David Behrman

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he has many records and they are all pretty great

we talk about them now ok

milton parker (Jon L), Saturday, 2 July 2005 05:51 (twenty years ago)

he fucking rulez. huge fan of sonic arts union lp as well as that double on alga marghen and the stuff on lovely. sooooo nice.

hstencil (hstencil), Saturday, 2 July 2005 06:04 (twenty years ago)

"LEAPDAY NIGHT" forevah yo

Stormy Davis (diamond), Saturday, 2 July 2005 06:26 (twenty years ago)

the new two disc set My Dear Siegfried - first disc is the title piece, ashley-esque opera, spoken word with Behrman's electronics for abstract soundbed, it's good, I can only imagine it in live performance... but disc two, I've been playing disc two a lot, it's the good electronic music, the living sounds.

'the illking' from Mouse on Mars' Idiology is essentially a tribute / ripoff of Leapday Night

milton parker (Jon L), Saturday, 2 July 2005 06:28 (twenty years ago)

about his time as a record executive at Columbia: http://www.newmusicbox.org/page.nmbx?id=12tp01

http://www.furious.com/perfect/behrman.html

milton parker (Jon L), Saturday, 2 July 2005 06:36 (twenty years ago)

classic 7" promo single of the records released by Behrman while at Columbia

http://www.johncage.info/cdlabels/columbiamt1.html

milton parker (Jon L), Saturday, 2 July 2005 06:58 (twenty years ago)

side two has expired. any chance of re-uploading it, you devil?

Amateur(ist) (Amateur(ist)), Friday, 15 July 2005 06:12 (twenty years ago)

did you get them?

will you be 25 in the year 2000?

milton parker (Jon L), Friday, 15 July 2005 08:18 (twenty years ago)

ten months pass...
disc 2 of my dear siegfried is killing

"Pools of Phase Locked Loops" is as deep as it gets, much more elemental and psychedout than leapday. as close as you can get to dreaming while retaining full motor control over your toes.

milton parker (Jon L), Wednesday, 7 June 2006 20:27 (nineteen years ago)

Interesting how he hasn't had the recognition of the people he was working with; maybe he needed a catchier name, or a big beard.

I've only got Leapday Night and A Traveller's Dream Journal. I hadn't noticed how similar that Mouse on Mars track is to Leapday Night!!

TomTomGo!!! (TomTomGo!!!), Thursday, 8 June 2006 19:31 (nineteen years ago)

Four Tet's new DJ Kicks disc opens with a section of David Behrman's Leapday Night.

http://www.soulseduction.com/common/item_detail.php?ItemID=162539

jed_ (jed), Wednesday, 14 June 2006 18:30 (nineteen years ago)

who released my dear siegfried?

hstencil (hstencil), Wednesday, 14 June 2006 18:41 (nineteen years ago)

phil niblock's label -- http://www.experimentalintermedia.org/

his episode in robert ashley's 'aether' is notable for the long silences. I'm pretty sure it was filmed up at the marin highlands overlook, near the same abandoned military tunnels the Mills faculty would hold concerts in around the early 70's

ken's put an mp3 up of the musical performance from the 2nd half of this episode

http://www.ubu.com/sound/aether.html

milton parker (Jon L), Wednesday, 14 June 2006 18:42 (nineteen years ago)

(though the mp3 by itself isn't as amazing as watching it with the video of them playing it in the amphitheatre behind the Mills concert hall. this is the same video that was excerpted recently on the OHM gurus of electronic music DVD)

milton parker (Jon L), Wednesday, 14 June 2006 18:45 (nineteen years ago)

two years pass...

Interspecies Smalltalk?

I know, right?, Friday, 3 October 2008 23:33 (sixteen years ago)

nine months pass...

The violin on interspc smtk breaks my heart

❊❁❄❆❇❃✴❈plaxico❈✴❃❇❆❄❁❊ (I know, right?), Monday, 27 July 2009 21:10 (sixteen years ago)

five years pass...

