― Bluej@djd, Monday, 13 February 2006 23:43 (nineteen years ago)
― j blount (papa la bas), Monday, 13 February 2006 23:47 (nineteen years ago)
― senseiDancer (sexyDancer), Monday, 13 February 2006 23:47 (nineteen years ago)
― Matos-Webster Dictionary (M Matos), Monday, 13 February 2006 23:47 (nineteen years ago)
― Confounded (Confounded), Monday, 13 February 2006 23:53 (nineteen years ago)
― musically (musically), Tuesday, 14 February 2006 00:03 (nineteen years ago)
― j blount (papa la bas), Tuesday, 14 February 2006 00:04 (nineteen years ago)
― Shakey Mo Collier (Shakey Mo Collier), Tuesday, 14 February 2006 00:10 (nineteen years ago)
― Susan Douglas (Susan Douglas), Tuesday, 14 February 2006 00:11 (nineteen years ago)
Lennon maybe had more street and swagger in his voice, and a really cool falsetto, but was more nasal, less chest.
― Brooker Buckingham (Brooker B), Tuesday, 14 February 2006 00:11 (nineteen years ago)
― Confounded (Confounded), Tuesday, 14 February 2006 00:25 (nineteen years ago)
― j blount (papa la bas), Tuesday, 14 February 2006 00:25 (nineteen years ago)
-range-power-dynamics-pitch accuracy-control-vibrato
But wait, what about...
-sonority-tonal depth-personality-unrefined folksiness-freedom-guts & grunge
-personal appeal-subjective impression-uniqueness-deliverence of social message-whimsy-timbre
I'm sorry, but I have unintentionally fused the subjective and objective, and now am rendered catatonic.
Thank you, and good night.
― Peppy Zimbot, Tuesday, 14 February 2006 09:14 (nineteen years ago)
― mark grout (mark grout), Tuesday, 14 February 2006 09:39 (nineteen years ago)
― electric sound of jim (and why not) (electricsound), Tuesday, 14 February 2006 09:47 (nineteen years ago)
Paul was the better songwriter though, particularly during the last half of their existence :)
― Geir Hongro (GeirHong), Tuesday, 14 February 2006 09:59 (nineteen years ago)
― mark grout (mark grout), Tuesday, 14 February 2006 10:02 (nineteen years ago)
― electric sound of jim (and why not) (electricsound), Tuesday, 14 February 2006 10:06 (nineteen years ago)
― Kimberly Sool, Tuesday, 14 February 2006 12:29 (nineteen years ago)
― Vintage Latin (dog latin), Tuesday, 14 February 2006 12:32 (nineteen years ago)
― david laughner, Tuesday, 14 February 2006 12:33 (nineteen years ago)
― Joe (Joe), Tuesday, 14 February 2006 12:47 (nineteen years ago)
― Alfred, Lord Sotosyn (Alfred Soto), Tuesday, 14 February 2006 14:14 (nineteen years ago)
― 6335, Tuesday, 14 February 2006 19:15 (nineteen years ago)
people don't swear off doubletracking 'cause they're "smug," they do it 'cause doubletracking vox usually sounds like ass
― Thomas Tallis (Tommy), Tuesday, 14 February 2006 19:20 (nineteen years ago)
― kornrulez6969 (TCBeing), Tuesday, 14 February 2006 19:21 (nineteen years ago)
― Dadaismus (Dada), Tuesday, 14 February 2006 19:29 (nineteen years ago)
you are mad. this is one of the most common vocal recording techniques ever, and with good reason.
― Shakey Mo Collier (Shakey Mo Collier), Tuesday, 14 February 2006 19:29 (nineteen years ago)
I would have too, up until about three years ago. Nowadays, I think that Paul singing showtunes is KICKASS.
― J (Jay), Tuesday, 14 February 2006 19:31 (nineteen years ago)
― Alfred, Lord Sotosyn (Alfred Soto), Tuesday, 14 February 2006 20:05 (nineteen years ago)
Technically, Paul was clearly the better singer, -- Geir Hongro (geirhon...), February 14th, 2006.
