Registry recognizes Nirvana's unique roleLibrarian of Congress names 'Nevermind' for recording honor
By CHARLES POPESEATTLE POST-INTELLIGENCER WASHINGTON CORRESPONDENT
WASHINGTON -- With its sculptures, Italian Renaissance architecture and hushed tones, the Library of Congress would seem far removed from the world of grunge rock and Nirvana.
Think again.
The anti-establishment music made famous by the band has been officially recognized by the buttoned-down librarian of Congress as one of the nation's most "culturally, historically, or aesthetically significant" sound recordings.
Specifically, Librarian of Congress James Billington has included Nirvana's 1991 album Nevermind on the National Recording Registry, a mechanism Congress created in 2000 to preserve the nation's unique and important recordings.
Since the law passed, the library has added 50 songs and recordings each year for the past three years. The public can submit nominees but the final list is assembled and finalized by the librarian of Congress with help from an advisory panel. The goal, according to the library, is to maintain a slice of the "the richness and variety of the nation's audio legacy."
That's why Nevermind> was added, though fans of Nirvana and its frontman, Kurt Cobain, who committed suicide at his Seattle home on April 15, 1994, probably would agree that official government recognition is the last thing the band would want or embrace.
Rock historians, however, say Nevermind deserves the recognition. It is the seminal recording that propelled Seattle onto the national music scene and burst Nirvana and its troubled leader Cobain into the limelight. Rolling Stone summarized Nevermind as "a dynamic mix of sizzling power chords, manic energy and sonic restraint. ... Nirvana erects sturdy melodic structures." And the single, "Smells Like Teen Spirit," remains a rock icon. Rolling Stone ranked it No. 9 on its list of the 500 greatest songs of all time.
In explaining its decision, the Library of Congress said, "This surprising chart-buster from a grunge band from Aberdeen, Wash., brought to the public's attention a new, heavily distorted sound that would catch on and prove an enduring influence in rock. Characterized by raw vocals, driving rhythms and surprising shifts in dynamics, the record resonated with America's youth and climbed to No. 1 on the Billboard charts, selling more than 10 million copies."
Nevermind was among the 50 recordings announced for this year, a a diverse list that includes:
* Swanee, Al Jolson (1920)
* NBC radio's coverage of Charles A. Lindbergh's arrival and reception in Washington, D.C. (1927)
In the Mood by Glenn Miller and His Orchestra (1939)
Edward R. Murrow's broadcast from London (1940)
Lovesick Blues by Hank Williams (1949)
Giant Steps, John Coltrane (1959)
Live at the Apollo, James Brown (1965)
Pet Sounds, The Beach Boys (1966)
The Allman Brothers Band at Fillmore East (1971)
Star Wars (soundtrack), John Williams (1977)
...
― donut gon' nut (donut), Thursday, 1 September 2005 04:42 (twenty years ago)
― internet comedy novice (Matt Chesnut), Thursday, 1 September 2005 04:47 (twenty years ago)
Rolling Stone has sucked since long before I realized it, hasn't it? Awful writing.
― marc h. (marc h.), Thursday, 1 September 2005 04:57 (twenty years ago)
― The Good Dr. Bill (The Good Dr. Bill), Thursday, 1 September 2005 05:33 (twenty years ago)
― polyphonic (polyphonic), Thursday, 1 September 2005 05:38 (twenty years ago)
― mark grout (mark grout), Thursday, 1 September 2005 06:49 (twenty years ago)
though fans of Nirvana and its frontman, Kurt Cobain, who committed suicide at his Seattle home on April 15, 1994, probably would agree that official government recognition is the last thing the band would want or embrace.
tee-hee!
― Cunga (Cunga), Thursday, 1 September 2005 07:21 (twenty years ago)
― Michael Daddino (epicharmus), Tuesday, 11 April 2006 21:01 (twenty years ago)
― Rickey Wright (Rrrickey), Wednesday, 12 April 2006 00:11 (twenty years ago)
The Firesign in question: Don't Crush That Dwarf.
― Michael Daddino (epicharmus), Wednesday, 12 April 2006 00:20 (twenty years ago)
a) Paul Tripp: "Tubby the Tuba" (1946). 11 secondsb) Toscanini/NBC Symphony: Adagio for Strings / Barber (1938). 23 secondsc) Calvin Coolidge: Inauguration (1925). 15 secondsd) Gil Scott-Heron: The Revolution Will Not Be Televised (1970). 14 secondse) Golden Gate Quartet: "John the Revelator" (1938). 13 secondsf) Sonic Youth: Daydream Nation (1988). 15 secondsg) Pawlo Humeniuk: "Tanec Pid Werbamy" ("Dance Under the Willows") (1926). 19 secondsh) Stevie Wonder: Songs in the Key of Life (1976). 39 secondsi) Nora Bayes: “Over There” (1917). 19 secondsj) Bob Hope: First appearance on Command Performance (July 7, 1942). 40 secondsk) Wendy Carlos: Switched on Bach (1968). 16 secondsl) Clem McCarthy: Louis-Schmeling fight (1938). 19 secondsm) Martha and the Vandellas: “Dancing in the Street” (1964). 18 secondsn) Frank Trumbauer/ Bix Beiderbecke: “Singin’ the Blues” (1927). 12 secondso) Firesign Theatre: Don’t Crush That Dwarf, Hand Me the Pliers (1970). 16 secondsp) Fanny Brice: “My Man” (1921). 15 secondsq) Mamie Smith: “Crazy Blues” (1920). 19 secondsr) Don Azpiazu and His Havana Casino Orchestra: "El Manisero” ("The Peanut Vendor") (1930). 20 secondss) Jerry Lee Lewis: “Whole Lotta Shakin’ Goin’ On” (1957). 24 secondst) BB King: Live at the Regal (1965). 36 seconds
― A|ex P@reene (Pareene), Wednesday, 12 April 2006 00:25 (twenty years ago)
― Matos W.K., Thursday, 8 March 2007 12:57 (nineteen years ago)
― Matos W.K., Thursday, 8 March 2007 13:02 (nineteen years ago)
― billstevejim, Thursday, 8 March 2007 16:58 (nineteen years ago)
― sleepingbag, Thursday, 8 March 2007 17:05 (nineteen years ago)
― ghost rider, Thursday, 8 March 2007 17:10 (nineteen years ago)
― The Reverend, Thursday, 8 March 2007 22:40 (nineteen years ago)