^^^ came here to say this

cis-het shitlord (Merdeyeux), Saturday, 11 April 2015 13:22 (ten years ago)

two weeks pass...

http://thequietus.com/articles/17785-jan-st-werner-mouse-on-mars-favourite-albums-interview?page=5

ok I correct my upthread post, not leapday night

jan's new solo records are great. I enjoy most of the Lithop stuff especially Didot but he's turned another corner with the recent stuff

Milton Parker, Thursday, 30 April 2015 19:10 (ten years ago)

three years pass...

see you there

https://issueprojectroom.org/event/sold-out-sonic-arts-union-david-behrman-alvin-lucier-gordon-mumma-robert-ashley-memoriam
https://issueprojectroom.org/event/sonic-arts-union-david-behrman-alvin-lucier-gordon-mumma-robert-ashley-memoriam-special-guests

night 1

Alvin Lucier: Double Helix (2018) - Oren Ambarchi, Stephen O'Malley, Bernhard Rietbrock, Jan Thoben
Gordon Mumma: From the Rendition Series (2006) - Joseph Kubera & Gordon Mumma
Robert Ashley: Love is a Good Example (1993) - Gelsey Bell, Aliza Simons Dave Ruder
Alvin Lucier: Tilted Arc (2018) - Trevor Saint
David Behrman: Long Throw (2007/2018) - David Behrman, John King, Joseph Kubera, Cleek Schrey

night 2: A History of Sonic Arts Union presented by Gordon Mumma

Gordon Mumma: Large Size Mograph 1962 (1962) - Joseph Kubera
Paula Matthusen with Philip White: outline unlabled
Alvin Lucier: Chambers (1968)
Alvin Lucier: Vespers (1969)
James Fei: Sine of Merit III (2017)
David Behrman: Runthrough (1967-68) - David Behrman, crys cole, Cleek Schrey
Oren Ambarchi & crys cole: Call Myself (2017) & Francis Debacle (Uno) (2017)
Robert Ashley: In Memoriam: Esteban Gomez (1963)

Milton Parker, Friday, 20 July 2018 01:40 (seven years ago)

five years pass...

On the Other Ocean is a really special record. More than any other electronics-based album from the 70s it strikes me as timeless, like it could have been recorded yesterday. This mostly has to do with the timbre of the computer-controlled synths, which have a pure, clean glow not tied to any specific era as synths often are. Sometimes they sound to me like the drone of idling jet engines and airplane electronics that you hear when you board a plane. The timelessness is also in the harmonic/melodic content--essentially the ancient, primal, emotionally neutral pentatonic scale.

For me it's maybe the most successful musical attempt by anyone to meld (hu)man and machine. The way the woodwinds on the title piece interact with those synths (via the computer named Kim-1) sounds exquisitely organic, evoking the flow of matter and energy through an aquatic ecosystem. I think it's crucial that Behrman chose instruments powered by human breath, though he achieved a similar effect with cello and electronics on side two's "Figure In A Clearing."

Anyway this post probably reads like stoned bullshit, but this record really makes me feel some type of way. I love Behrman's later stuff too, but On the Other Ocean is the one I'm bringing to the desert island.

J. Sam, Tuesday, 5 September 2023 18:51 (one year ago)

I will give that record another shot. I've spent some time with "Unforeseen Events" in the past few years, and have really enjoyed that one.

budo jeru, Tuesday, 5 September 2023 19:06 (one year ago)

Thanks for this great write-up!

budo jeru, Tuesday, 5 September 2023 19:06 (one year ago)

yes great post and yea beautiful record!

brimstead, Tuesday, 5 September 2023 19:36 (one year ago)

Great post and love this album very much. *Leapday Night* is my other Behrman go to.

(picnic, lightning) very very frightening (Chinaski), Tuesday, 5 September 2023 19:54 (one year ago)

love leapday night. is there anything else like it in the world?

for computer music + live things, I also really like Roberto Cacciapaglia's Sei note in logica. it's a different take tho, very reich/minimalism, but with spurts of electronics/voices.

https://www.discogs.com/release/1338597-Roberto-Cacciapaglia-Sei-Note-In-Logica

https://www.youtube.com/watch?v=PNGclqV8tOQ

https://www.strandedrecords.com/products/roberto-cacciapaglia-sei-note-in-logica-lp-cd

fpsa, Tuesday, 5 September 2023 21:28 (one year ago)

Re: Sei Note In Logica, YES! I almost mentioned it in my post as one of the few records comparable to On the Other Ocean in its use of live instruments and computer-controlled synths. It's also really interesting tonally--it emulates Reich and Glass big time, but the vocals have a wacky quality that gives it more levity than those guys' works typically have. Throw in some synth bleeps and bloops and you got a stew goin'

J. Sam, Tuesday, 5 September 2023 21:52 (one year ago)


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