"Clearly." (I know, I know, the "barrister" ... )
― Tim Ellison (Tim Ellison), Tuesday, 14 February 2006 20:12 (nineteen years ago)
― darin (darin), Tuesday, 14 February 2006 20:26 (nineteen years ago)
Usually a sign of vocal skills. on the other hand, you may also argue it is a sign his voice has less personality than Lennon's (which is easy to agree with)
― Geir Hongro (GeirHong), Tuesday, 14 February 2006 21:25 (nineteen years ago)
― philip sherburne (philip sherburne), Tuesday, 14 February 2006 21:35 (nineteen years ago)
― paulhw (paulhw), Tuesday, 14 February 2006 22:13 (nineteen years ago)
Paul, with his breathtaking range and magpie skills, embraced the possibility of melody, without ever suggesting that he'd ever succumbed to the emotions he's singing about.
― Alfred, Lord Sotosyn (Alfred Soto), Tuesday, 14 February 2006 22:46 (nineteen years ago)
― QuantumNoise (Justin Farrar), Tuesday, 14 February 2006 22:53 (nineteen years ago)
― Tim Ellison (Tim Ellison), Tuesday, 14 February 2006 22:56 (nineteen years ago)
― Alfred, Lord Sotosyn (Alfred Soto), Tuesday, 14 February 2006 22:56 (nineteen years ago)
― Pleasant Plains /// (Pleasant Plains ///), Tuesday, 14 February 2006 23:25 (nineteen years ago)
Does that mean Paul had the better voice or a higher, non-falsetto register? Or, does it mean that Paul knew how to use the voice he had to greater efficiency? Like craftsman, some artisans have more raw ability while other artisans have learned the craft a bit more. You see this in basketball; certain players are more gifted athletically but aren't as good as less athletic players who have developed their skills a bit more. I'm not saying either way. I think they enriched each other. I'm just tossing some questions out there.
― QuantumNoise (Justin Farrar), Tuesday, 14 February 2006 23:31 (nineteen years ago)
Yes. He was a better musician too (bass, guitar, piano drums). About the only area in which John was his match was songwriting.
― Alfred, Lord Sotosyn (Alfred Soto), Tuesday, 14 February 2006 23:39 (nineteen years ago)
― Tim Ellison (Tim Ellison), Tuesday, 14 February 2006 23:41 (nineteen years ago)
― QuantumNoise (Justin Farrar), Tuesday, 14 February 2006 23:45 (nineteen years ago)
― xgurggleglgllg (xgurggleglgllg), Tuesday, 14 February 2006 23:52 (nineteen years ago)
― QuantumNoise (Justin Farrar), Wednesday, 15 February 2006 00:02 (nineteen years ago)
― fact checking cuz (fcc), Wednesday, 15 February 2006 01:01 (nineteen years ago)
― operatist, Wednesday, 15 February 2006 03:27 (nineteen years ago)
I think part of what's going on here is the choice of material. Paul did rock songs and could absolutely shred them (the old standbys for this argument are "Oh Darling" and "I'm Down"), but he rarely chose or wrote songs of anguish or insecurity. When people say that John sang with more honesty or realness they may well be conflating the choice of material with singing ability. John had, or was comfortable with sharing, more "issues," so you get things like "No Reply" etc.
Sometimes I wonder about this, though (I'm now getting very far off topic)...take a song like "For No One." Conventional wisdom is that Paul just sits down and writes this in a very detached way, as a novelist would - okay, we have these characters, this guy's been dumped, he's bummed about that, very tidy, time for tea. This fits with Paul's image as a generally sunny guy and a consummate songwriter, but I wonder whether a song like this came out of immediate personal experience. On-topic: would it make Paul's voice better if so?
― Doctor Casino (Doctor Casino), Wednesday, 15 February 2006 05:15 (nineteen years ago)
― Pleasant Plains /// (Pleasant Plains ///), Wednesday, 15 February 2006 05:46 (nineteen years ago)
When Paul goes, it'll be back to "Hey Jude" or "Let it Be" i.e. beatles stuff.
― mark grout (mark grout), Monday, 20 February 2006 16:40 (nineteen years ago)
Also, I do expect "Maybe I'm Amazed" to get another lease on life when Paul passes away, but maybe that's just me.
― Doctor Casino (Doctor Casino), Monday, 20 February 2006 16:47 (nineteen years ago)
The main reason McCartney's Beatlesongs are more often covered than John's are because of the singular greatness of John's voice. Any cover of John's songs will suffer from comparison on his vocal coparisons alone. On the other hand, think of the songs by others John covered and how he cut the originals to pieces (Twist & Shout, You Really Got A Hold On Me, Money, Rock & Roll Music) while Paul's covers are more karaoke-like vocal imitations (Little Richard on Long Tall Sally and Kansas City, or when he croons Taste Of Honey or Til There Was You).
