Ethiopian Idol [NOT A JOKE]

Ethiopian version of popular talent show breaks ground; ‘sing like donkeys’
By Anthony Mitchell
ADDIS ABABA, Ethiopia (AP) — Ethiopia’s version of Pop Idol is a far cry from the glamour and glitz of its British and North American inspirations.
Yellowed satin sheets and signs taped to the walls provide the backdrop. Frequent power cuts, feedback from poor sound equipment and even the ringing of mobile phones compete with the singers.
Despite the makeshift set, hastily constructed each week in a shabby hotel restaurant while waiters peer in, Ethiopian Idols has fast won the highest ratings on otherwise dull state-run TV, and broken cultural and technological ground in this Horn of African country.
The show even has it own Simon Cowell, the bad-guy judge on the British and U.S. versions. Musician Feleke Hailu’s catch phrase — “alta fakedem,” or “you didn’t make it” in Amharic — may seem positively meek compared to Cowell’s acerbic reviews. But Feleke has caused a sensation in this tradition-bound culture.
“Most of the time I tell (contestants) to go back to their old jobs, forget about a career in singing,” he said matter-of-factly. “Or I tell them they sing like donkeys.”
“Sometimes they get angry. The girls burst into tears and a few weeks ago one singer threw a stick at me after I told him he had failed to get through to the next round,” the 46-year-old saxophonist said. “The problem is in our culture it is not common to tell the truth or criticize. People cannot take criticism.”
Fan Ejigahu Melesse says at first she and her friends were astounded by the bluntness of Feleke and his three fellow judges.
“I couldn’t believe what they were saying to the singers,” said the 25-year-old shop assistant who lives in the capital, Addis Ababa. “We just don’t do that here in Ethiopia. But gradually we became addicted because it was so refreshing. Now we don’t miss a show and think Feleke’s comments are hilarious.”
While the fans may be captivated, performers have been stung.
The judges “are criminals,” said Natinel Amsalu, a 17-year-old student and amateur crooner who was raked over the coals by the all-male panel after his croaky rendition of My Love, a local song made popular by Ethiopian star Theowdros Kassahun.
“I am a very good singer but the judges kept saying I had serious problems reaching the high notes,” said Natinel, who practises each day in front of his mirror. “They did not even listen to me. What they have done is a very bad thing. They made me look a fool.”
Natinel paid $10 US of his hard-earned savings to travel 500 kilometres from Gonder in northern Ethiopia to Addis Ababa to compete.
Contestants like Natinel are drawn by the prospect of winning a local record deal and as yet undetermined cash prize. The yearlong program scheduled to end in September was put together on a budget of $100,000 US.
Ethiopian Idols cannot promise riches or fame, but it offers hope in a country where most of the 77 million people cannot even afford a TV set of their own to watch the program.
Medina Mohammed, a 17-year-old student who made it through to the next round after travelling some 300 kilometres from the Afar region to compete, said her family watches in a bar.
“We love it,” she said.
“Feleke wasn’t too tough, but his reputation had made me nervous,” added Medina, who has tribal scars on her cheeks and performed in the multicoloured beads and red cloth of her Afar ethnic group, singing a traditional love song, I’m So Glad You Came. Judges described her voice as “honey-like,” and her appearance was to be rebroadcast Saturday on a special for Ethiopian Christmas.
Some contestants tackle songs made popular by Whitney Houston and Britney Spears. Most however, sing local love songs, and appear draped in the traditional national dress of white cotton or fabulous ethnic costumes.
After the four judges whittle down the original 2,000 contestants to 96, the winner will be decided by the public by a phone-in ballot, the first time such polling will be used in Ethiopia.
That and other details were copied from the Pop Idol original — without permission from the British producers, Fremantle Media, admits co-producer 33-year-old Jamal Ahmed.
“We are happy to pay although we don’t have much money,” said Jamal, joint head of J.I.T Media and Entertainment in Ethiopia, one of a tiny band of private media firms in the country. “We have been in touch but as yet have not heard anything.”
Fremantle, which owns the global intellectual rights, says it is aware of Ethiopian Idols.
“We do not want to force them off air, but this has to be a lawful production,” Fremantle legal expert Amanda Harcourt said in a telephone interview, saying an as-yet undetermined per episode fee would be charged.
“We are not talking about millions of dollars, we are talking about an appropriate fee based on the market,” she said. “We do protect our intellectual property very rigorously and welcome the fact that they want to talk to us and are willing to pay for the rights.”