T/S Blondie vs. B-52's

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As a five-year-old, I always detested the B-52's for "Love Shack." The video was all over Vh1's pop-up video, and I thought Fred Schneider's voice was painful. Now, around ten years later, I'm starting to fall in love with most of the B-52's songs that I ignored for so long.

A few years ago, I went through my sister's cassette tape collection and found some Blondie singles on a mixtape. I overplayed most of those songs, but now, it's been a few years. Their music sounds fresh again to me.

Overall, though, I find myself enjoying the B-52's more. I might be insane. I should probably stop, go back and actually listen to all of each bands' albums before declaring this my vote. Your thoughts?

Tape Store (Tape Store), Sunday, 6 August 2006 20:39 (nineteen years ago)

Tough one, but the Ricky Wilson years of the B-52's are one of the hardest eras of any band to beat from any angle really, including the awkward Mesopotamia period, so I'm going with the B-52's here.

dottie nuttie dach nach dtnt hhhhhhhh (donut), Sunday, 6 August 2006 20:46 (nineteen years ago)

Hm. Blondie made a bunch of terrific, shiny pop singles. But they're so deeply imprinted onto my brain, I don't feel like I'll ever need to actually *listen* to them again.

The B-52's eponymous debut, however - I think I'll be listening to that forever. Same goes for almost all the Ricky Wilson stuff. Gold.

Clumsy Colin in ACTION BIKER (coach_mcguirk), Sunday, 6 August 2006 20:54 (nineteen years ago)

blondie. i like the b-52's a lot, but still. blondie. blondie. blondie.

dreaming. picture this. call me. heart of glass. sunday girl. 11:59. atomic. rip her to shreds. union city blue.

not shiny -- incandescent.

gypsy mothra (gypsy mothra), Sunday, 6 August 2006 21:18 (nineteen years ago)

But they're so deeply imprinted onto my brain, I don't feel like I'll ever need to actually *listen* to them again.

This is OTM. My brain had completely forgotten I even own Parallel Lines, I've maybe played it twice since I got it, whereas the B-52's tapes I picked up a while back make me absolutely giddy every time I put them on.

fandango (fandango), Sunday, 6 August 2006 21:40 (nineteen years ago)

I cannot choose. Sorry. They both need to exist for the world to have meaning.

The Mad Puffin (The Mad Puffin), Sunday, 6 August 2006 22:18 (nineteen years ago)

Can I make a confession here? Blondie has always bored the shit out of me. I tried to convince myself I liked "Rapture" and a few other things, and okay, "Heart of Glass" is kinda okay, but really most everything I hear by this band is boring! Actually, aside from how much of a rigged fight it is, this is a weird TS - do these bands even sound alike? Dress alike? Anything?

B-52's blow Blandie out of the water with Wild Planet and Cosmic Thing alone, and if you cherry-pick from the debut and Whammy! they become powerful enough to beat pretty much any other band of their generation. No contest at all.

Doctor Casino (Doctor Casino), Sunday, 6 August 2006 22:38 (nineteen years ago)

Actually, aside from how much of a rigged fight it is, this is a weird TS - do these bands even sound alike? Dress alike? Anything?

They both played sort of the same NYC scene in the late 1970s/early 1980s, and they both have good rhythm sections.

And Blondie, obv.

max (maxreax), Sunday, 6 August 2006 22:41 (nineteen years ago)

At present I'd rather hear Parallel Lines over the eponymous B-52's record; but the latter created far more essential records (Whammy, Cosmic Thing). The B'52's never recorded albums as awful as Autoamerican and The Hunter.

Alfred, Lord Sotosyn (Alfred Soto), Sunday, 6 August 2006 22:45 (nineteen years ago)

Alfred I know you're given to overstatement but I know you didn't just call Autoamerican "awful" nor lump it in with The Hunter

Thomas Tallis (Tommy), Sunday, 6 August 2006 22:52 (nineteen years ago)

I'd rather chew on my carpet than listen to "Faces" or "Europa" again.

