Taking Sides: Lou Reed or John Cale

Message Bookmarked
Bookmark Removed
A new thread idea. Pop is full of dualities - the Beatles and the Stones, Britney and Christina, Rolling Stone and Spin, etc. etc. These divides, arbitrary though they be, are where you can really tell who is on-side. So - Lou or John? You must pick one and you can only pick one. I don't care if you like both. Further debate etc. can flow around that...

Tom, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Lou - but probably only because I've just read Lester Bangs again.

Okay, how about Lou because, if we're talking Pop, name three Lou Reed songs then three John Cale songs...

John Davey, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Three Lou Reed songs? You must be joking. On those grounds it's a 1-0 victory for Lou with far too much extra time. (Actually, A Tribe Called Quest invade the pitch and make off with the trophy, if we're counting.)

But I'm a Cale man. He never made a pop album (not that Transformer's much cop) but he did make a run of mad and meaty records, and for me he could also write lovelier songs than anything Lou managed: there's a sentimental streak as well as a brutal one in Cale's songwriting, which I find very appealing.

Tom, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

John Cale. Just because he doesn't seem to have mellowed with age at all, which is pretty unusual. I heard a recent interview with him and he just sounded NASTY. I'm not normally one for evil in rock, but he was genuinely unnerving. Also, 'The Endless Plain Of Fortune' is beautiful.

Nick, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

John Cale. Based on my meagre knowledge of their post-VU records, I'd say it's down to "Transformer" vs "Paris 1919", and the latter wins. Extra credits for "The Marble Index", "Music for a New Society" and the better bits of that Falklands Suite thing. And his voice.

I'm sure Reed's the more 'influential' or the better 'rock star' or whatever, but I couldn't give a tinker's cuss about things like that.

Michael Jones, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Cale of course...the real genius behind V.U (and nice production job on The Marble Index). Poor Lou, in the end his post-VU career wil be remembered for a couple of interviews with Lester Bangs (well, at least I will since his records blow).

Omar, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Cale. By default, though.

Tim, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Cale all the way. For his production on Marble Index / Desert Shore / The End. For his songwriting & voice on Music For a New Society / Paris 1919 / Fear. For his wonderful autobiography vs Reed's self- important bitching. For his elegance and beauty vs. Reed's occasionally mulleted similarity to a drugged primate.

Paul, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Lou, on the evidence that after Cale departed, VU made their best records, especially "Loaded". I haven't heard all the much of Cale's solo stuff to be fair. Lou's solo stuff is always worth a listen, even when crosses into preposterousness.

Dr. C, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

close, very close...

but lou, for berlin

gareth, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Easily John Cale. Lou Reed is basically responsible for everything that is bad about the Velvet Underground (shite cheesy songs that aren't even proper popl songs etc.).

That said, Cale isn't on the brilliant third VU album, but it's probably Sterling Morrison who keeps that on course.

pihkalboy, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

For this question I must confront my All Music Guide for a full and proper study of these artists' careers.

Right.

Lou Reed - 41 records listed. John Cale - 34 records listed.

Cale wins.

Tanya, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

On musical merit alone Cale would win, but he also has the added advantage of never having grown a mullet.

Or named an album "Coney Island Baby", for that matter.

Nicole, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Mullet no, but he had some horrible Liamesque feathercuts in the 70s.

On the songs-about-domesticity front (cf NYLPM today), Cale's "Sylvia Says" is beautiful.

Observation - nobody is calling Lou Reed "Reed" and nobody is calling John Cale "John".

Tom, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

John is obviously the fashionable choice (au contraire) and Lou has made many many terrible albums. However to choose John means not to choose:

Velvet Underground (3rd Album) Loaded VU Live 1969 Berlin Transformer

Much as I admire John Cale he's worked with Brian Eno far more than can be good for anyone.

Guy, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

And I suppose the next obvious one is Eno or Ferry?

Guy, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

My suspicion is a swing back to Lou as America wakes up to its decision making responsibilities.

And, as ever, feel free to start any thread you like.

Tom, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

This is really like picking your children...

Lou wins. Not for Berlin, or Coney Island Baby (which I swear by...), but for his role in Blue In The Face.

JM, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

This is really like picking your children...

