Not as big a stretch as one might think. If not for the fact that they both appeared in Urgh! A Music War, I'd say there may have been a very great chance that Gary would never have heard of Klaus, but given Nomi's fleeting association with Bowie, I'm sure Numan was watching (and taking notes?)
Regardless of a similar aesthetic, there are huge differences of course. Klaus clearly didn't take himself as seriously as Gary. Gary, meanwhile, has the advantage over Klaus simply by not being dead yet.
I'd say pound for pound, Gary has better tunes (and more of them, but once again...had Klaus lived...), but I think Nomi was more of a ground-breaker and a totally unique artist.
Wha'bout you? Do you Nomi or are your friends all electric?
― Alex in NYC (vassifer), Wednesday, 1 June 2005 21:54 (twenty years ago)
― t\'\'t (t\'\'t), Wednesday, 1 June 2005 22:01 (twenty years ago)
― donut debonair (donut), Wednesday, 1 June 2005 22:01 (twenty years ago)
― Eisbär (llamasfur), Wednesday, 1 June 2005 22:04 (twenty years ago)
It's really too bad there isn't (yet that have surfaced) any studio recordings of Nomi's live band circa the late 70s... THEN we can talk about some comparisons here.. but the stuff I heard and saw in Nomi Song was quite a different thing than Numan. Nomi was closer to the Residents than he was to "new wave" or "no wave" for that matter.. and he wasn't even THAT close to the Residents at all, even then.
I like Klaus Nomi and Simple Man, but they are both spotty at best.. although the hits on those albums are GRAND.. ("After The Fall" is just amazing amazing amazing) Whereas I think Numan had a pretty damn solid stride on Tubeway Army, Replica, The Pleasure Principle, and Telekon, and I can't begin the list all the great tracks on those four releases.
So, with all grand respect due to Nomi, I have to side with Numan here.
Again, it's not really a fair TS, given that Nomi died just three years after he finally started releasing records. Would Nomi have outdone Numan's post Telekon output i.e. lesser output? (sorry, Eisbär and Moley)
Also, if the late 70s NYC Nomi band had gotten together to release an album, this might have changed things.
― donut debonair (donut), Wednesday, 1 June 2005 22:08 (twenty years ago)
― donut debonair (donut), Wednesday, 1 June 2005 22:11 (twenty years ago)
― moley, Wednesday, 1 June 2005 22:13 (twenty years ago)
― donut debonair (donut), Wednesday, 1 June 2005 22:14 (twenty years ago)
― Patrick South (Patrick South), Wednesday, 1 June 2005 22:17 (twenty years ago)
― moley, Wednesday, 1 June 2005 22:18 (twenty years ago)
Numan released about two dozen albums, of which four are GRAND, and a few afterwards that are probably decent but I haven't heard, and the rest being a whole bunch of SUCK!, which I have heard in bits and recoiled from immediately (To be conservative, I'll allow Warriors to be the last non-sucky album in this case)
Would Nomi follow the same pattern eventually? Who knows?
― donut debonair (donut), Wednesday, 1 June 2005 22:25 (twenty years ago)
anyway, i liked klaus nomi's version of "the cold song."
― Eisbär (llamasfur), Wednesday, 1 June 2005 22:28 (twenty years ago)
― Orbit (Orbit), Thursday, 2 June 2005 01:31 (twenty years ago)
― ebenoit, Thursday, 2 June 2005 11:49 (twenty years ago)