― Michael D, Monday, 25 July 2005 00:15 (twenty-one years ago)
― shine headlights on me (electricsound), Monday, 25 July 2005 00:20 (twenty-one years ago)
― The Ghost of Dan Perry (Dan Perry), Monday, 25 July 2005 00:22 (twenty-one years ago)
― joseph cotten (joseph cotten), Monday, 25 July 2005 00:24 (twenty-one years ago)
― geoff (gcannon), Monday, 25 July 2005 02:40 (twenty-one years ago)
― The Ghost of Dan Perry (Dan Perry), Monday, 25 July 2005 02:43 (twenty-one years ago)
― jaymc (jaymc), Monday, 25 July 2005 03:43 (twenty-one years ago)
― retroman, Monday, 25 July 2005 07:25 (twenty-one years ago)
― Rum, Sodomy and the LAN (kate), Monday, 25 July 2005 07:26 (twenty-one years ago)
― rizzx (rizzx), Monday, 25 July 2005 07:35 (twenty-one years ago)
― AleXTC (AleXTC), Monday, 25 July 2005 08:10 (twenty-one years ago)
Unfortunately it didn't seem to matter who I was actually trying to emulate, everyone just kept saying I sounded like Tony bastard Hadley.
Then one day I suddenly realised that I'd stopped trying to sing like other people and had developed (enough confidence in) my own ability.
Unfortunately everyone still kept saying I sounded like Tony bastard Hadley.
― Stewart Osborne (Stewart Osborne), Monday, 25 July 2005 09:07 (twenty-one years ago)
Another trick I like to use is to record all of the backing tracks first and then come up with a vocal melody. This way I free my hands up and can focus on the counterpoint. If I write a melody while playing an instrument, I sometimes feel that I compromise this melody in order to make it easier to play.
― darin (darin), Monday, 25 July 2005 15:59 (twenty-one years ago)
1. riff2. verse chords3. chorus chords4. verse words5. chorus words6. chorus melody7. verse melody8. bridge chords9. bassline10. drum part
― The Mad Puffin (The Mad Puffin), Monday, 25 July 2005 16:30 (twenty-one years ago)
― sldf 324kh, Monday, 25 July 2005 17:26 (twenty-one years ago)
I used to do this loads with people whose vocal ranges were similar to mine (ie borderline nonexistant). It sort of felt like my own composed vocal lines were really feeble and aimless, but singing them as if you're someone else has this weird sort of legitimacy-conferring effect on them. Oakey was one of mine as well.
I think when I come up with vocal lines I just work out the cadence I want and then sing it in a flat drone, gradually adding little inflections here and there. I think the inflections arrive via the magically-just-coming-to-you method, to some extent. Actually, everything does.
― Michael Philip Philip Philip Avoidant (Ferg), Monday, 25 July 2005 17:40 (twenty-one years ago)