For instance, I never knew that Jeff Mangum was informed by "The Diary of Anne Frank" while writing what became "In the Aeroplane Over the Sea" until I read that new Pitchfork review last year. I had no idea, and having loved that album for several years prior I suddenly heard it in a totally different way, especially "Oh Comely".
"I know they buried her body with others / her sister and mother / and five hundred families / and will she remember me / 50 years later / i wish i could save her in some sort of time machine"
Having gone through a period of reading a lot of Holocaust literature, it affected me in a huge way, especially since I already loved the album. Anyone else have stories about that sort of thing? Positive, or negative? I probably have a couple others that I can't think of right now.
― Emily B (Emily B), Sunday, 2 April 2006 03:48 (nineteen years ago)
dude, everyone knows you use the time machine to kill hitler when he was a baby! see, this is what i'm talking about when i talk about the low expectations and limited imagination of american indie rock.
― scott seward (scott seward), Sunday, 2 April 2006 03:59 (nineteen years ago)
― scott seward (scott seward), Sunday, 2 April 2006 04:01 (nineteen years ago)
― Matthew C Perpetua (inca), Sunday, 2 April 2006 04:10 (nineteen years ago)
― beat club (beat club), Sunday, 2 April 2006 05:27 (nineteen years ago)
how does that not imply that's what he'd do?
sheesh.
― Emily B (Emily B), Sunday, 2 April 2006 06:01 (nineteen years ago)
― Emily B (Emily B), Sunday, 2 April 2006 06:05 (nineteen years ago)
― s1ocki (slutsky), Sunday, 2 April 2006 07:08 (nineteen years ago)
― nicky lo-fi (nicky lo-fi), Sunday, 2 April 2006 07:56 (nineteen years ago)
it was a perfectly fine piece of imagery as it was - it didn't need to be broken down into such crude terms. the poetry of the song has died for me somewhat since.
― Lee F# (fsharp), Sunday, 2 April 2006 08:18 (nineteen years ago)
Here's another song (rather than album) that changed for me when I learned something unexpected about it:
The verses of Prince's "1999" were originally written so that the various singers sang in harmony throughout, but after mixing it that way Prince decided to solo one singer at a time so each line of text has a different voice and melody. I think this is cool because Prince did the right thing: the harmonized version (which is easy to imagine once you know the individual parts) would have been too repetitive.
(I learned this from the liner notes Alan Leeds wrote for Prince's 1993 Hits compilation.)
― Paul in Santa Cruz (Paul in Santa Cruz), Sunday, 2 April 2006 08:34 (nineteen years ago)
ha! you got me! apparently i'm the one with a lack of imagination.
oh, and matthew and emily, you are doomed! yer so vain is like an aural illusion. once you hear it again you are going to be shaking your heads in disbelief that you ever missed it and mick will forever be as clear as a bell.
― scott seward (scott seward), Sunday, 2 April 2006 10:34 (nineteen years ago)
― electricderby, Monday, 3 April 2006 01:15 (nineteen years ago)
― musically (musically), Monday, 3 April 2006 01:23 (nineteen years ago)
― musically (musically), Monday, 3 April 2006 01:27 (nineteen years ago)
I still don't know what it is, and can't hear it, but I can't listen to the damn song without spending the entire time straining to hear...I'm guessing something later (i.e. not Yoo Doo Right) but I just don't know. It's very irritating.
― dlp9001, Monday, 3 April 2006 01:38 (nineteen years ago)
― gbx (skowly), Monday, 3 April 2006 01:51 (nineteen years ago)
― Harrison Barr (Petar), Monday, 3 April 2006 02:11 (nineteen years ago)
That's sort of what this thread is about.
― trees (treesessplode), Monday, 3 April 2006 02:33 (nineteen years ago)
― bald mommy is sure to fail (Jody Beth Rosen), Monday, 3 April 2006 03:27 (nineteen years ago)
― jackl (jackl), Monday, 3 April 2006 03:41 (nineteen years ago)