McCartney was/is a good singer but so are a lot of people singing in wedding bands and in the shower.
Lennon was unique in ways that can't be quantified nor imitated. His voice is the single greatest reason the Beatles are as great as they are.
― Paulie Cee, Monday, 3 September 2007 17:16 (eighteen years ago)
His voice is the single greatest reason the Beatles are as great as they are
I think the songwriting has a little to do with it.
― Nathan, Monday, 3 September 2007 17:56 (eighteen years ago)
McCartney = better voice Lennon = better singer
sez I.
― JN$OT, Monday, 3 September 2007 18:13 (eighteen years ago)
I said the "single greatest reason," not the only reason.
― Paulie Cee, Monday, 3 September 2007 18:32 (eighteen years ago)
Lennon by a country mile.
― PhilK, Monday, 3 September 2007 18:39 (eighteen years ago)
Ringo by a kilometre.
― aaaaaaaaaaaaaaaaaaaaaaaaaa, Monday, 3 September 2007 18:59 (eighteen years ago)
wow, Paulie Cee. Brave words and i can't say i disagree one wit
― outdoor_miner, Monday, 3 September 2007 21:02 (eighteen years ago)
Agreeing with many of the folks above, Paul was the better singer by far, and the best overall musician in the band.
― St3ve Go1db3rg, Monday, 3 September 2007 21:27 (eighteen years ago)
"but he could completely own "This Boy" with his "I Will" voice. Or, say, the bridge of "I'll Be Back," with a little of his "Kansas City" type yell."
LOL. If McCartney had attempted to solo on either of those bridges (they were Lennon songs so why would he) they would have sounded so hokey and contrived both songs would have collapsed under the weight of his own forced emotion. Lennon vocally was always something that McCartney only rarely (if ever) attained. Lennon's voiced oozed sincerity. If he was black you'd call it soul.
― Paulie Cee, Tuesday, 4 September 2007 00:36 (eighteen years ago)
Without a doubt, McCartney
― Alex in NYC, Tuesday, 4 September 2007 00:49 (eighteen years ago)
The main difference between Paul McCartney and Barry Manilow is that Barry Manilow didn't meet John Lennon when he was 14.
― Paulie Cee, Tuesday, 4 September 2007 00:57 (eighteen years ago)
What are the names of the best beatles b-sides, rarities or uncommon songs that I can soulseek? For instance Beatles - Everyone Had a Hard Year
― CaptainLorax, Tuesday, 4 September 2007 02:51 (eighteen years ago)
Lennon's voiced oozed sincerity. If he was black you'd call it soul.
ban nude spock
― Curt1s Stephens, Tuesday, 4 September 2007 03:09 (eighteen years ago)
Only in his world does "sincerity" "ooze"
― Hurting 2, Tuesday, 4 September 2007 03:18 (eighteen years ago)
I have to disagree with the description (1 1/2 years ago, now) of Paul's "apocalyptic" singing on Helter Skelter. Helter Skelter with Paul singing is one of the best Beatles songs. If John would've been the vocalist, it's chilling to think how good it would be. Paul manages to pull off the occasional scorching hard vocal "Oh Darling", but John brought an authenticity to his singing, where Paul always seemed to be imitating Little Richard or vaudeville.
― Z S, Tuesday, 4 September 2007 03:22 (eighteen years ago)
I disagree - Paul definitely has his own style. Of course, he grew up and spent lots of his early career covering early rock artists, but eventually he developed a unique tone. I think his vocal performance on Hey Jude is a pretty good example.
And his vocal performance on Helter Skelter is out of this world. John probably would have done well, but Paul's performance is one of the most intense, nuanced, and memorable in the Beatles' catalogue.
― Nathan, Tuesday, 4 September 2007 03:37 (eighteen years ago)
Paul manages to pull off the occasional scorching hard vocal "Oh Darling"
"'Oh Darling' was a great one of Paul's that he didn't sing too well. I always thought that I could've done it better -- it was more my style than his. He wrote it, so what the hell, he's going to sing it. If he'd had any sense, he should have let me sing it." -- Lennon, from his 1980 Playboy interview
― fact checking cuz, Tuesday, 4 September 2007 04:02 (eighteen years ago)
He (Paul) was a better musician too (bass, guitar, piano drums).
"Yeah, he's good at that stuff, you know. So is John Denver." -- Lennon Playboy 1980 again, on Paul's guitar playing
― fact checking cuz, Tuesday, 4 September 2007 04:06 (eighteen years ago)
hahahahaha. That 1980 interview is worth reading annually.
