Written as M.A. thesis but also hopeful book project. Worked on it for four years. Includes references to 400 SONGS! Lots of different subjects covered that I think are really significant to the whole phenomenon of '60s psych, all related to the central theme.
No takers yet. Any suggestions or aid welcome. Thanks you guys!
― Tim Ellison (Tim Ellison), Saturday, 8 July 2006 20:25 (nineteen years ago)
― Urnst Kouch (Urnst Kouch), Saturday, 8 July 2006 20:46 (nineteen years ago)
― Tim Ellison (Tim Ellison), Saturday, 8 July 2006 20:55 (nineteen years ago)
― 100% CHAMPS with a Yes! Attitude. (Austin, Still), Saturday, 8 July 2006 21:02 (nineteen years ago)
― gypsy mothra (gypsy mothra), Saturday, 8 July 2006 21:13 (nineteen years ago)
― Tim Ellison (Tim Ellison), Saturday, 8 July 2006 21:19 (nineteen years ago)
if you use thefriendlyfriendlybubble as the author name that might help too. good luck with it!
― jed_ (jed), Saturday, 8 July 2006 22:15 (nineteen years ago)
― DougD (DougD), Saturday, 8 July 2006 23:50 (nineteen years ago)
wow. can you give a short synopsis or example? I can't get my head around this. of course I did just put in a 12-hour workday. on first thought, 60's psychedelia seems like paint by numbers when compared to surrealism.
― nicky lo-fi (nicky lo-fi), Sunday, 9 July 2006 07:05 (nineteen years ago)
This thesis analyzes the aesthetics of 1960s psychedelic rock music. The main premise of the study is that this genre of music may be seen as a particular manifestation of Surrealist aesthetics. This argument is based around the proposition that the primary unit of significance in Surrealist aesthetics is the surreal object (an object either bizarre unto itself or “normal,” but found within inexplicably strange contexts). The thesis establishes the means of identifying the equivalent of the surreal object in music through analyses of certain European art musics created around the time of the Surrealist movement. The main study of psychedelic rock music itself builds on these foundations and involves discussions of the role of the surreal object in psychedelic song lyrics, the surrealistic objectification of text and musical materials, and the treatment of song forms as surreal art “objects.” As Surrealism was itself rooted in Gothic and Romantic traditions, the study examines the common presence of Gothic and Romantic elements in psychedelic music as well.
― Tim Ellison (Tim Ellison), Sunday, 9 July 2006 07:31 (nineteen years ago)
― Tim Ellison (Tim Ellison), Sunday, 9 July 2006 07:40 (nineteen years ago)
― the fuckablity of late picasso (vahid), Sunday, 9 July 2006 09:05 (nineteen years ago)
― rizzx (Rizz), Sunday, 9 July 2006 09:49 (nineteen years ago)
― GOD PUNCH TO HAWKWIND (yournullfame), Sunday, 9 July 2006 10:29 (nineteen years ago)
― don (dow), Monday, 10 July 2006 00:23 (nineteen years ago)
― gbx (skowly), Monday, 10 July 2006 00:52 (nineteen years ago)
― Hoosteen (Hoosteen), Wednesday, 12 July 2006 23:55 (nineteen years ago)
― m coleman (lovebug starski), Thursday, 13 July 2006 09:28 (nineteen years ago)