Subterranean Homesick Blues >>> Hip-Hop

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I'm suspicious about the suggestion that Dylan at his peak ('65-'66) has influenced socially-conscious hip-hop (BDP, PE, Chuck D's 'black CNN'). Yes, white rock artists always acknowledge their 'debt' to Dylan as a claim to their authenticity, but I never hear anyone relate hip-hop, a mostly Afro-centric postmodern music, with Dylan's country-folk topical/romantic-symbolic talk-singing.

The best example that I can think of is Lauryn Hill's "Mystery of Iniquity" which is a kind of rattling off w/guitar accompaniment and as such isn't hip-hop at all.

Anyone find examples from hip-hop with a marked Dylan influence? I'm thinking influence here as the acknowledged, but also something operating on an unconscious level, as Harold Bloom would define influence, as "an astral threat" to overcome.

Bryan O'Keefe (87flowers), Thursday, 4 May 2006 16:17 (nineteen years ago)

that better-than sign's gonna get you in a shitload a trouble.

p@reene (Pareene), Thursday, 4 May 2006 16:26 (nineteen years ago)

Sorry, I meant that as leading to or producing. Not greater than by 3x.

Bryan O'Keefe (87flowers), Thursday, 4 May 2006 16:30 (nineteen years ago)

quickest thread derailment ever

Dominique (dleone), Thursday, 4 May 2006 16:32 (nineteen years ago)

I was thinking "Geir's bold today!"

fandango (fandango), Thursday, 4 May 2006 16:35 (nineteen years ago)

Blah-blah-blah Dylan blah-blah-blah blues tradition blah-blah-blah Crunk.

Huk-L (Huk-L), Thursday, 4 May 2006 16:36 (nineteen years ago)

where was this suggested in the first place? if an argument's gonna be debunked let's at least see the argument.

j blount (papa la bas), Thursday, 4 May 2006 16:36 (nineteen years ago)

I READ IT ON TEH INTERNETZ

scott seward (scott seward), Thursday, 4 May 2006 16:37 (nineteen years ago)

I was thinking "Geir's bold today!"

-- fandango

OTM.

jimnaseum (jimnaseum), Thursday, 4 May 2006 16:38 (nineteen years ago)

when is your paper due?

Keith C (lync0), Thursday, 4 May 2006 16:38 (nineteen years ago)

Dylan: smoked lots of weed, little time for bitches and hoes.

It all fits.

Doktor Faustus (noodle vague), Thursday, 4 May 2006 16:41 (nineteen years ago)

It is universally acknowledged by everyone that Bob Dylan's best album was Street Legal, the only one on which he demonstrated a mastery of traditional melodic pop form. The rest were shit. I think there may have been a black person in the Butterfield Blues Band, making Subterranean Homesick Blues as unlistenable as "regular" blues!

geir p@reene (Pareene), Thursday, 4 May 2006 16:43 (nineteen years ago)

it's no "we didn't start the fire"

Munky From Korn, Thursday, 4 May 2006 16:46 (nineteen years ago)

I think once it became socially acceptable at parties to talk or "MC" over the records, the natural progression to make it more musical was already built in. Spoken poetry is about as old as speaking, and it was hip/young long before Dylan.

http://www.library.cornell.edu/olinuris/ref/kerouacreading.jpg

nicky lo-fi (nicky lo-fi), Thursday, 4 May 2006 16:52 (nineteen years ago)

donovan invented the remix

p@reene (Pareene), Thursday, 4 May 2006 16:55 (nineteen years ago)

where was this suggested in the first place? if an argument's gonna be debunked let's at least see the argument.
_________________________________________________________
I'm sure Jeff Rosen and his people would like to make the argument. Dylan has been playing LL Cool J on his satellite radio show, etc., and it would be convenient for his 'legacy' if he could seem more relevant.

Bryan O'Keefe (87flowers), Thursday, 4 May 2006 17:01 (nineteen years ago)

I was thinking "Geir's bold today!"

roffles. I thought, "Colbert's imitating Geir again."

Alfred, Lord Sotosyn (Alfred Soto), Thursday, 4 May 2006 17:03 (nineteen years ago)

Dylan has been playing LL Cool J on his satellite radio show, etc., and it would be convenient for his 'legacy' if he could seem more relevant.

or he might just like it! i think his 'legacy' is safe without the help of LL. besides, playing LL Cool J to prove your relevence is a little counter-productive.

Fieldy From Korn, Thursday, 4 May 2006 17:22 (nineteen years ago)

Well, if anyone would know about counterproductive relevance...

Huk-L (Huk-L), Thursday, 4 May 2006 17:25 (nineteen years ago)

The ? could be reframed: has he been sampled? Dylan strikes me as one of those "highly influential" artists who are never sampled.

Bryan O'Keefe (87flowers), Thursday, 4 May 2006 17:30 (nineteen years ago)

SHB is a '60s rockified version of the talking blues, a song form that dates back to the pre-recorded music era. That's the roots of hiphop (Yazoo even has a comp going by that name), if you really want to trace it. SHB is probably the most popular pre-hiphop song to use the style, so, sure, it probably influenced some people who heard it and thought the vocal delivery was cool. But it would be inaccurate to view SHB as a starting point.

erklie (erklie), Thursday, 4 May 2006 17:35 (nineteen years ago)

"the most popular pre-hiphop song to use the style" sounds OTM

Bryan O'Keefe (87flowers), Thursday, 4 May 2006 17:46 (nineteen years ago)