Lou wins. Not for Berlin, or Coney Island Baby (which I swear by...), but for his role in Blue In The Face.

Lou's Views.

JM, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

I own them ALL okay? ALL! So Jimmy's right -- this is painful. The velvets, I think required Lou to be a rock-animal with uptown ambition and Cale to be an avant-theoretician who just decided that he wanted to rock. Now their solo careers followed this path, Lou being best where he had learned from Cale, and Cale where he had learned from Lou. I consider the performance of Coyote from the reunion album to the the best Velvets moment ever, so I don't have to pick between 'em for that. But otherwise, Cale. For "The Academy In Peril" cover, for the Sabotage Live album, for "Andalucia" alone (or YLT's cover of it, even) for the chorus of "Fear is A Man's Best Friend" for the best version of "Heartbreak Hotel" ever for introducing "Darling, I Need You" as a love song about the South, for any single moment on "Fragments of a Rainy Season" for the chorus to "Gun" and for the arrangement on "Dead or Alive" and just because I don't have all day, onto the production work for Nico but also The Modern Lovers and Patti Smith and for having a solo act that's really solo and for doing the morose soundtrack to "The Unknown" which sounds like "The Marble Index" Pt. II and for being false before rockstars were false in that way, and mean before rockstars were mean, and at CBGBs before rockstars talked about CBGBs and for eating live animals onstage before rockstars did that, and for naming a song Cable Hogue because everyone must see the movie Cable Hogue right now, and the song really is about another Peckinpah film, but who cares? Cale. Yes, yes. Cale.

Sterling Clover, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Cale, for all the reasons above and because he was in the Dream Syndicate and because I liked the way he did "Venus In Furs" better (though I liked how the Melvins did it best). And because Reed makes being a rock 'n roll asshole seem like a bad idea.

Otis Wheeler, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

I'll choose John Cale, mainly because I know all the Lou Reed stuff I need to know. I'm guessing I would be a lot more neutral if I were as familiar with Cale's lesser records as I am with Reed's, and so would several other people here. It's OK to make bad records if no one pays much attention to them.

Patrick, Tuesday, 3 April 2001 00:00 (twenty-three years ago) link

Maureen Tucker.(Made a decent album more recently than either of 'em).

Duane Zarakov, Wednesday, 4 April 2001 00:00 (twenty-three years ago) link

Oh, jeez. In term of dualities, it's like asking "Keith Richards or Bill Wyman?" John Cale was the bassist in VU, simple and plain. And he made about as many good albums as John Entwistle. Lou, hands down.

My first I Love Music post. Sorry if it's crabby.

Rob Brookman, Saturday, 7 April 2001 00:00 (twenty-three years ago) link

Bassist? Hah! Try keyboardist, violist, bassist, co-songwriter, droneist. At the least. "noiseist" too, judging from the first two vs. second two vu albums. Listen to Black Angel Death Song and tell me that's Reed. Listen to Sister Ray and tell me that the organ riff driving it (played by Cale) is all about Reed. Listen to Venus In Furs and tell me that that racket is to be blamed on Reed. No way! Cale was e-fucking-sential.

Sterling Clover, Sunday, 8 April 2001 00:00 (twenty-three years ago) link

And oh yes, Cale did so very much as far as albums, but just check out Paris 1919 and do yourself a favor. And if that doesn't do it for you, Sabotage/Live should.

Sterling Clover, Sunday, 8 April 2001 00:00 (twenty-three years ago) link

When I was small and mad and had never heard the velvet underground, I decided I would only ever buy and listen to the ones with Cale, because he played electric viola drones and what the hell were they? If you don't count MMM - which was after all made by machines anyway - Lou Reed has also made as many good solo LPs as John Entwistle. (And I know because when I was small and mad, I decided I would only ever buy and listen to Who records which didn't feature Townshend, Moon or the horrible singer.)

mark s, Sunday, 8 April 2001 00:00 (twenty-three years ago) link

I own Paris 1919, not to mention Fear (my favorite), Slow Dazzle, Helen of Troy and Wrong Way Up. All are good, and none make me think the VU would have been anything but a middling art band without Lou Reed.

