This release probably won't be interesting to anyone who didn't see him tour these past two years by himself. Sparse instrumentation, uneven mixing, anbd little to no clapping or talking interludes (could go either way) would keep most Kozelek fans from buying this and understandably so. I don't (can't) listen to this one often but when I do I am either drunk or driving in the dark for a fair distance (<= 40 miles). Because I saw his last two passes through Asheville, NC I am slightly more excited by this release. This album marks the first time I've ever been in attendance of a nationally released live album. A dubious achievement but thrilling nonetheless. Really, this album for me is about where I was those nights that I saw him and what happened. A personal treasure, but for anyone else?
― earinfections (Nick Twisp), Sunday, 21 January 2007 04:27 (nineteen years ago)
― earinfections (Nick Twisp), Sunday, 21 January 2007 04:42 (nineteen years ago)
― White Dopes on Punk (Bimble...), Sunday, 21 January 2007 06:08 (nineteen years ago)
― I.M. (I.M.), Sunday, 21 January 2007 22:44 (nineteen years ago)
― MORE STONED AT 6 AM THAN YOU (Bimble...), Sunday, 21 January 2007 22:46 (nineteen years ago)
― Susan Douglas (Susan Douglas), Sunday, 21 January 2007 23:14 (nineteen years ago)
"Little Drummer Boy was released right at the end of this year. I usually allow a couple of months grace for an album to click, but it’s quickly become clear that this double album is the definitive document of Kozelek live. The recording quality is excellent (crowd noise is unobtrusive), and its bias toward more recent material makes it a more coherent album than the grab bag on disk two of the Red House Painters Retrospective."
Ridiculously pompous writing aside, I stand by that.
― caek (caek), Monday, 22 January 2007 00:56 (nineteen years ago)
― Curt1s St3ph3ns, Sunday, 28 January 2007 06:54 (eighteen years ago)