So what do you all think of the music of the Liverpool post-punk scene? Did it have any characteristic features? If so, how did the music of Liverpool differ from that of other British cities?
― Mark Dixon, Sunday, 24 February 2002 01:00 (twenty-three years ago)
― Alex in NYC, Sunday, 24 February 2002 01:00 (twenty-three years ago)
― Dr.C, Sunday, 24 February 2002 01:00 (twenty-three years ago)
It's a pity that very little Zoo material is available on c.d. at the moment. There is a Wild Swans track on a compilation called "Unearthed: Liverpool Cult Classics Volume 1". I haven't heard this album though. Does anyone know if it is worth getting?
As to post punk Liverpool, a diverse collecton of geniuses (genii?) who made some incredible music. The only characteristic I can think of is diversity - there wasn't really a 'Liverpool sound', they just existed in a seperate universe from anyone else. I've got the Lori and the Chameleons "Lonely Spy" / "Touch" single and I play it regularly - the future looked bright then. 8-)
― Rob M, Sunday, 24 February 2002 01:00 (twenty-three years ago)
― Snotty Moore, Monday, 25 February 2002 01:00 (twenty-three years ago)
Whilst Frankie Goes to Hollywood were enjoying their New Pop success in London, a new breed of earnest guitar band was developing in Liverpool. The High Five and the Farm were associated with the Picket venue which is part of the Merseyside Trade Union Community and Unemployment Resource Centre. I wouldn't knock the political commitment of those involved with the Picket, but I find a lot of the music linked with the venue to be extremely dull. When the La's emerged from this scene in the mid-Eighties, their retro sound was an expression of their "authentic" roots. Quirky bands such as Clinic seem to be rare in Liverpool.
― Mark Dixon, Wednesday, 27 February 2002 01:00 (twenty-three years ago)
― Tim (Tim), Friday, 16 January 2004 10:27 (twenty-one years ago)
Huh? You haven't been listening to what's happening in Liverpool nowadays. Ambulance, The Laze, Tramp Attack, Lovecraft, Stig, Kling Klang, Ladytron even.
― Jim Robinson (Original Miscreant), Friday, 16 January 2004 16:54 (twenty-one years ago)
― Jarlr'mai (jarlrmai), Friday, 16 January 2004 16:56 (twenty-one years ago)
― Phoebe Dinsmore, Friday, 16 January 2004 16:58 (twenty-one years ago)
...so, apart from Monkey Steals The Drum, what good bands are there in Ormskirk then?
― Jim Robinson (Original Miscreant), Sunday, 18 January 2004 20:12 (twenty-one years ago)
― LondonLee (LondonLee), Sunday, 18 January 2004 21:10 (twenty-one years ago)
― mike a, Monday, 19 January 2004 03:52 (twenty-one years ago)
Found it today, for cheapish. Been looking forward to finally hearing this!
― Ned Raggett (Ned), Saturday, 18 November 2006 21:52 (nineteen years ago)
For me they were the only bright spot in what I consider a surprisingly lackluster Liverpool post-punk scene.
― Umpire Teen (Bimble...), Saturday, 18 November 2006 23:00 (nineteen years ago)
― Umpire Teen (Bimble...), Saturday, 18 November 2006 23:04 (nineteen years ago)
― Ned Raggett (Ned), Saturday, 6 January 2007 04:27 (eighteen years ago)
― Good Warlock of the West (Bimble...), Saturday, 6 January 2007 04:31 (eighteen years ago)
― Ned Raggett (Ned), Saturday, 6 January 2007 04:32 (eighteen years ago)
― Good Warlock of the West (Bimble...), Saturday, 6 January 2007 04:34 (eighteen years ago)
― Ned Raggett (Ned), Saturday, 6 January 2007 04:37 (eighteen years ago)
― Good Warlock of the West (Bimble...), Saturday, 6 January 2007 05:12 (eighteen years ago)
― Ice Cream Electric (Ice Cream Electric), Saturday, 6 January 2007 13:10 (eighteen years ago)
― Good Warlock of the West (Bimble...), Saturday, 6 January 2007 14:37 (eighteen years ago)
It was Roger Eagle he had been talking to, who ran the Eric's nightclub in Liverpool and the quote from Wilson is exactly this:
"I'd taken some illegal substances and gone over to see my drummer, Chris Joyce. And he had, over in the corner of the room, a Santana 'Abraxas' album from Singapore, or somewhere. The typical far eastern album...in those days you'd print your UK/American glossy sleeve on tissue paper, then cover it, seal it with some kind of crappy piece of plastic. Just messing with this record I was fascinated by how the thing felt. So I drove over to Liverpool thinking, great. If you're going to put out a four band sampler, which Roger & I were planning to do ...why don't we do a double 7" because nobody's done a double 7" since the Beatles' Magical Mystery Tour. So I get there and we spend three hours arguing about doing an ordinary 12" single in a bag, or, what we wanted to do. I'd already figured out a way of sealing the plastic and paper and stuff. We disagreed about this for three hours, quite pleasantly. I got in my car, drove back down the M62, and thought 'Fuck it! We can do it ourselves.'"
That's from p. 173-174 "Shake Rattle & Rain: Popular Music Making in Manchester 1955-1995" by C.P. Lee
― Good Warlock of the West (Bimble...), Saturday, 6 January 2007 14:48 (eighteen years ago)
Yes I shall get the Wild Swans comp. I promise you that!
http://www.viva-radio.com/pyjamarama
― Dan Selzer (Dan Selzer), Saturday, 6 January 2007 14:52 (eighteen years ago)
― Good Warlock of the West (Bimble...), Saturday, 6 January 2007 15:10 (eighteen years ago)
Here's an interesting link: http://www.cerysmaticfactory.info/forum/view_post.php?thread=100
As usual what really happened and the legend are quite different. Go historical revisionism.
― Ice Cream Electric (Ice Cream Electric), Saturday, 6 January 2007 16:34 (eighteen years ago)
https://www.youtube.com/watch?v=DCq-GMIJW_0
― MaresNest, Sunday, 1 January 2023 18:42 (two years ago)