Alfred, Lord Sotosyn (Alfred Soto), Sunday, 6 August 2006 22:54 (nineteen years ago)

dude those are two songs

two others are "Angels on the Balcony" and fucking "Rapture": an album which had "Rapture" followed by thirty minutes of gastrointestinal lavage recorded with a handheld at Loma Linda would still be a fucking excellent album

Thomas Tallis (Tommy), Sunday, 6 August 2006 23:00 (nineteen years ago)

thomas tallis liking a rap song! dogs cats living together!

j blount (papa la bas), Sunday, 6 August 2006 23:03 (nineteen years ago)

No contest at all.

Agreed. Even if I liked Blondie, they are still just a plain ol' pop band whereas the B52s really pushed things forward while writing (arguably) catchier songs.

gaseous (gaseous), Sunday, 6 August 2006 23:05 (nineteen years ago)

b-52s pretty easy for me too - can't BELIEVE noone's at least namechecked "debbie" yet!

xpost - o dear god ilm wtf

j blount (papa la bas), Sunday, 6 August 2006 23:06 (nineteen years ago)

He knows not what he does.

jimnaseum - formalist rigour! (jimnaseum), Sunday, 6 August 2006 23:07 (nineteen years ago)

still just a plain ol' pop band whereas the B52s

"Still."

As if the Bees weren't "just a plain ol' pop band" (with songs about UFO's, fictional dance crazes, etc) either.

Alfred, Lord Sotosyn (Alfred Soto), Sunday, 6 August 2006 23:12 (nineteen years ago)

b-52s for me - and i adore cosmic shack too - it has some of their greatest moments.

phil turnbull (philT), Monday, 7 August 2006 05:46 (nineteen years ago)

blondie

electric sound of jim [and why not] (electricsound), Monday, 7 August 2006 05:54 (nineteen years ago)

Blondie, absolutely.

Geir Hongro (GeirHong), Monday, 7 August 2006 05:57 (nineteen years ago)

b-52's > blondie > "rock and rule"

christopherscottknudsen (christopherscottknudsen), Monday, 7 August 2006 10:37 (nineteen years ago)

o jb u make me sigh w/frustration, i've loved rap for many years and it's a mean-spirited mischaracterization of stuff i've said to claim i don't like rap

Thomas Tallis (Tommy), Monday, 7 August 2006 11:07 (nineteen years ago)

I think it's an excellent, and incredibly difficult, question! To my way of thinking, both bands drew from similar non-rawk influences (surf, girl-group, soundtracks) to create debut LPs of quirky and lovable pastiche-pop, and solidified the sound for the followup records.

My comparison doesn't quite work as Blondie hits one out of the park with "Parallel Lines," while the B's flounder a bit and try to figure out a next move with "Party Mix" and "Mesopotamia" -- and am I the only one who thinks the rhythm-box-driven "Whammy!" is a braver and better record than "Eat To The Beat?"

"Autoamerican" and "Cosmic Thing" find the bands expanding beyond their original sounds for bigger-than-ever sales (TS: "Rapture" vs "Roam") and "Hunter" and "Good Stuff" are both pretty tired-sounding swansongs for the original era.

I own every record by both, and will never part with any of them, so for me: total, unbreakable tie.

Daniel Peterson (polkaholic), Monday, 7 August 2006 14:08 (nineteen years ago)

Damn, I forgot all about "Bouncing off the Satellites" in that analogy. Back to the drawing board...

Daniel Peterson (polkaholic), Monday, 7 August 2006 15:02 (nineteen years ago)

B-52's for one reason only, ROCK LOBSTER!!!!!

Mandorf (mandorf), Monday, 7 August 2006 15:03 (nineteen years ago)

Such different methodologies too. The Bees didn't use kitsch as props: they really loved kitsch, enbracing it like the outsiders they were. "Dance This Mess Around" is an uneasy listen, in a way that no Blondie song is. I had a weird experience listening to "Shayla" a few weeks ago: I was struck by how beautifully Harry's vocal curled around the drums and guitars, yet what a hollow exercise: a song, in the third person, sung to and written about a factory girl, devoid of the curiosity, contempt, and addled affection that, say, Jagger brought to "Factory Girl."

Few preAutoamericansongs are this unintentionally bizarre, but you get the idea.

Alfred, Lord Sotosyn (Alfred Soto), Monday, 7 August 2006 15:22 (nineteen years ago)

B-52s by quite a lot, though Blondie was often great too.

Mark (MarkR), Monday, 7 August 2006 18:59 (nineteen years ago)

Plastic or pineapple?