I think "Convoy" by C.W. McCall was more of an influence on hip hop (and remember that CB radio users invented "handles", colorful nicknames, with which to identify themselves, and when was the last time a rapper used his/her real name...also, the whole *hatred of the police, or "smokies" if you will*)

hank (hank s), Thursday, 4 May 2006 17:51 (nineteen years ago)

clearly one of the most influential tracks in the development of hiphop was "No, No Joe" by Hank Williams, combining, as it did, piquant insight into current events (the "hillbilly CNN" if you will), talking, rhyming, and a colorful handle ("Luke the Drifter"). Williams' Luke the Drifter material also helped develop the strong respect (or "props") for mothers and God that would come to define hip-hop as we know it today.

p@reene (Pareene), Thursday, 4 May 2006 18:14 (nineteen years ago)

Uh, not to blow my own horn (okay, I will) but the chapter called "Four Words to the Wack: Stay the Hell Back" in my second book *Accidental Evolution...* talks about "SHB," "Convoy," that *Roots of Rap* comp, tons of talking blues, and all kinds of other pre-rap rap music. You should read it. I also say the "Subterranean Homesick Blues"'s rhyme-talking cadence is revived in "stanza #6" of Grandmaster Flash & the Furious Five's "The Message," so maybe listen to that, too...(also, don't the Beastie Boys talk about "chillin', like Bob Dylan" on *Paul's Boutique* somewhere?)

xhuxk, Thursday, 4 May 2006 18:33 (nineteen years ago)

ILM poster busted in "I Was Only Joking...Sorta" shocker!

I haven't read your book, but do you also touch upon squaredance calling?...I have long seen that as pre-rap (of course, Malcom McLaren of all people made that same connection on Duck Rock)...

hank (hank s), Thursday, 4 May 2006 18:57 (nineteen years ago)

Thanks to xhuxk & those who took this post as more than Colbert-style parody. Incidentally, I told a friend (who was born in the Kennedy administration and inspired this question) about this thread and this was the response:

"What a bunch of hot-airs. It's a simple point. And it may be more about the technique of rapping than the genre of hip-hop--a foregrounding of "language" and "meaning" that exceeds melodic or formal tradition. The simple fact that rapping in music has reinvigorated the notion of "the poet" and particularly the sweet myth of the "urban Poet"..."of the streets" should be a clear reminder of similar romantic/populist notions from the 60's folk scene. Like it or not, what both Dylan and rap music have done is put "identity" in the words. Which is why it makes perfect sense that Dylan's own words would rarely be sampled. It would be acknowledging that "identity" is as borrowed and molded as anything else in popular music. The point is not who "invented" what. Dylan didn't "invent" anything. The fact that he conflated traditional american music--which is ambivalently black AND white--with beat and symbolist poetic traditions and made it wildly popular is just another example of what popular music has always done: mixed things up to create something over which people spend the next 50 years debating issues of authenticity. That's what powers all these blogging snobs who shiver at the thought of Dylan and something innately counterfeit (if not just overblown) about his cultural import. Dylan and hip hop culture in particular are way ahead of the snobs on this one: they know it's all counterfeit. It's the only way they're able to steal and mix so freely from the pot."

Now tear him apart!

Bryan O'Keefe (87flowers), Thursday, 4 May 2006 21:15 (nineteen years ago)

>do you also touch upon squaredance calling?...<

of course.

xhuxk, Friday, 5 May 2006 00:39 (nineteen years ago)

probably more fair to say that the Beats who influenced Dylan and made spoken poetry (briefly) counterculturally cool had more influence on rap. so if you made a chart that had old talking blues at the top on one side and Kerouac/Ginsberg on the other, their lines might cross at Dylan but first they'd cross at Leroi Jones/Amiri Baraka, and the line from him down to the Last Poets and Gil Scott Heron is much more the one that leads to rap.

On the other hand Dylan was Huge (however much hipsters like to pretend otherwise out of what seems like an excess of anti-rockism), so sure, he had some influence, maybe on the multi-level wordplay end more than the delivery. Put another way, did Hendrix have any influence on hip-hop? Because Dylan was certainly a primary influence on him. (Oh, and probably on Gil Scott Heron too.)

carl w (carl w), Friday, 5 May 2006 03:17 (nineteen years ago)

Has Dylan really "been playing LL Cool J on his radio show"? I thought he just played Mama Said Knock You Out as a joke for his mother's day show (I assume you heard about this from the same NYTimes article as I did and do not actually regularly listen to Dylan's show)

Abbadavid Berman (Hurting), Friday, 5 May 2006 03:21 (nineteen years ago)

Carl W OTM. Dylan no doubt also probably influenced self-consicously socially/politically "meaningful" and "poetic" (and often quite great) early '70s stuff by people like Marvin Gaye, the Temptations, Curtis Mayfield, etc, which no doubt inspired hip-hop in turn.

xhuxk, Friday, 5 May 2006 11:12 (nineteen years ago)

two weeks pass...
Well - I was going to comment, but Carl W said exactly what I was shooting for, so I'll just second that.

Morg, Friday, 19 May 2006 16:07 (nineteen years ago)

dylan didn't put identity in anything! im not buying that. people found moments to identify with dylan.

i agree with carl w. even if plenty of other of people/tradions led to it, the popular face was uncle bob. so he'll be thr touchstone. it may not be historically most correct, but this is a pop culture system were talking about.

chuck d has spoken about the influence of dylan several time that ive come across.

all and all, everything influneced hip-hop. thats why hip-hop can be so awesome. trying to draw lines is going to get you into one mess of a game of cats cradle.

bb (bbrz), Friday, 19 May 2006 16:27 (nineteen years ago)

Has anyone ever heard Bob Dylan's appearance on Kurtis Blow's album "Kingdom Blow?" (Which, incidentally, includes a cover of "Zip-a-Dee-Doo-Dah" that Jessica Hopper should check out).

shookout (shookout), Friday, 19 May 2006 17:10 (nineteen years ago)


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