Good music with offensive lyrics: Where do you draw the line?

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I remember the music used in Romper Stomper had me tapping my toes even though the lyrics were highly repugnant. I often hear people talk about bands with racist lyrics in hushed tones. They admit to thinking that bands such as Skrewdriver and Graveland kick their asses, but then apologize - for the lyrics or for liking them in spite of them, I'm not sure.

At what point are lyrics so offensive that nothing musically will allow you to recommend them? Or does it ever reach that point?

Sidebar: While looking up some things on this topic, I came across this thread from a White Power message board. Unsure sure whether to laugh or cry, I did both. [ADMIN: the url is broken, you will have to manually alter it in your browser. Please do not direct link to fascist/nazi sites, we don't want to be turning up in their access logs, thx.]

Brian O'Neill (NYCNative), Saturday, 11 February 2006 11:39 (nineteen years ago)

I don't see how this is different from any other art with controversial themes. In general it depends on people's comfort zones with respect to the subject - if you're easily offended by misogyny or homophobia, hiphop and dancehall have similar pitfalls. And yes, that might sound relativist or a copout.

But there's considerable differences between the degree of offensiveness of Skrewdriver and Graveland - Skrewdriver is very direct and overtly political in their racist message ("Kill The Pakis", and what have you). Their message is clear and open and obviously meant to confront and offend.

Graveland just do songs about ancient pagan beliefs, medieval battles, romanticist/nostalgist stuff about how people have lost contact with nature, etc. The crypto-fascist undertones are undeniably there, but you'd have to have a pretty thin skin to get offended by that alone - in the case of Graveland/Burzum/etc case it's the underlying knowledge that these guys hang out with a dubious crowd that makes them offensive.

Siegbran (eofor), Saturday, 11 February 2006 13:41 (nineteen years ago)

linking up white power boards directly is a very, very bad idea. Just drop a letter in "http" or aomething. Moderator?

joseph cotten (joseph cotten), Saturday, 11 February 2006 14:56 (nineteen years ago)

I put a request up on the mods board. Brian is new here I think and probably didn't realise.

Last Of The Famous International Pfunkboys (Kerr), Saturday, 11 February 2006 15:05 (nineteen years ago)

to answer the original question: i don't.

if i thought something i listened to might offend someone i knew i wouldn't bother playing it for them. other than that i don't really see a reason to get uptight about it, whether it's "pregnant pussy" by UGK or one of the more offensive numbers by grand belial's key.

baby, disco is fuck (yournullfame), Saturday, 11 February 2006 15:22 (nineteen years ago)

wait, i take it back. ICP.

baby, disco is fuck (yournullfame), Saturday, 11 February 2006 15:42 (nineteen years ago)

i've never heard, or had the slightest desire to hear, skrewdriver. with them i draw the line at: i see no need whatsoever to ever think about them. it's hard to articulate exactly why other than that it's blindingly obvious to me. irrational hatred doesn't strike me as a very good political system. then again i love the title song of bruce springsteen's "nebraska," which is a first-person account of irrational hatred. but it's not being delivered to me as, like, a suggestion. i love eminem's kim songs 'cause they're well-told stories with a sense of character. they're not game plans for me to follow. i love merle haggard's "fightin' side of me," even though i vehemently disagree with the message. i like the way he says it and i can accept fundamental political disagreements.

a movie about a white-power group? sure, if it's a good one. a public service announcement from the movement? no thanks.

fact checking cuz (fcc), Saturday, 11 February 2006 17:14 (nineteen years ago)

Do you really have to rely on typical Christian stereotypes? Listening to metal has increased my intelligence...

jhoshea (scoopsnoodle), Saturday, 11 February 2006 17:36 (nineteen years ago)

Listening to metal has increased my intelligence...

Astonishing!

George the Animal Steele, Saturday, 11 February 2006 18:27 (nineteen years ago)

if it weren't for metal, i wouldn't know that anthrax doesn't take any shit and they don't care for writing hits.

jonathon, Sunday, 12 February 2006 06:03 (nineteen years ago)

I can't tell if this is genius or to opening riff of Armageddon: "I'm gonna beat that pussy up, wait til you see my dick." Then again, it is hard to fault misogyny in hip-hop when the women at the clubs love the songs as much/if not more that the men. As for Jew hating, remeber even Michael Jackson writes anti-semetic lyrics. Then again, he has a lot in common with Coca Cola; they both come in little cans.

