S/D Laurie Anderson

I am now reviving that other thread 'cause I liked it.

Destroy: Strange Angels is my least favorite by far although I haven't heard anything new in around a decade. I suspect I would also dislike the Moby Dick album. and the tracks on the Airwaves album are really embryonic and half-formed.

OMG, the kids introducing this:

oh hi

They're so cute! The one on the left, how she's so awkward, but pretty, and they're so enthusiastic!

Has anyone heard/seen *Nothing in My Pockets*? Book + 2 CDs: http://www.amazon.com/exec/obidos/tg/detail/-/2914563434/
I'll probably buy it anyway, although I passed on *Night Life* (http://www.amazon.com/Night-Life-Laurie-Anderson/dp/3865213391/), thinking that it would be something I'd browse for fifteen minutes and then put on the shelf.

In this interview:
http://www.pomegranatearts.com/project-laurie_anderson/pdf_files/la_interview_04.pdf

...Laurie explains that she was almost going to be the narrator for the opening ceremony at the 2004 Summer Olympics at Athens!

"Q. Tell us about Greece and the Olympics. You were working in Athens with the Olympics team for, what, a year and a half?

LA Yeah. Actually I wasn’t able to talk about any of this when it was happening but it was amazing. They asked me to work on writing the opening ceremony and also to be the narrator. You know, the one who welcomes the world to Athens. So I went back and forth to Athens a lot for about a year. And I got to work with all these amazing Greeks-- writers, designers, choreographers. I just have to say, first of all, they’re a lot smarter than we are. They’re sharper, they’ve got sharper tools, they’ve got a sharper language. They just do. It’s more elegant, it’s more complicated, it’s more complex. And I’m someone in love with English. But I was really aware that they came from the people who invented virtually everything that our civilization is based on-- philosophy, geometry, physics, tragedy, sculpture, painting.

So it was – such a long story- a wonderful experience to work on making something with them. The top secret aspect was also a lot of the fun. I could never tell my friends where I was going-- I’d just disappear. Then last December there was a big money crunch and, sad to say, I was among the casualties so I didn’t get to be the narrator in the end."

Huh. If "Nothing In My Pockets" is anything like "The Ugly One With The Jewels", I'm in.

I adore Ugly One with the Jewels.

I adore Ugly One with the Jewels.

Yes, precisely. So has anyone heard the "Nothing In My Pockets" CDs that can give a pocket review?

"Music for Dogs"
https://www.youtube.com/watch?v=T5Ku0HL9ToA

(5 min of a 20 min piece, according to what i can tell)

I adore "O Superman" & the disc she did with Lou Reed & John Zorn.

The rest of the things I've heard (which, granted, is only about half of her releases) have varied from pretentious & boring to boring & pretentious, with a few interesting cuts scattered about.

I just heard "Mister Heartbreak"; neither that nor "Big Science" are pretentious or boring (maybe "O Superman" aside). Honestly I'm not really sold on her but those albums are pretty interesting throughout. I'm not really a fan of her singing voice but I could probably listen to her read the phonebook all day.

I love Mister Heartbreak — for me it fits into that circa 84-85 era of digital-based art pop like The Dreaming and Sakamoto's Esperanto. The sound of those records haven't been disinterred as being retroactively "cool" (yet, anyway).

hasn't/haven't

i love at least half of mister heartbreak. the half with "blue lagoon".

I like a few things cumulatively on both albums but I still prefer Strange Angels to either one.

No one's heard "Nothing In My Pockets" (linked above)?

I went to see her at a free outdoor show at Lincoln Ctr last week... Music about what I expected, enjoyed the jaundiced words about how NYC has been replaced by an entirely different city in the last 10 years ("tech conventions and cupcake shops"). Some very timely siren intrusions too.

Also had never heard her Willie Nelson quote, "99% of the world ends up with the wrong person, and that's what keeps the jukebox spinning." (And then she brought out Lou Reed.)

lol

Free show as part of Luminato tonight. All I knew going in was "O Superman" (perplexing), and I think I played a song or two from Strange Angels on the radio years ago. I just figured she'd be worth seeing.

There were a couple of pretty songs, but the one she opened with was excruciating--"Greetings from the Homeland," I think it was called. Went on forever--20 minutes at least.

All I really knew was "O Superman" before I saw her recent collaboration with Kronos Quartet a little while back. Eh, it was ok.