Rob Brookman, Sunday, 8 April 2001 00:00 (twenty-three years ago) link

I've always much more been into the idea of the VU than the actual records. But without Cale and the NY loft-minimalism-Lamonte-Young- drone-thing, that idea boils down to a bunch of hipsters in leathers going on about drugs. Which is fine, you know, but not really thrilling.

Nice to have you commenting, though, Rob!

Tom, Monday, 9 April 2001 00:00 (twenty-three years ago) link

Rob: There were no middling art bands before VU...

JM, Monday, 9 April 2001 00:00 (twenty-three years ago) link

one month passes...
Lou Reed, hands down. But only because of Metal Machine Music.

Tadeusz Suchodolski, Tuesday, 22 May 2001 00:00 (twenty-three years ago) link

What about Don Dokken vs. George Lynch?

tarden, Saturday, 26 May 2001 00:00 (twenty-three years ago) link

The history of everything, music especially, is full of talented, pushy people picking up less-pushy, at-least-as-talented people whose different perspectives complement theirs perfectly, and creating something very special before the pushy ego-heavy guy elbows the less pushy guy, thinking he can do it alone. The result is a history speckled with really great albums born of collaboration, and doused in half-cooked bollocks by solo artists and one-man-bands. Simply for contributing to this sad tradition, Lou loses. The most telling VU story is the one where Cale plays Reed the newly-finished "Marble Index" and invites him to contemplate what the three of them might have done together, given time.

Besides, the Velvets are great, but everyone knows that they're as overrated as cocaine, and their legacy is overbalanced by that faithful slew of young people "experimenting" with two chords and interminable repetition because it's too much effort to ape Brian Wilson or Burt Bacharach instead (I'm sure that if all those idiots had listened to Can instead, things would be better). Not to mention the popularisation of being "blank"/looking empty-headed, the rock uniform, a suspicion on the part of many hardcore VU types that playing anything quickly makes you some sort of bastard...

Similarly, the Warhol/Factory scene - I was very into that stuff at 13, 14, as a lot of people are, but ultimately I kind of grew out of it. As one ages, one realises that much of the fascination was really about the extreme emphasis put on the forbidden things that suburban 14 year olds crave: sex, drugs and nocturnal freedom in the city. Eventually you realise that 1. precious few people you ever meet will ever even consider having sex with you, much less some kind of hip rooftop orgy, 2. the only drugs you'll ever be able to afford get kind of boring after a while, and 3. when you go out at night in a city, most people you meet are wankers, and young, drugged-up, self- obsessed cliquey people like Andy Warhol's mates are invariably the biggest wankers of all.

So, yes - John Cale. As we've established, a quick skim of the two solo catalogues shows who was responsible for the Velvet Underground's good bits and bad bits, respectively.

Taylor Parkes, Saturday, 26 May 2001 00:00 (twenty-three years ago) link

I was *never* into the Warhol / Factory scene at 13 or 14, Taylor. My main interest at that age was (and, on balance, still is) the films of Powell and Pressburger.

Though you have encapsulated why I never want to see London again.

It's significant that I'm so totally bored and utterly disinterested in the VU - to be honest, I *don't give a shit either way about them* - that my only contributions to any threads related to them have been this, and a brief musing about an old 1970s Play For Today.

Robin Carmody, Saturday, 26 May 2001 00:00 (twenty-three years ago) link

The Velvet Underground did their best album after Cale was kicked out. So Lou Reed definitely. Anyone who can write 'Pale Blue Eyes' gets my vote. 'Berlin' was marvellous fun too.

A strange record, 'Berlin'. I've never been able to work out how sincere he was being. It just sounds too histrionic to be taken seriously.

Johnathan, Sunday, 27 May 2001 00:00 (twenty-three years ago) link

three years pass...
acle. lou reed has a habit of making rhymes with the same word, or sometimes just not rhyming (i mean in an artless crap way), beacause he is, after all, lou reed. and i share my birthday with the man.
i think john cale has less to lose, and is more willing to experiment. that said, i saw his show a few years ago (in israel), and it went EXACTLY like "fragments" played on random, including the between-song mutters ("this is a love song..."). but what a fine album that was!

kish, Sunday, 17 October 2004 03:54 (twenty years ago) link

I almost got in a fistfight with someone over this very topic. He thought Cale was pretentious and did a (very funny) impersonation of Cale singing Nico's "Frozen Warnings" from Nico/Icon. I said, "Au contraire, despite having less fancy ornamentation--Berlin aside--it is Lou who is the more pretentious!" And I stick by that today. Besides, Cale has just done so many fascinating and diverse records -- Fear, Paris 1919, Vintage Violence, New Society, HoboSapiens, the Eno collab... Meanwhile, Lou's been comatose for at least 15 years. And while neither will win the coveted "Fourth Tenor" award, at least Cale has a range slightly larger than a solitary note (normally not an issue--there's phrasing after all--but Lou's voice grates).

