― Eazy (Eazy), Wednesday, 17 May 2006 21:54 (nineteen years ago)
― Eazy (Eazy), Wednesday, 17 May 2006 21:55 (nineteen years ago)
― baht habit, Wednesday, 17 May 2006 23:01 (nineteen years ago)
― derrick (derrick), Thursday, 18 May 2006 01:21 (nineteen years ago)
― Doctor Casino (Doctor Casino), Thursday, 18 May 2006 02:38 (nineteen years ago)
― derrick (derrick), Thursday, 18 May 2006 03:22 (nineteen years ago)
― Jack Battery-Pack (Jack Battery-Pack), Thursday, 18 May 2006 05:22 (nineteen years ago)
― Doctor Casino (Doctor Casino), Thursday, 18 May 2006 05:27 (nineteen years ago)
― trees (treesessplode), Thursday, 18 May 2006 05:32 (nineteen years ago)
― Disco Nihilist (mjt), Thursday, 18 May 2006 17:11 (nineteen years ago)
― Lawrence the Looter (Lawrence the Looter), Thursday, 18 May 2006 17:35 (nineteen years ago)
― joseph cotten (joseph cotten), Thursday, 18 May 2006 17:45 (nineteen years ago)
― bernard snow (sixteen sergeants), Thursday, 18 May 2006 18:00 (nineteen years ago)
― bernard snow (sixteen sergeants), Thursday, 18 May 2006 18:02 (nineteen years ago)
― JohnFoxxsJuno (JohnFoxxsJuno), Friday, 19 May 2006 08:56 (nineteen years ago)
― Geir Hongro (GeirHong), Friday, 19 May 2006 08:57 (nineteen years ago)
― Pashmina (Pashmina), Friday, 19 May 2006 09:01 (nineteen years ago)
The most recognisable '80's megasynth textures I hear when listening to older records are PPG ones, I don't recall a signature synclavier timbre, like the fairlight's "arr1" or orch hit.
― Pashmina (Pashmina), Friday, 19 May 2006 09:05 (nineteen years ago)
― Jay Vee's Return (Manon_69), Friday, 19 May 2006 10:15 (nineteen years ago)
> I feel like Tunnel of Love is the epitome of bad Synclavier.
Tunnel of Love sucks because the songwriting is (mostly) uninspired and the arrangements are bland. The fact that there was a Synclavier in the studio is irrelevant.
― Palomino (Palomino), Friday, 19 May 2006 17:22 (nineteen years ago)
― Josh in Chicago (Josh in Chicago), Friday, 19 May 2006 17:42 (nineteen years ago)
― andrew b (klik99), Friday, 19 May 2006 17:44 (nineteen years ago)
― bangelo (bangelo), Friday, 19 May 2006 18:01 (nineteen years ago)
― Palomino (Palomino), Friday, 19 May 2006 18:28 (nineteen years ago)
The manufacturers insisted on the former, but it sounds so lumpen to my ears.
― Palomino (Palomino), Friday, 19 May 2006 18:32 (nineteen years ago)
― The Vintner's Lipogram (OleM), Friday, 19 May 2006 20:10 (nineteen years ago)
― Dan Selzer (Dan Selzer), Friday, 19 May 2006 20:18 (nineteen years ago)
― MadMaryWilliams (MadMaryWilliams), Friday, 19 May 2006 21:04 (nineteen years ago)
― Josh in Chicago (Josh in Chicago), Friday, 19 May 2006 21:50 (nineteen years ago)
― jon person, Saturday, 20 May 2006 00:15 (nineteen years ago)
The entire second half of the 80s, plus the first couple of years of the 90s, were ruined by prominent use of DX7, Synclavier and all other kinds of early digital synths filled with bad samples.
― Geir Hongro (GeirHong), Saturday, 20 May 2006 00:31 (nineteen years ago)
Dan's right about this - after I started the thread, I found out that Kate Bush used the Fairlight for both composing and recording Hounds of Love. And Geir clears things up even more. A broader question (too broad) would be: of the records that exemplify the digital sound of the "entire second half of the 80s, plus the first couple of years of the 90s," which ones transcend their production? Especially in the instances of artists who recorded prior to this period and embraced the digital programming: Springsteen, Leonard Cohen, Miles Davis, Sting, Genesis, Lou Reed, etc.
