How come all those old musicians make such an awful music?

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one of life mysteries...i know why they still make music:money - there are enough blind people to buy and maintain the myth of the past, (including the musician himself) ,although it is now spoiled.

it seems like,unless you are neil young/retired, you will make shitty/boring/pretentious music when you get old.
and if you still make something worth listening to, it will be generally less good comparing to your achivement in the past (paul mccartney,the stones).

so,how come pete townsend,eric clapton,sonic youth (yes,sonic youth),
nick cave (yes,nick cave), john cale,lou reed and all the others make such an awful/boring music?

i mean, bookwriters and filmmakers sometimes make their best work when they are old and wise, but not musicians.why?!

fredricko, Saturday, 4 February 2006 16:20 (twenty years ago)

i guess you need passion,enthusiasm and some hyper-activity in you to make good music, and those characteristics are common among young people.

doc, Saturday, 4 February 2006 16:49 (twenty years ago)

That's what I hate the most. When I see my old favorite bands who retired years ago make a "Comeback", usually with maybe one or two original members left. They release an album filled with half-assed garbage, and then they get a myspace and start touring with a bunch of mediocre bands. It just sort of leaves you dead...

LoneNut, Saturday, 4 February 2006 17:05 (twenty years ago)

law of averages, don't you think? I mean, Murray Street is good by practically yardstick you use to gauge SY records (unless that yardstick is "it must be NEW! I must NEVER HAVE HEARD ANYTHING LIKE IT!" in which case, y'know, grow up a little) - Cave has been up & down & up and down, like anybody - Cale's Words For the Dying was great, he's another who does a great deal of good work in his old age. But no: the excitement attendant upon a new quality will never attach itself to a known quantity - this is true in literature, too; the only stir an established writer can create is if he retires to his cave for a number of years and emerges with a great big tome, and even then odds are against him. The marketplace demands novelty, audiences clamor for it. Then of course there are the Claptons who decide that in light of this there's no point in trying to extend one's efforts beyond the established audience, which impulse is not hard to understand.

Thomas Tallis (Tommy), Saturday, 4 February 2006 17:11 (twenty years ago)

may i add a known fact in music history:
when an artist invent something new in music, he usually can't develop he's idea beyond it's limits.
it will be done eventually, but by another artist.
for example: sonic youth --> blonde redhead --> deerhoof --> who knows about the future...

eddd, Saturday, 4 February 2006 17:26 (twenty years ago)

also:
the who-->guided by voices-->fiery furnaces (some songs)

eddd, Saturday, 4 February 2006 17:29 (twenty years ago)

this is so banal

yes it is, Saturday, 4 February 2006 17:46 (twenty years ago)

We've done this before, I think. A few points I remember:

1) Classical composers don't seem to age badly at all.

2) Pop music is inherently youthful, so maybe that's why 45-year-olds start to sound silly and unconvincing singing it.

Abbadavid Berman (Hurting), Saturday, 4 February 2006 17:57 (twenty years ago)

2) Pop music is inherently youthful, so maybe that's why 45-year-olds start to sound silly and unconvincing singing it.
-- Abbadavid Berman (Hurtingchie...), February 4th, 2006.

Agreed. I mean, who can honestly listen to Brian Wilson sing "Smile" now and not want to cry a little bit? Anyone? Anyone?

Tarpley (Tarpley), Saturday, 4 February 2006 19:17 (twenty years ago)

Drugs

Mr. Snrub (Mr. Snrub), Saturday, 4 February 2006 20:55 (twenty years ago)

I used to work at CMC International before Sanctuary gobbled it up. I felt badly for those artists because they were damned no matter what they did. If they stuck to their guns and made music that recalled what made them huge, they were considered dinosaurs long past their prime. When they tried to incorporate modernity into their sounds, they were pathetic has-beens desperately trying to be contemporary.

Brian O'Neill (NYCNative), Saturday, 4 February 2006 22:22 (twenty years ago)

interestingly, young people are also way better at coming up with asinine sweeping generalizations

Fritz Wollner (Fritz), Saturday, 4 February 2006 22:40 (twenty years ago)

"interestingly, young people are also way better at coming up with asinine sweeping generalizations "

which is a generalization for itself.
oh,today's youth are fucked up...:))

fgg, Saturday, 4 February 2006 22:48 (twenty years ago)

get 'em Fritz

Thomas Tallis (Tommy), Saturday, 4 February 2006 22:59 (twenty years ago)

the thought process of "i'm not interested in old person-created art, therefore all old person-created art is always crap" does seem a bit specific to young people. old people thinking young person-created crap just as wrong and probably even more common-place, which i guess is fgg's point. so point taken and apologies to people with open minds of all ages.