So, Cale...

Naive Teen Idol (Naive Teen Idol), Sunday, 17 October 2004 04:35 (twenty years ago) link

i find cale to be a bit of a tool, even though he is a good producer and has a lovely voice. perhaps i should never have read his biog. plus i prefer lou's songs in general. sterling is still my favourite velvet, followed by doug yule (but only on the grey album)

the surface noise (slight return) (electricsound), Sunday, 17 October 2004 04:37 (twenty years ago) link

Reed's occasionally mulleted similarity to a drugged primate.

I am very happy to have read this.

sundar subramanian (sundar), Sunday, 17 October 2004 06:53 (twenty years ago) link

(Although, now that I think about it, humans are primates IIRC so Lou Reed was a drugged primate much of the time, wasn't he?)

sundar subramanian (sundar), Sunday, 17 October 2004 06:55 (twenty years ago) link

I preferred Lou when he looked more like a Jewish Frankenstein than a drugged primate

Serghei Daduismus (Dada), Sunday, 17 October 2004 11:04 (twenty years ago) link

I heard Cale interviewed on a local public radio show (Soundcheck WNYC) last week and he performed two new songs solo w/acoustic guitar. Beautiful, stunning, just great. I've actually been listening to some of his older stuff lately and after this radio gig I thought, "shit, you know, in the long run solo he's better than Lou Reed." Gonna check out Hobo Sapiens now.
For my money, Lou lost the plot (jumped the shark?)w/ New York and never looked back.

lovebug starski (lovebug starski), Sunday, 17 October 2004 13:21 (twenty years ago) link

did you ever listen to magic and loss lovebug? if not maybe you should. imo lou's most touching album. it's about his friends dying from aids. the way he transforms his grief into art is absolutely stunning. there even is a lot of humour in that album. of the black kind. my fave album of his.

i like both of them. but lou is more my kind of guy. cale somehow isn't visceral enough.

alex in mainhattan (alex63), Sunday, 17 October 2004 17:06 (twenty years ago) link

i find lou embarrassing. that poe thing, what was that all about? i have no idea what lou reed is thinking. i'm trying to think, what was the last decent one? "new sensations" is a great record; "new york" is all right.

i've always liked cale better myself. those three-four albums he did for island are great: "fear," "slow dazzle," "helen of troy" (the last a bit weaker), and the compilation "guts." "paris 1919" is a minor classic. "honi soit" was halfway good. i can't think of anything he's done since then that was really good, but cale always struck me as essentially smarter than reed and with a better pop sense and sense of humor. basically, they both suck now and while i hardly think the velvets are overrated like some of my more muso friends, they're really not something i go back to any more, not even "loaded." i still get a kick out of "run run run" though.

eddie hurt (ddduncan), Sunday, 17 October 2004 17:12 (twenty years ago) link

Oh I've heard Magic & Loss and it's the kind of thing I respect more than enjoy. Other than that one song with the line about "life is like bacon and ice cream" it just sounds like formless guitar wanking IMO. Liked Lou's guitar in the Velvets, not so much now. The lyrics are heartfelt for sure. I believe it's an elegy for an old 60s pal of Lou's, a tranvestite speed freak opera queen named Rotten Rita who died of cancer not AIDS. This album came out right around the time my mom had lung cancer so it sorta hit me where I live...
I'm basically w/ Eddie on Cale's recent output though Music For A New Society is great, and there was a pretty good solo live w/piano thing from around 1992 or so.

lovebug starski (lovebug starski), Sunday, 17 October 2004 20:24 (twenty years ago) link

man, Cale singing Frozen Warnings during the closing credits of Nico/Icon made me cry.