I see she has a new collaboration going:

http://www.nytimes.com/2013/06/15/arts/music/laurie-andersons-wall-to-wall-summer.html?_r=0

“Ai Weiwei asked me to write some songs with him a few months ago,” said

you guys need to listen to 'big science' at least, it's one of the best albums ever. i've never been able to get into the rest of her stuff as much but that one is a classic (it's the one with 'o superman')

otm, big science is beyond essential -- haven't been nearly as knocked out by anything else I've heard her do (though there are good moments), but that one is a universe of its own.

The Ugly One with the Jewels is 100% awesome from start to finish. Anderson in full-on storytelling mode with Eno on synths backing her up.

nevermind, Eno was on Bright Red, not Ugly One with the Jewels... still.

Nah ugly is def eno too i think?

I <3 Laurie. If it came down to a sophies choice between her and wifey Lou I'd pick Anderson in half a heartbeat just for united states, big science & assorted highlights

I saw the Luminato thing as well, about the same reaction as clemenza. Enjoyed the instrumental passages far more than the lengthy attempted Skype collaboration. I did like the occasional sounds of helicopters hovering in the background.

Ugly One is a mixtape-making dream come true.

http://nd03.jxs.cz/553/120/78b5a5bc82_66078638_o2.jpg

http://images.ramonamainstage.com/acts/l/LouieAnderson_465.jpg

http://www.halloffamememorabilia.com/images/products/p-533725-larry-anderson-autographed-hand-signed-mlb-baseball-card-philadelphia-phillies-1986-f-aw-45106.jpg

https://www.youtube.com/watch?v=6mRq1xgKykM

Home of the Brave extremely formative for me, hard to imagine anyone not enjoying listening to this

I'm gonna give Big Science another try. I like it but I'm a Strange Angels stan.

I am OK with Big Science but think United States is where it's at

Bunch of bizarre old LA PSAs!

http://networkawesome.com/show/collection-laurie-anderson-psas-1/

my dad always use 2 tok abt hr...... bt a on a vln bow

tape8

*

taebtraeh ym ot netsil

*farts*

from June, on "Hamilton": "It's history lite. It's musical lite. It's just...just horrible."

http://www.theatlantic.com/entertainment/archive/2016/06/laurie-anderson-qa-hamilton-trump-hillary/485054/

Was unaware until recently that she had made a CD-ROM game in the mid 90's.

https://www.youtube.com/watch?v=kPYOSLqN5Ns

That's so cool, thanks for sharing

Did anyone go see her at the Barbican last night? I didn't manage to get tickets in time but man, what a setlist.

01. From The Air
02. Another Day In America
03. This Is The Language Of Positive Change
04. Let X=X / It Tango
05. Scream for Yoko Ono
06. O Superman
07. The Biggest Story
08. Get On The Good Foot
09. Gravity's Angel
10. We Don't Know Where We Come From
11. The Future Is... Digital

12. Walk the Dog
13. Advice for suicidal students:
14. Born Never Asked
15. Junior Dad
16. Flow
17. The Lake
18. It's not the bullet that kills you - it's the hole
19. Only an Expert
20. From The Air

Encore:
21. Thai chi dance

wow

18. It's not the bullet that kills you - it's the hole

Holy shit

*holey ;)

It went up on D1m3 today, the Barbican is a difficult capture for any taper, it's so roomy and the PA is a maybe little underpowered, but it's very listenable and omg at the version of Junior Dad!

https://www.dropbox.com/scl/fo/co4egdy2grc3z6vkvk5hg/h?dl=0&rlkey=4vl4d7sk205wg3n3iru9yonyp

_18. It's not the bullet that kills you - it's the hole_

Holy shit

yeah that thing is hard to find.

she's coming to SF again this spring, doing the Let X = X show, which I gather is a bit retrospective, and that song features.

https://x.com/clavendr/status/1736786186813771811?s=46&t=u2ZSlsY3trRV36IPP6jNDQ

O Superman is getting trending use on TikTok and IG but many young-ins don’t know that it’s Laurie Anderson

The New York–based artist and musician Laurie Anderson said she would not take up a visiting professor position at the Folkwang University of the Arts in Essen, Germany, amid scrutiny over her views on Palestine.

Earlier this month, the school announced that Anderson, who has produced such works as the hit 1981 song “O Superman,” had been appointed its Pina Bausch Professor, a position named after a famed dancer. But since that announcement, the school appears to have reneged on its decision, citing the fact that Anderson signed a 2021 open letter that urges support for Palestine.
“To frame this as a war between two equal sides is false and misleading,” the letter reads. “Israel is the colonizing power. Palestine is colonized. This is not a conflict: this is apartheid.”