BTW, Russell Crowe is great in "Romper Stomper." Another Aussie film I loved was "Chopper" staring that guy who played the Hulk, Eric Banna,as a real bad ass early eighties Ausie banger. Once rented a cool flick about an orthodox Jew who loved Nazi hardcore called "The Believer" I think. But, as I remeber it back in the day, weren't all Nazi Punks also homos too, that is the dirty, badly dressed, woman hating subspecies of homo, and not the fabulous kind we all love.

JB Young (JB Young), Sunday, 12 February 2006 06:46 (nineteen years ago)

Metal is derived from classical music. This makes it white. Chuck Berry's penis didn't invent it.

guy with hair, Sunday, 12 February 2006 06:51 (nineteen years ago)

Metal is derived from classical music.

Incredible!

George the Animal Steele, Sunday, 12 February 2006 08:18 (nineteen years ago)

weren't all Nazi Punks also homos too, that is the dirty, badly dressed, woman hating subspecies of homo, and not the fabulous kind we all love.

Actually many of the people in the Nazi party and pre-Nazi Germany were of that "butch" school of homosexuality that could be insanely vicious towards others (especially towards feminine homosexuals). This involvement with homosexuality can be traced as far back as Germany, 1865 where the modern gay rights movement starts with the writings of the "third gender" and the "pro-butch/anti-fag" sentiment going all the way up to today with Austria's own Arnold Schwarzenegger showing incredible tolerance of homosexuality in 1970s interviews but still carrying around his famous bias against "girly men" today as governor. As this shows, homosexuals can be as diverse as any other group and can be just as divisive amongst themselves.

Cunga (Cunga), Sunday, 12 February 2006 08:38 (nineteen years ago)

Um.

Yeah, don't direct link to that shit.

I think this is actually a very interesting question that only Siegbran and El Sabor have attempted to address, it really relates pretty closely to that recent AIDS Wolf thread.

The answer is hopelessly subjective. I sometimes sleep with boys, yet I really love the Angry Samoans' "Homosexual" and at the same time vehemently reject Public Enemy's appalling gay-bashing on "Meet The G That Killed Me".

I like Whitehouse, yet refuse to listen to Rapeman because I hate their name. Yes, I know that isn't exactly consistent.

I don't attempt to defend these aesthetic choices as anything other than my subjective sense at work. Some things click with me, others don't.

Also to thread: The Frogs, Psychodrama, Blackhumour, Death In June, NWA, etc...

sleeve (sleeve), Sunday, 12 February 2006 08:41 (nineteen years ago)

and xpost to Cunga, good points... Klaus Theleweite (sp?) addresses some of that stuff in the amazing book Male Fantasies.

sleeve (sleeve), Sunday, 12 February 2006 08:42 (nineteen years ago)

I love Ween, The Frogs, GWAR, and any band that is hyper-offensive in a hilarious way. To me, the only issue is how creative they are with the material. If they handle it in a moronic, retarded way without a hint of irony, then I feel that a line has been crossed.

LoneNut, Monday, 13 February 2006 00:13 (nineteen years ago)

two weeks pass...
Rapeman, and Steve Albini material in general, is a different question. In this case, it is neccessary to seperate the art from the artist. Most Albini lyrics are written in character - see trouser minnow, written in the first person from the point of view of a sluttly college girl. the issues addressed in Albini lyrics are not neccesarily the views implicit in the lyrical account - the issues addressed are those that arise from studying the actions of the character. As for the name, rapeman was taken from a commercially available Japanese comic book. I don't really take issue with the name.

Neil Bailey, Thursday, 2 March 2006 18:42 (nineteen years ago)

unlike all those pesky coke dealing darkies and metalheads who have ripped ripped entrails from a virgins cunt

ham'ron (dubplatestyle), Thursday, 2 March 2006 18:49 (nineteen years ago)

xpost:

I know it's from a comic book, I just find that totally irrelevant since the majority of people listening to it probably don't know that. Even if they do, I don't care. Not rational, as noted above, but it feels right to me.

PS: I like Big Black and Shellac a lot. More contradictions!

sleeve (sleeve), Thursday, 2 March 2006 20:32 (nineteen years ago)


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