Dan Selzer (Dan Selzer), Sunday, 17 October 2004 21:49 (twenty years ago) link

four months pass...
Reviving, cuz most people don't know what the hell they're talking about.

Reed is most winning when he's writing throwaways, not Important Statements. I'll take "I Love You, Suzanne" and "Foggy Notion" over, say, "Men of Good Fortune" or "Power & the Glory." That's why "New York' and "Magic & Loss" are his most overrated records. It's entertaining when on the superior first side of "New York" Lou garbles whatever he saw on the 6:30 news and turns it into catchy guitar-pop (when the songs are whizzing by so fast it's good that you're not listening too hard). It's NOT entertaining when an absence of melody forces him to croak some not especially enlightening observations about death and decay on "Magic & Loss."

Lou's best when the absurd courts the vulgar in unexpected ways, as on "Kill Your Sons," "Underneath the Bottle, "Turn to Me," or the marvelous "Mad" from "Ecstacy."

Alfred Soto (Alfred Soto), Tuesday, 15 March 2005 17:19 (nineteen years ago) link

revive..

all I know is, I listen to John Cale more than I do Lou Reed, and always have. I like pop music. Lou Reed is all about being Lou Reed, that's great, but I don't get any formal satisfaction out of most of it ("New Sensations" being a big exception). That's what I'm looking for, not the cult-of-personality shit that Lou Reed's been peddling for years.

edd s hurt (ddduncan), Tuesday, 15 March 2005 17:41 (nineteen years ago) link

What do you mean "Lou Reed is all about being Lou Reed"? He can't be anyone else. John Cale is "about" John Cale too.

As for the cult of personality...I understand, but Neil Young and Bob Dylan are guilty of the same crime, if it is a crime.

Alfred Soto (Alfred Soto), Tuesday, 15 March 2005 17:56 (nineteen years ago) link

three years pass...

last minute arguments:

iatee, Friday, 27 February 2009 23:23 (fifteen years ago) link

oops I meant to post that on the poll thread

iatee, Friday, 27 February 2009 23:24 (fifteen years ago) link

three weeks pass...

I wish to give my thanks, about locking the other thread. I wanted to write Ned in the midst of that thread, but I realized I didn't probably have his email anymore. I thought he would prolly be sympathetic to my cause. Thanks for locking the other thread.

I adore John Cale.

Won't change my vote yet, iatee, though. But I realize this is a close race. Don't give up on me, I might convert to Cale someday.

Sleep Tundra (Bimble Is Still More Goth Than You), Monday, 23 March 2009 17:51 (fifteen years ago) link

Velvet Undergound

"Its my Barbara Streisand song" - Lou Reed

Sleep Tundra (Bimble Is Still More Goth Than You), Monday, 23 March 2009 17:53 (fifteen years ago) link

Le Bataclan '72

don't even get me started on Nico

Sleep Tundra (Bimble Is Still More Goth Than You), Monday, 23 March 2009 17:54 (fifteen years ago) link

I understand the long and personal struggle you must be going through Bimble. Just understand that I'm here to support you.

iatee, Monday, 23 March 2009 17:56 (fifteen years ago) link

thanks iatee!

alright last post from me today

I love John Cale. Okay? I really do.
But when Lou gets it right, he really gets it right.
He's the blood in my soul.

But on a good sunny day if you play me Cale's
"Empty Bottles" I might change my mind.

Sleep Tundra (Bimble Is Still More Goth Than You), Monday, 23 March 2009 18:00 (fifteen years ago) link

Sometimes Lou Reed is the only reason to live. I mean you understand me, right?

Sleep Tundra (Bimble Is Still More Goth Than You), Monday, 23 March 2009 18:04 (fifteen years ago) link

Mmm. NO.

t**t, Monday, 23 March 2009 23:04 (fifteen years ago) link

eight years pass...

this is a terrible thread

Οὖτις, Tuesday, 25 April 2017 21:47 (seven years ago) link

but this was a great performance. He did it again later without a drummer, after slagging drummers and other musicians in general. Only a crazy man would sack a band this good.
https://www.youtube.com/watch?v=DeFYJdW3xDg

Dr X O'Skeleton, Tuesday, 25 April 2017 23:31 (seven years ago) link


You must be logged in to post. Please either login here, or if you are not registered, you may register here.