Moreover, the letter continues, “We have seen how governments in Europe and beyond recently have instated policies of open censorship, and fostered a culture of self-censorship, towards Palestinian solidarity. Conflating legitimate criticism of the State of Israel and its policies towards Palestinians with antisemitism is cynical. Racism, including antisemitism, and all forms of hate, are heinous and not welcome in the Palestinian struggle. It is time to stand up to these tactics of silencing and overcome them.”

She was one of thousands to sign the letter, whose signatories also included artists such as Nan Goldin, Kara Walker, Simone Leigh, and many more.

On Friday, the Folkwang University of the Arts issued a press release saying that Anderson would no longer be taking up the position at the school on April 1. Specifically, the release claimed that the letter “takes up boycott demands from the anti-Israel BDS movement,” even though neither the movement itself nor a boycott of Israel are ever mentioned in the text. (In Germany, BDS has been particularly controversial, with some political figures attempting to render it illegal.)

“For me the question isn’t whether my political opinions have shifted,” Anderson said in a statement. “The real question is this: Why is this question being asked in the first place? Based on this situation I withdraw from the project. My colleagues at the University and the Pina Bausch Foundation have discussed this with me at great length and we have jointly decided this is the best way forward.”

In its release, the university said the decision came amid “the context of the current discourse about freedom of art and freedom of expression.”

It was the latest such development in a country whose art scene has been roiled by the October 7 Hamas attack, with many artists who voice pro-Palestine views facing the prospect of canceled exhibitions and withdrawn opportunities.

Earlier this month, Berlin attempted to implement a funding clause reliant upon a definition of antisemitism that many said would be used to keep pro-Palestine artists from receiving money. After mass protests, the funding clause was ultimately repealed.

https://www.youtube.com/watch?v=fGgplLF5CWc

Could've used some prep time and/or a better editor.

From Nonesuch:

"Since I was a kid, I was in love with the sky, the beauty of it, the freedom of it, like I could just float up forever," Laurie Anderson tells BBC Radio 4's Front Row presenter Tom Sutcliffe in a conversation about her upcoming album, Amelia, due August 30 on Nonesuch. "I remember as a kid doing that, running into the dark ... the ecstasy. Your arms are out like a plane, and you close your eyes and you run." You can hear their conversation here via Spotify and Apple Podcasts:

Amelia is the 2024 Grammy Lifetime Achievement Award recipient's first new album since 2018’s Grammy-winning Landfall. The record comprises twenty-two tracks about renowned female aviator Amelia Earhart’s tragic last flight. Anderson, who Pitchfork says, “sees the future, but she starts by paying attention,” wrote the music and lyrics. On the album, she is joined by Filharmonie Brno, conducted by Dennis Russell Davies, and Anohni, Gabriel Cabezas, Rob Moose, Ryan Kelly, Martha Mooke, Marc Ribot, Tony Scherr, Nadia Sirota, and Kenny Wolleson. An exclusive limited-edition print autographed by Anderson is available with Nonesuch Store pre-orders while they last. You can pre-order the album and hear the track "Road to Mandalay" here.

Milwaukee rapper J.P. (of "Bad Bitty" fame) sampled "O Superman":

https://www.youtube.com/watch?v=7tndfn6llAc

!!!

https://laurieanderson.bandcamp.com/album/amelia

I keep waiting for the album to start.

Would you say you were waiting for it to … land?

Uh-this is your Captain again.
You know, I've got a funny feeling
I've seen this all before.
Why?

I keep waiting for the album to start.

this is diehard poptimist nonsense btw, I mean you never ever listen to drone or ambient so...

are you being cranky again?

I don't listen to Laurie Anderson like I would Four Tet. I go for storytelling, voice inflections, and the often beguiling music swirling around her, Big Science and Strange Angels chief among my favorites. Heart of a Dog was terrific.

After three listens this thing sounds unfinished.

sounds like a joe frank story tbh

i have never really listened to her music before, does all of it kind of have a joe frank vibe?