Fritz Wollner (Fritz), Saturday, 4 February 2006 23:01 (twenty years ago)

i don't even disagree that the best pop & rock-type music is usually made by people in their teens and twenties. that's probably true. but people don't always get progressively worse.

also, your taste changes. as I grow older I am more inclined to be interested in music created by older people. some stuff that meant a lot to me when i was 20 means nothing to me now. some of it means even more to me now. so i can't say all under 30-year-old songwriters have nothing to say anymore than frederick can say all over-30-year-olds have nothing to say.

and older people don't exactly have the corner on the market when it comes to making shitty/boring/pretentious music. the doors were under 30 when they recorded The End, dude.

Fritz Wollner (Fritz), Saturday, 4 February 2006 23:20 (twenty years ago)

"death letter", "john the revelator", "empire state express"

inspired and unmatched by any youngster and recorded by 63 year-old Son House


http://www.wirz.de/music/resonat/sonhous4.jpg

Brian Jones (Brian Jones), Sunday, 5 February 2006 10:03 (twenty years ago)

Pop music is inherently youthful, so maybe that's why 45-year-olds start to sound silly and unconvincing singing it

http://cover6.cduniverse.com/MuzeAudioArt/140/143657.jpg

m coleman (lovebug starski), Sunday, 5 February 2006 12:40 (twenty years ago)

i guess you need passion,enthusiasm and some hyper-activity in you to make good music, and those characteristics are common among young people.

Going on this, could you also say that having a conversation with yourself on the interweb is a characteristic common among young people?

Pashmina (Pashmina), Sunday, 5 February 2006 15:17 (twenty years ago)

yes, I completely agree!

grffft (Pashmina), Sunday, 5 February 2006 15:20 (twenty years ago)

me too!!

posh totty (Pashmina), Sunday, 5 February 2006 15:21 (twenty years ago)

"Going on this, could you also say that having a conversation with yourself on the interweb is a characteristic common among young people?"

yes.am i supposed to feel shame?

dac, Sunday, 5 February 2006 15:24 (twenty years ago)

"Why does old people never want to rock?"

FWIW, I don't think 'rock is for the young' or any stupid shit like that. I do think that a lot of people in rock get into it for extra-musical reasons (chicks, glamour, ego, fame) so that their enthusiasm for music is secondary and wanes after they've achieved chicks glamour whatever. The people interested in music qua music tend to stay good. These people who are see music as a means to an end may nevertheless have remarkable talent and achieve great things when they focus on it.

Austin Still (Austin, Still), Sunday, 5 February 2006 15:27 (twenty years ago)

plus,what can i say,you are a true genius to find it out.
(who cares anyway,except you,and why?)

doc, Sunday, 5 February 2006 15:32 (twenty years ago)

are in last sentence, plz

Austin Still (Austin, Still), Sunday, 5 February 2006 15:33 (twenty years ago)

or if i'll put in in boy george words:
"do u really want to hurt me?
do u really want to make me cry?"
:)

doc, Sunday, 5 February 2006 15:38 (twenty years ago)

One of the best bands I've ever seen was Birdyak. The youngest member was in his late 50s; the two oldest were in their 70s.

Douglas (Douglas), Sunday, 5 February 2006 17:27 (twenty years ago)

Most of the acts I've seen lately were really old - Stooges, Ann Peebles, Syl Johnson, Billy Lee Riley, Ike Turner, Ornette Coleman, Cecil Taylor - and mostly great. So were Afrirampo, who were about a quarter the age of Ornette. Still it's generally true - there is a much faster rate of attrition with age than in writing or painting, for instance. Music is more demanding of physical energy, and more keen on moving with fashions, which I guess are the main reasons.

Martin Skidmore (Martin Skidmore), Sunday, 5 February 2006 19:58 (twenty years ago)

2) Pop music is inherently youthful, so maybe that's why 45-year-olds start to sound silly and unconvincing singing it.

Depends. But often, an act will benefit from changing his style somewhat when he gets old. Elvis Costello would have looked silly making "This Year's Model" in 2006.

Geir Hongro (GeirHong), Monday, 6 February 2006 00:35 (twenty years ago)

HEy, the Rolling Stones are performing during the half of the Superbowl right now!

Cunga (Cunga), Monday, 6 February 2006 01:14 (twenty years ago)

i guess you need passion,enthusiasm and some hyper-activity in you to make good music, and those characteristics are common among young people.
If this applies at all, it probably only applies to Bubblegum-ish music*
I mean, it would be creepy to tune in and see Britney or Christina in 20 years, with crows feet and jiggling love handles singing "I'm Not A Girl Not Yet A Woman"; But (heaven help us) Courtney Love could be singing "Doll Parts" in 2026 and not be any sillier than singing it right now.
(This 'phenomenon' Also makes me imagine JJ Cale or Leonard Cohen doing fast-paced, danceable, innocent pop music back when they were learning their chops in the garage/bedroom/shower when they were 11.)
I think its not that musicians stop making "good" songs when they get old, they just don't make songs that a young'un can grasp.
(Also they don't play as fast, 'cuz of the Lumbago and Rhuematism.)