PINEAPPLE!

gabbneb (gabbneb), Monday, 7 August 2006 19:11 (nineteen years ago)

I wonder how the B-52s would have been with Clem Burke instead of Keith "Nick Mason" Strickland and/or Mike Chapman producing. Then I wonder how Blondie would have sounded with someone as iconic-sounding as Ricky Wilson on board.

Elvis Telecom (Chris Barrus), Monday, 7 August 2006 19:16 (nineteen years ago)

The great Blondie records came a little too early for me. Plus, THEY aren't playing for free near Coney this Thursday:

http://www.brooklynconcerts.com/seaside.html

Dr Morbius (Dr Morbius), Monday, 7 August 2006 19:48 (nineteen years ago)

the rap in Rapture is embarrassing. Man from mars eating cars? shut the fuck up.

kyle (akmonday), Monday, 7 August 2006 20:00 (nineteen years ago)

the rap in Rapture is embarrassing. Man from mars eating cars? shut the fuck up.

Bah. I thought it was great when it was released and still do now.

Elvis Telecom (Chris Barrus), Monday, 7 August 2006 20:08 (nineteen years ago)

"now he only eats guitars" (guitar solo) FUCK THAT SHIT

kyle (akmonday), Monday, 7 August 2006 20:10 (nineteen years ago)

otherwise the song is fine.

kyle (akmonday), Monday, 7 August 2006 20:10 (nineteen years ago)

Blondie sounds dated. They took their music too seriously and most of it is pretty dull now.

B-52s were never serious. They're music is just as much party now as it was party then.

Plus, nothing in Blondie's canon will ever come close to touching "Rock Lobster".

Sean Robison (yaratnam), Monday, 7 August 2006 23:14 (nineteen years ago)

Blondie sounds dated. They took their music too seriously

Explain.

Alfred, Lord Sotosyn (Alfred Soto), Monday, 7 August 2006 23:23 (nineteen years ago)

Yeah, I'm not sure I hear the "too seriously," but I do agree that they sound way more dated. I'm not sure if that's really Blondie's fault, though. The B's had the genius/luck to generate a sound that no one could really match or imitate - wasn't there a thread on "Did the B-52's actually influence anybody?" that came up with a resounding "No, but you can sorta draw a comparison to X, Y, and Z"? So the B-52's sound never caught on, and hence doesn't sound dated. Theirs are the only records that sound like them. Cosmic Thing obviously less so without Ricky Wilson and with a generally more of-the-period sheen..... but of course, it's still a work of genius.

Doctor Casino (Doctor Casino), Monday, 7 August 2006 23:37 (nineteen years ago)

The B-52's: their legacy/influence today

electric sound of jim [and why not] (electricsound), Monday, 7 August 2006 23:49 (nineteen years ago)

wha??? i only know "love shack" and "rock lobster." [seeeaaarchh]

However, temporarily: Blondie forever.

poortheatre (poortheatre), Tuesday, 8 August 2006 00:27 (nineteen years ago)

Plus, nothing in Blondie's canon will ever come close to touching "Rock Lobster".

Plus, nothing in the B-52's canon will ever come close to touching "Dreaming."

Elvis Telecom (Chris Barrus), Tuesday, 8 August 2006 00:44 (nineteen years ago)

"Picture This"!

Rickey Wright (Rrrickey), Tuesday, 8 August 2006 00:56 (nineteen years ago)

> Yeah, I'm not sure I hear the "too seriously," but I do agree that they sound way more dated.

Okay, I take back the "too seriously". This is why I shouldn't post during working hours... the brain's pointing in too many directions to come up with rational comments.

However, I still hold that they sound dated. I'll need to drag out "Parallel Lines" again to get a better handle on WHY they sound dated. There was a sound that seemed common to the late 70s/early 80s New Wave Punk bands that, when you hear it, you instantly know the song came from that time.

Sean Robison (yaratnam), Tuesday, 8 August 2006 01:04 (nineteen years ago)

I thought I would be completely unable to decide, but Blondie have the opening riff of 'Union City Blue' on their side, which is kind of a trump card. Blondie.

scriblerus (mike lynch), Tuesday, 8 August 2006 01:13 (nineteen years ago)


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