You mean a Hamilton, Joe Frank, and Reynolds, "Don't Pull Your Love Out" vibe? Well yeah:
https://www.youtube.com/watch?v=GUO9SDd9UhU

Sorry I stuck in the comma, so pretentious.

are you being cranky again?

haha no I was serious! You've given this more time than I have, maybe we come to her for different things, her voice alone is usually enough for me.

by which I mean that there isn't much actual "music" on this amorphous dream-like release

I'm not sure what "poptimism" or whatever has to do with appreciating drones and ambient music, but, yeah, in the drones and ambient music I like I want dronier and more ambient music.

idk I think using Four Tet as an example of drone/ambient underscores the divide between us here, go listen to a 15-hour piece by Roland Kayn or the entire 5+ hours of Well-Tuned Piano, that's what I mean.

not trying to be snarky! I will have more relevant responses once I listen to more than 5-6 minutes of random tracks, but I liked what I heard more than you seem to.

But...I would never define Laurie Anderson's music at her best is drone/ambient in the Kayn sense (whom I've heard).

is=as

Not that intentions matter, but I doubt Anderson herself would define herself in those terms either.

agreed, although there is this recent curio

https://www.discogs.com/master/1734668-Brian-Eno-Laurie-Anderson-Ebe-Oke-Dokument-2

your initial comment just seemed like an excessively harsh dismissal of something I'm curious about but haven't had time to process, that's all

Wonder if she's found Metallica contact info in Lou's old jacket? Hope so.

New stage show: ARK United States 5

The title suggests a new chapter to United States Live.

Laurie Anderson says: “For a long time I’ve wanted to make a new large-scale work about the United States—a collection of songs and stories about what has shaped this country in the 21st century. I plan to tell these stories moving through myth, journalism, fable, and TikTok, conjuring alternate realities and stories from my own life. Part ruminations, part long-form poems, ARK will also be a kind of 3D movie.”
In the 1980s, Anderson presented the multimedia epic United States Parts 1–4, which mixed music, photography, film, and drawings to explore contemporary America, first performed as a six-hour live performance at the Brooklyn Academy of Music in 1983. In 2024, the year of a momentous US election, she completes this work with a brand new creation which explores how the world might need to be reconfigured in order to be saved.

i think she is making a guest appearance at the summerstage show tonight.

https://www.youtube.com/watch?v=rI15W-BBhrw

New

https://www.youtube.com/watch?v=UcbEHM3k4IQ

Don't worry, only the first song is in French.

I saw an exhibit of hers at MASS MoCA in North Adams, Massachusetts a few months ago, which seemed to be a slightly smaller version of the exhibit of hers I saw at the Hirshhorn in DC a few years previous. Some really thoughtful pieces, including more than a couple that incorporated AI, or at least the current version of AI, since AI (warts and all) has long seemed to be in her conceptual wheelhouse. And yet its contemporary omnipresence casts her work with AI in a different light, sometimes a little kitschy, sometimes oddly thoughtful. There was an AI generated Bible, an AI chatbot designed to emulate Lou Reed (I read an interview where she described the results as "three-quarters of it is just completely idiotic and stupid. And then maybe 15% is like, ‘Oh?’. And then the rest is pretty interesting. And that’s a pretty good ratio for writing, I think.”) and an AI photo gallery recreating (in hilarious fashion) the story of her family's long ago arrival in America ... she's just so thoughtful and curious that I always get a lot out of pretty much everything she does.

She's one of the reasons I've loved living in NYC for the past 15 years, and on the two occasions where either me or my partner spoke with her - once about her film, Heart of a Dog and another time at a film discussion she was moderating - she was incredibly kind. Beyond that, she's constantly performing around the city, either in her own show or with collaborators like John Zorn (and of course at special events commemorating Lou Reed).

I saw her do a Q and A for Home of the Brave and she was super duper gracious and kind.

Just learned about:
The Blue Horn File - Live at the Mudd Club, NY, June 25 1979
Laurie Anderson, David Van Tieghem, Peter Gordon

Have to go to work but will listen later tonight

here ---> https://adjacentrecords.bandcamp.com/album/the-blue-horn-file-at-mudd-club-live-at-the-mudd-club-new-york-ny-june-25-1979

whoa cool.

this is what I would classify as 'difficult listening hour' though it's only about 20 minutes long

Definitely makes me want to see this tour/setup:

https://www.youtube.com/watch?v=sfq36DRVul0

Yeah, I think she's playing with them at Big Ears, one of many things I'm looking forward to.

yeah I saw her with them last year and it was incredible. as a full-time nostalgist I appreciate her willingness to do older material in this configuration.

never miss laurie live she's always top tier

that is 100% true

3rd-ed