* = Okay, I do recognize that Jonathan Richman is still making Bubblegum-ish music at his advanced age (and pulling it off) but he's the exception to the rule the original poster is positing, because J. Richman is a mutant and his mutant power is the ability to remain perpetually youthful in his own mind....or somesuch.

Lord Custos Omicron (Lord Custos Omicron), Monday, 6 February 2006 04:34 (twenty years ago)

we all need a little Jonathan Richman in us!

Brian Jones (Brian Jones), Monday, 6 February 2006 10:09 (twenty years ago)

hope i die before i get old...

dr x o'skeleton, Monday, 6 February 2006 11:22 (twenty years ago)

As a rocker nearing 40, this is a near and dear subject. So much of what makes music intersting comes from a social context, and fame/fortune or just plain aging tends to remove people from the social circumstances that forced them to be creative.

A lot of people just get tired of looking for new challenges in their 30s, and I think a lot of musicans get older and just retreat into what they know.

In the case of Nick Cave getting boring, I think he started viewing his work as a profession. That last album was good, 'cause he stopped being tastefull ("a frappacino in my hand") and went and got a gospel choir and took a big risk on something that could have sounded like the Jesus Christ Superstar Soundtrack. Actually, it did in places, that audacity is what made it the first album by him in 15 years that I enjoy listening to.

Mark E. Smith has remained interesting by never letting himself, or anyone else get comfortable. Nor has he been dealt such success that he has to worry about the mortgage on the castle.

Wire's recent stuff shows a similar modesty- taking a break when they had nothing to say, testing the water with some EPs, rather than a long-winded full-length.

For me, the ultimate exception to the trend is when this 60-something took on the young lions

http://images.amazon.com/images/P/B000005H4K.01._AA240_SCLZZZZZZZ_.jpg

If they Rolling Stones were willing to collaborate with, I dunno, the Gossip, they might not look like such dumbasses. Instead, they made a big deal about how they simply collaborated with each other on the latest record. Really up for the challenge there! They live in isolation, and with nothing fresh going in, nothing fresh is going to come out. I think that the case for most artist who've grown boring.

The other exception to this are the artists who have no social context whatsoever- they're just in their own little world. Like Richman. If Captain Beefheart were still active, I bet he'd be as good as ever too.

bendy (bendy), Monday, 6 February 2006 18:15 (twenty years ago)

What's great about Richman is that he's always singing about being 2 yrs old, but at first he was a 19 yr old singing about being 2, and then he was a 30 yr old singing about being 2, and now that he's a over-50 yr old singing about being 2, it's still great, because when he sings about being 2, he's actually singing about what it means to be whatever age he really is. And also nude ranchers.

Huk-L (Huk-L), Monday, 6 February 2006 18:21 (twenty years ago)

http://images.amazon.com/images/P/B00008BLCC.01._AA240_SCLZZZZZZZ_.jpg
This wasn't awful at all. Is it worth starting a thread to anticipate Flat-Pack Philosophy?

brianiast (briania), Monday, 6 February 2006 18:40 (twenty years ago)

three months pass...
I am 27 and I have to say that, luckily, I have never been one to judge based on age in my life. Somehow I knew it was all bullshit.

Really, what the problem is is that we have a media culture that is youth obsessed/crazed. It is an initial instinctual reaction to be drawn to that which is new, shiny, and pretty. Also, younger people have disposable incomes. They have less (or no) bills and part much more easily with their money because they are less experienced and much more desperate to "fit in". If it were the old who blew all their money on entertainment then we would have a system that was totally geared towards them.

Now for the older artist there is tremendous pressure. It is damn near a crime to get older in the first place, but if you stick to your orginal sound your a "dinosaur". If you incorporate newer sounds then you are washed up and desperate.

Saying that old musicians make crappy music is a generalization. There are plently of examples to prove otherwise. It's just for a lot them it becomes more difficult to persist at least in large respect due to the tremenous pressure and judgements leveled at them. Other arts do not have this level of bias.

Look in the end it really doesn't f'ing matter. We all get old, so what? Just enjoy music for what is and quit adding to the tremendous adversity musicians already face in doing their craft.

What really made me appreciate talent at any age was when I saw this rock group in a pub in Ireland. It was a band of younger guys but they had this tremendous drummer, 80 yrs old. People respected him and came to see this group because of him...funny I don't even remember the name of the group.

Serge Farinas, Saturday, 13 May 2006 15:58 (nineteen years ago)

Think! Man, think!
I want to know who that group is.

Mr _Deeds (Mr_Deeds), Saturday, 13 May 2006 16:18 (nineteen years ago)

Most people will run out of good song ideas after a while, which makes is harder to come up with fresh and good music. Most "old" musicians will from time to time be able to release an album that is viewed as a "return to form" and considerably better than most of his other recent material though.

Geir Hongro (GeirHong), Saturday, 13 May 2006 17:27 (nineteen years ago)


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