And the bias in the question implies that most of them - Mistrial, Tunnel of Love, Invisible Touch - are records that were damaged if not ruined by the production (especially disappointing in the cases of Born in the U.S.A., Land of Dreams, and parts of I'm Your Man because the artists did some of their best songwriting on these records).
― Eazy (Eazy), Saturday, 20 May 2006 02:20 (nineteen years ago)
My Synclavier, the sixth unit to be made of this first commercially-available digital synthesizer, was in London for a film score I was making, Memoirs Of A Survivor (directed by David Gladwell, starring Julie Christie, after the book by Doris Lessing). This remarkable and rather large computer instrument made the distinctive piano rhythm sounds, the orchestral swells, the big French horn sound in the middle of the club 12" and more besides.
― naus (Robert T), Saturday, 20 May 2006 02:58 (nineteen years ago)
― Myke. (Myke Weiskopf), Saturday, 20 May 2006 14:26 (nineteen years ago)
― xhuxk, Saturday, 20 May 2006 16:36 (nineteen years ago)
Depeche Mode, Kate Bush, Peter Gabriel, Prefab Sprout, Scritti Politti, Yello, Art Of Noise and Frankie Goes To Hollywood.
― Geir Hongro (GeirHong), Saturday, 20 May 2006 16:56 (nineteen years ago)
― Geir Hongro (GeirHong), Saturday, 20 May 2006 16:57 (nineteen years ago)
I saw a documentary on Zappa that mentioned that he was really into composing classical music on these towards the end of his life. He used it for scoring.
― Disco Nihilist (mjt), Sunday, 21 May 2006 02:30 (nineteen years ago)
― Twitchety Twitch Manic Toy System (Bimble...), Sunday, 21 May 2006 03:14 (nineteen years ago)
The most innovate and awesome fairlight stuff, imho, is the stuff Thomas Leer produced in the mid-80s.
― Dan Selzer (Dan Selzer), Sunday, 21 May 2006 08:54 (nineteen years ago)
― Pashmina (Pashmina), Sunday, 21 May 2006 10:25 (nineteen years ago)
The best Fairlight album ever = Who's Afraid of the Art of Noise.
― Myke. (Myke Weiskopf), Sunday, 21 May 2006 22:16 (nineteen years ago)
I haven't heard the Leer stuff but I'd say for me it's a tie between The Dreaming and Sylvian/Sakamoto's "Bamboo Muisc/Bamboo Houses" single for most evocative use of the Fairlight.
― Jay Vee's Return (Manon_69), Monday, 22 May 2006 02:30 (nineteen years ago)
― Jay Vee's Return (Manon_69), Monday, 22 May 2006 02:33 (nineteen years ago)
Must have been the light pen.
― Myke. (Myke Weiskopf), Monday, 22 May 2006 09:20 (nineteen years ago)
― JohnFoxxsJuno (JohnFoxxsJuno), Monday, 22 May 2006 10:52 (nineteen years ago)
― Enrique IX: The Mediator (Enrique), Monday, 22 May 2006 12:39 (nineteen years ago)
Indicate on which songs a Synclavier is used. All I hear is the usual synthesizer, and it's deployed well (I'm thinking of the intro to the title track and the outro of "Valentine's Day").
― Alfred, Lord Sotosyn (Alfred Soto), Monday, 22 May 2006 12:46 (nineteen years ago)
― JohnFoxxsJuno (JohnFoxxsJuno), Monday, 22 May 2006 12:59 (nineteen years ago)
― Enrique IX: The Mediator (Enrique), Monday, 22 May 2006 13:02 (nineteen years ago)
― Jay Vee's Return (Manon_69), Monday, 22 May 2006 13:13 (nineteen years ago)
― Enrique IX: The Mediator (Enrique), Monday, 22 May 2006 13:53 (nineteen years ago)