This seems to be a trend of this decade, especially: get a really sensitive NPR-type mike and then sing into it so close that the listener can hear every breath, every weird glottal, nasal thing happaning in your mouth right up in their ear. Considering that so many people are on iPods one would think they would have gone the other way and taken a step back. Now I listen to certain records and it feels like I'm getting a wet willy.
Beck's cover of 'Everybody's Gotta Learn Sometime' is another good example. I keep thinking 'I almost love this song but Beck's just a little too close for comfort.
Step away from the mic! I wouldn't let a guy whisper sweet nothing's right into my ear canal so why do I want to get that on a track? Can you think of other recent examples that exemplify this?
― Public Radio (public_radio), Friday, 11 August 2006 11:26 (nineteen years ago)
― Sir Dr. Rev. PappaWheelie Jr. II of The Third Kind (PappaWheelie 2), Friday, 11 August 2006 12:37 (nineteen years ago)
― Public Radio (public_radio), Friday, 11 August 2006 12:49 (nineteen years ago)
― Pessimist (Pessimist), Friday, 11 August 2006 13:34 (nineteen years ago)
― Public Radio (public_radio), Friday, 11 August 2006 14:25 (nineteen years ago)
It's common in indie (which is particularly enamored of the recorded-artifact view of music), but I'm not sure it's that big of a deal elsewhere -- you're average Billboard-chart rock band, for instance, features mostly backed-up screaming. (Except maybe on a ballad or two.)
― nabisco (nabisco), Friday, 11 August 2006 19:23 (nineteen years ago)
― nabisco (nabisco), Friday, 11 August 2006 19:24 (nineteen years ago)
― Sean Braud1s (Sean Braudis), Friday, 11 August 2006 19:28 (nineteen years ago)