― Z S, Tuesday, 4 September 2007 04:10 (eighteen years ago)
on the other hand...
"Paul was one of the most innovative bass players that ever played bass, and half the stuff that's going on now is directly ripped off from his Beatles period. He was coy about his bass playing. He's an egomaniac about everything else, but his bass playing he was always a bit coy about. He is a great musician..." -- Lennon again
― fact checking cuz, Tuesday, 4 September 2007 04:18 (eighteen years ago)
LOL. If McCartney had attempted to solo on either of those bridges (they were Lennon songs so why would he)
I really shouldn't bother responding to this sort of trollish post, but this part jumps out. They didn't solo on each other's bridges all the time but it wouldn't be unprecedented either - "We Can Work It Out" and "A Day In The Life" spring immediately to mind.
― Doctor Casino, Tuesday, 4 September 2007 05:04 (eighteen years ago)
Altho to be fair those are both parts written by the person who sang them. So yeah, pretty rarely if ever did McCartney or Lennon write something and go "hey, you should totally sing this instead of me" unless they were talking to George or Ringo. But I think that's a shame! I'm happy to concede there are songs John would have done better than Paul, but I think the examples given so far are ehh (strongly suspect 1968-69 John incapable of singing Helter Skelter or Oh Darling), and anyway we're several hypothetical degrees away from the thread question..
― Doctor Casino, Tuesday, 4 September 2007 06:39 (eighteen years ago)
(strongly suspect 1968-69 John incapable of singing Helter Skelter or Oh Darling)
He seemed to do just fine on Everybody's got something to hide except me and my monkey...
― Z S, Tuesday, 4 September 2007 13:17 (eighteen years ago)
...and I Want You
― nate woolls, Tuesday, 4 September 2007 13:39 (eighteen years ago)
this is horseshit and the John Denver thing is pure jealousy that makes Lennon look bad. The guy above who said McCartney was by far the best musician in the band is totally OTM
― Bill Magill, Tuesday, 4 September 2007 14:54 (eighteen years ago)
i think lennon carried around all sorts of jealousy, bitterness and anger, along with his immense fucking genius. he treats george harrison as a virtual nonentity in that playboy interview, as a result of a recent (at the time) perceived slight from george.
despite this, or maybe as a result of this, he's able to talk openly about his work and the beatles' work in a way that paul has always had a very difficult time doing. paul always sounds like he's reading from the official beatles FAQ when he addresses any of this stuff. lennon, for better or worse, was trying to actually TALK about it.
― fact checking cuz, Tuesday, 4 September 2007 16:28 (eighteen years ago)
If he said that shit about Harrison, then that 1980 interview is even worse than I fear. John sucked without the Beatles.
― Bill Magill, Tuesday, 4 September 2007 16:37 (eighteen years ago)
fcc otm throughout thread
― James Redd and the Blecchs, Tuesday, 4 September 2007 16:39 (eighteen years ago)
it's funny how personally ppl take the beatles. i swear i've seen ppl get actually MAD about how much john used to rip on paul. whereas i can't imagine even the biggest diehard stones fan giving a fuck if keith made fun of mick in an interview.
― J.D., Wednesday, 5 September 2007 08:53 (eighteen years ago)
anyway as i recall those comments come off somewhat differently in the context of the interview(s), where lennon is often quite generous about both mccartney and harrison.
"oh! darling" always sounded like a total drag to me; i like paul's little richard impression but that song's pace is like nails on a chalkboard for me.
― J.D., Wednesday, 5 September 2007 09:03 (eighteen years ago)
Oh! Darling is one of the Beatles worst songs, not even Paul's voice can save it. Mr Moonlight is better. That's a fucking awful song too, but John's "Misterrrrrrrrrrrrrrrr" at the beginning at least makes it listenable.
― nate woolls, Wednesday, 5 September 2007 09:52 (eighteen years ago)
I prefer the Replacements version.
― James Redd and the Blecchs, Wednesday, 5 September 2007 12:55 (eighteen years ago)
If he said that shit about Harrison, then that 1980 interview is even worse than I fear. John sucked without the Beatles
Actually, it's candid and touching. It's rare that you get any public figure confessing hurt, and he qualifies his dis ("I don't want to come off as an egomaniac..."). Besides, it really did seem like George had it coming: his book is a horror.
