― dleone, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― Tom, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― Keith McDougall, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
Predict the predictable other 40 before you see the magazine. I am sure the ILM massive could figure them out, no cheating Londoners !
― DJ Martian, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
The assumption immediately is that sausage here applies to an effect on other bands. If so it's a question which is very hard to get to the bottom of, but it's not quantifiable so a list is silly. If on the other hand it's which bands have most sausaged the NME readers then the list is probably bang-on (though still silly), and it's a less-asked question anyway (probably too imaginative for the NME though).
― Tim, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― Mr Noodles, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― briania, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― Alexander Blair, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― mark s, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― Ronan, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― Jeff W, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
Here is the full list folks - Did Steve Sutherland project manage the counting of this poll? If he did he should be SACKED ! as the counting slips for NEW ORDER went missing ! not even in the top 50 !
What are those knobheads The Charalatans doing at 46: a second division baggy band in 1990 and a naff Rolling Stones tribute band from the mids 90s onwards.
Full NME 50 Icons list
1 The Smiths 2 The Beatles 3 Stone Roses 4 David Bowie 5 Sex Pistols 6 Oasis 7 Radiohead 8 The Jam 9 U2 10 Public Enemy 11 Happy Mondays 12 The Clash 13 Nirvana 14 Elvis Presley 15 Joy Division 16 Blur 17 The Strokes 18 The Rolling Stones 19 The Verve 20 Bob Marley 21 The Fall 22 Prodigy 23 Velvet Underground 24 REM 25 Frankie Goes To Hollywood 26 Dexy's Midnight Runners 27 Beastie Boys 28 T. Rex 28= Jesus and Mary Chain 30 The Specials 31 Manic Street Preachers 32 Roxy Music 33 Pixies 34 Iggy Pop 35 The Pogues 36 Primal Scream 36= Frank Sinatra 38 Bob Dylan 39 Blondie 40 Eminem 41 Culture Club 42 Madonna 43 Marvin Gaye 44 Pulp 45 Michael Jackson 46 The Charlatans 47 Echo and the Bunnymen 48 The KLF 49 Neil Young 50 PJ Harvey
I pity the poor office junior who actually had to research this list. What a complete waste of sausage!
This clearly is mistake - i mean those runts The Strokes only started in 2001 in the NME. New Order have been going since 1980, and featured on many NME covers - after a difficult first album - they then achieved international success/ and cool cult credibility with 3 key albums - I think they were even on the front NME cover of the crimbo special in 1987 - the year of substance. Then came technique influenced by dance music in 1989, then Republic in 1993, returning last year with Get Ready.
― DG, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
Stone Roses 3??????? The Beastie Boys 20???????? This is actually the worst list in ages. It's got ONE DANCE ACT that I can see. The Prodigy. And they're so crossover. And the Strokes in the top 50 might have been something to debate but at 17????? Madness. All madness.
Put in order how influential these bands are: Led Zeppelin, Kraftwerk, The Strokes.
Also using the criteria NME set down - New Order should have been above The soddin Strokes. The Strokes have only had one fawning year influence on the NME - New Order's influence is much greater in magnitude.
But the Britpress readership is deeply conservative, and its idea of what's relevant is decidedly narrow. Look at the NME and MM annual readers polls in the last 15 years and you'll invariably find the Best Band position occupied by a white, all-male, British guitar band: the Jam, Echo & the Bunnymen, the Smiths, the Stone Roses, Suede, Blur, Oasis. The Top 10 Band, Album and Single categories usually feature no women, no blacks, no dance music, and rarely any Yanks (although REM and Nirvana did briefly challenge the Anglocentric bias). The Britpress has to give its readers what they want, i.e as many pieces as possible on the 10 or so Big Brits (pegged around the single, the album, the tour, any excuse whatsoever basically), plus features on Brit-pop 'contenders'--younger bands waiting in the wings for fame and fortune to take its toll on the established Brit biggies. That still leaves a fair number of pages which have to be be filled by token coverage of 'minority' interests like techno, hip hop, weird guitar experimentalism, American rock, and other stuff which market research shows the readers are simply not interested in.
― Wyndham Earl, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― er, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― Martin Skidmore, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― MICHELINE, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― tyler, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― Billy Dods, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
Also Sounds supported Depeche Mode consistently, unfortunately the NME were to busy wanking over the likes of: Billy Bragg, Housemartins, Soup Dragons, The Charlatans, Wedding Present, The Proclaimers, Inspiral Carpets, The Farm, The Wonderstuff and countless other duffers - second division guitar fodder bands.
Let's face it NME woz for losers from my key formative era: 1986 (i.e 5th form) - 1991 (end of Uni) - Melody Maker and Sounds were miles ahead of the NME.
― tariq, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
.......ues 36 Primal Scream 36= Fra.......
HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa HaHaHaHaHaHaHaHaHaHaHaHaHaHaHaHa
― Norman Phay, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
Oasis were NEVER the most original band around, but they had a guitar based rock-twat attitude that was missing in the mid 90's, or so we were told by the NME... They did a lot to boost Oasis career.
I think the Dead Kennedy's were a pretty important band, in terms of the whole present day US alt scene...
― Alex G, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
Can I suggest we napalm King's Reach Tower?
― Nick Southall, Tuesday, 16 April 2002 00:00 (twenty-four years ago)
― DG, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
Why not have Tom fucking Jones instead of Weller then.
― Ronan, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
― thom, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
― Andy K, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
Then the list is wrong. Led Zeppelin dominated the NME from the late 60s to mid 77 - much more so than Bowie or T Rex. The Sex Pistols lasted a year or so in terms of influence before it moved onto post punk. Howard Devoto appeared with 'the most important man alive' New Order won poll after poll in the early 80s Joy Division were the early 80s rock band not U2. Whole chunks of NME from 83-87 were devoted to Mutant Disco / Ze records, with the parade of 'anti- rockist' writers on the Ian Penman / Stuart Cosgrove continum.
I could go on, but this is just another shabby list compiled for shabby reasons by shabby people for an embarasingly outmoded publication that should have stopped a decade ago.... Hmm, perhaps Paul Weller really is their big influence. I'm not even sure why the NME is re-writing history anymore. I wish it would just get out the way.
― Alexander Blair, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
Heh. The Penman-Cosgrove continuum is a fuck of a long continuum. It's true neither of them much liked rock music.
― mark s, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
Billy Bragg/ Housemartins were examples from 1986, Proclaimers 1987.
Mark S you were at the NME between 1983 and 1988? How many editors in your time ?
I remember that the NME in 1985 - the first time I bought a few copies was more Socialist Worker/Lefty politics, world music particularly African music and West Indies - Reggae, Hip Hop from the US and Miles Davis on the front cover. Gradually from 1987 things changed less politics and by 1990 it woz Baggy Times weekly.
― DJ Martian, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
― Jerry, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
― Mr Noodles, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
oooh. grr. get us. etc.
― jess, Wednesday, 17 April 2002 00:00 (twenty-four years ago)
― bnw, Thursday, 18 April 2002 00:00 (twenty-four years ago)
― Kevin Sundance, Thursday, 18 April 2002 00:00 (twenty-four years ago)