down
I figure I'll visit Texas
You know I like that Houston town
I'm good to go"
― Dave225, Tuesday, 14 May 2002 00:00 (twenty-three years ago)
four months pass...
one month passes...