― Alfred, Lord Sotosyn, Wednesday, 5 September 2007 13:25 (eighteen years ago)
"I don't want to come off as an egomaniac..."
Bit late for that, Johnny
― Tom D., Wednesday, 5 September 2007 13:26 (eighteen years ago)
"whereas i can't imagine even the biggest diehard stones fan giving a fuck if keith made fun of mick in an interview."
Those guys have been making fools of themselves for so long (see, inter alia, '06 Super Bowl) that I would actually welcome something like that to make it seem like they actually gave a shit.
― Bill Magill, Wednesday, 5 September 2007 14:16 (eighteen years ago)
I think Mick is a joke with all that fan dancing.
― James Redd and the Blecchs, Wednesday, 5 September 2007 14:26 (eighteen years ago)
I always did.
― James Redd and the Blecchs, Wednesday, 5 September 2007 14:27 (eighteen years ago)
"I really shouldn't bother responding to this sort of trollish post, but this part jumps out. They didn't solo on each other's bridges all the time but it wouldn't be unprecedented either - "We Can Work It Out" and "A Day In The Life" spring immediately to mind."
Except that Paul wrote the bridge he sang on in "A Day In The Life, as did John in "We Can Work It Out."
You really shouldn't bother responding until you know what you're talkijng about.
― Paulie Cee, Friday, 7 September 2007 22:34 (eighteen years ago)
And to those who keep bleating "McCartney was by far the best musician in the band" like it means something should realize that Bette Midler's or Liza Minelli's guitar player could probably cut McCartney to pieces. I guess they're better than Paul, eh?
― Paulie Cee, Friday, 7 September 2007 22:38 (eighteen years ago)
http://www.japanator.com/wp-content/uploads/2007/04/serious_buisness_by_adomiel.jpg
― Z S, Friday, 7 September 2007 22:38 (eighteen years ago)
"paul always sounds like he's reading from the official beatles FAQ when he addresses any of this stuff. lennon, for better or worse, was trying to actually TALK about it."
If only it were that bad. McCartney goes around these days claiming sole credit on any Beatle record he sang on, while saying he practically wrote all John's songs too.
Any day now he'll take credit for "Imagine" too...
― Paulie Cee, Friday, 7 September 2007 22:42 (eighteen years ago)
Paul McCartney in not being the world's best guitarist shocka
― St3ve Go1db3rg, Friday, 7 September 2007 22:50 (eighteen years ago)
I think most people seem to prefer Lennon voice but think McCartney is the better singer but there is not much in it, gets a bit difficult to judge because they sang diffrent songs
― flemit22, Thursday, 24 June 2010 18:14 (fifteen years ago)
At the End of the day neither of them are great singers
― flemit22, Thursday, 24 June 2010 18:17 (fifteen years ago)
The main reason McCartney's Beatlesongs are more often covered than John's are because of the singular greatness of John's voice. Any cover of John's songs will suffer from comparison on his vocal coparisons alone. On the other hand, think of the songs by others John covered and how he cut the originals to pieces (Twist & Shout, You Really Got A Hold On Me, Money, Rock & Roll Music) while Paul's covers are more karaoke-like vocal imitations (Little Richard on Long Tall Sally and Kansas City, or when he croons Taste Of Honey or Til There Was You).McCartney was/is a good singer but so are a lot of people singing in wedding bands and in the shower.Lennon was unique in ways that can't be quantified nor imitated. His voice is the single greatest reason the Beatles are as great as they are.― Paulie Cee, Monday, September 3, 2007 1:16 PM (2 years ago) Bookmark
― Paulie Cee, Monday, September 3, 2007 1:16 PM (2 years ago) Bookmark
Agree with this.
― Beach Pomade (Adam Bruneau), Thursday, 24 June 2010 18:21 (fifteen years ago)
it's not just the vocals though, Lennon was always throwing in weird time changes and turnarounds into his compositions
― insert your favorite discriminatory practice here (Shakey Mo Collier), Thursday, 24 June 2010 18:37 (fifteen years ago)
Why did you fools revive this thread when you know damn well Geir will be along soon?
― Filmmaker, Author, Radio Host Stephen Baldwin (Alfred, Lord Sotosyn), Thursday, 24 June 2010 18:43 (fifteen years ago)
Objectively I cant answer because I am not a musician. Subjectively I take Mc Cartney.
― Chicago to Philadelphia: "Suck It" (Bill Magill), Thursday, 24 June 2010 18:49 (fifteen years ago)