― minna, Thursday, 4 April 2002 00:00 (twenty-four years ago)
stooges... "and now i'm ready to take your hand/and lose my heart on the burning sand" (from 'i wanna be your dog', mainly the 'burning sand' bit - it's like a nerve image)
marvin gaye..."please" (from the live version of 'distant lover' that turns up on best of cds. so ragged and desperate, connects straight to yr gut.)
― electric sound of jim, Thursday, 4 April 2002 00:00 (twenty-four years ago)
― Sean Carruthers, Thursday, 4 April 2002 00:00 (twenty-four years ago)
― Ned Raggett, Friday, 5 April 2002 00:00 (twenty-four years ago)
― Kris England, Friday, 5 April 2002 00:00 (twenty-four years ago)
― dan, Friday, 5 April 2002 00:00 (twenty-four years ago)
― Alan Trewartha, Friday, 5 April 2002 00:00 (twenty-four years ago)
― Poops Mcgee, Friday, 5 April 2002 00:00 (twenty-four years ago)
"ROCK OF GIBRALTAAAAAAAAAAAAAAAAAAAAA'"-Everlasting Life by Jon Carter.
I could go on all day giving dance examples but non dance examples must be given too......
"CALLING FROM THE FUN HOUSE......WITH MY SOOOOOONG, WE'VE BEEN SEPARATED BABY........FAR TOO LONG" Iggy Pop.
"IT TOOK EIIIIIIIIIIIIIIIIIIIIIIIIIIIIGHT MEEEEEEEEEEEEEEEEEN AND FOUR WOMEN" James Brown.
I'll think of more yet.
― Ronan, Friday, 5 April 2002 00:00 (twenty-four years ago)
― Dan Perry, Friday, 5 April 2002 00:00 (twenty-four years ago)
― fritz, Friday, 5 April 2002 00:00 (twenty-four years ago)
hmm... the ways the thrill is obtained are very different from eachother, yes. but the actual physical thrill is the same, i'd say. pow! uncontrollable shakey/fuzzy sensation in gut/chest region. and i get it in my hands too.
― minna, Saturday, 6 April 2002 00:00 (twenty-four years ago)
but just plain ANYTHING by The Birthday Party.
― Wyndham Earl, Saturday, 6 April 2002 00:00 (twenty-four years ago)
I also love the bit in "Vapour trail" by Ride after all the singing's done, there's just the one guitar part playing and then these big drums come crashing in about ten seconds before the bass and I feel compelled to push the volume levels up loads... a great moment.
― Rob M, Saturday, 6 April 2002 00:00 (twenty-four years ago)
That's what you call verisimilitude right there.......first time I heard that song it hit home so acutely that my neck hairs stood up and I started sweating bullets.....real bullets, ones I caught when I used to work the ill-fated Hammacher Schlemmer boutique on Crenshaw.......shit kid, I got bullets in me so old that underground forensic ballistics heads walk up to me and say, "Rammy Rams, I been digging crates since all day trying to find that shit........look, I got these burgers man.....they double cheese????"
― Ramosi, Tuesday, 9 April 2002 00:00 (twenty-four years ago)
The exchange at the end of the Shangri-Las' Give Him A Great Big Kiss: girls: "Is he a good dancer?" Mary Ann Ganser, indignant: "Waddaya mean, is he a good dancer?" Girls: "Well how does he dance?" Mary Ann, breathily, in the sexiest moment in pop: "Close. Very, very close."
In the Buzzcocks' Boredom: "Badum badum."
In Tammy Wynette's 'I Don't Want To Play House'. It's the bit where she opens her throat on the awful line "And then the teardrops made my eyes grow dim." Horrible, but the hairs always stand up.
It's all in the delivery. The bit where the song stops and Levi Stubbs cries "Bernadette!". The breath Micky Dolenz exhales after the second (?) chorus of I'm A Believer - singing can't be reduced any more than that. No lyric, barely a transcribable sound, but it moves me every time, without fail.
― Martin Skidmore, Tuesday, 9 April 2002 00:00 (twenty-four years ago)
― electric sound of jim, Tuesday, 9 April 2002 00:00 (twenty-four years ago)
from Lifter Puller; also, from the same source, the line "Woke up in the grass with the assless chaps.
Also the words "miles away" in Suede's "Modern Boys"
*dodges flying vegetables*
― John Darnielle, Tuesday, 9 April 2002 00:00 (twenty-four years ago)
from Lifter Puller; also, from the same source, the line "Woke up in the grass with the assless chaps"