These New Puritans

I think they're playing at the ICA in London this week (I have never heard this band, but I kept seeing the posters when I was there this past weekend), for what that's worth.

Looks like Domino is finally releasing this track as a 12" with a new remix by The Loving Hand. Interesting.

http://www.dominorecordco.us/?page=releases&releaseID=694

I know it's not exactly fashionable to talk about an English post-punk influenced band in 2008 (has this re-fit gone on longer now than the original post-punk?) but their album is surprisingly good. It reminds me a lot of the 2nd Futureheads album in tone and style. Navigate - Colours is indeed a standout.

Pulled this album back out to play again tonight on a whim and it sounds SO DAMN GOOD right now. Apparently the next one's being recorded right now...

right now/right now...ugh.

Heard new single "We Want War" on Marc Riley's show and am now really looking forward to the album.

The album's really good. Fucked up brass band, trip hop in parts. This and the Liars album are both special.

So jealous, two of my most anticipated records of early 2010!

Mine too! It's good to see them still standing.

Shit got real

https://www.youtube.com/watch?v=GIfKqgWPVvk&feature=player_embedded

Totally love this band, can't wait for the new one. Mutant Fall/Wire/electronica blend with vocals that I really shouldn't like but really works for me.

That is an amazing track - might very well render the Massive Attack record (more) redundant.

Hidden is a damn good record - takes a while to get its hooks in, though.

This is one of the best new albums I've heard in ages.

Agreed. Very good - I'm going to have to spend a while figuring it out - one of those type albums. Quite mindblowing in places. If you think We Want War is good, check out Three Thousand off the album.

Can't wait to hear this, but unfortunately it isn't out til March here in the States.

One thing—and I feel so bad that it's the first thing I thought about when I heard this album—I just wish the horns had been given more time to rehearse. There's something about the performance that sounds like they're sightreading it. On the Talk Talk records where the horns are deliberately strained sounding you can just tell it took them six months' worth of editing to arrive at. You just wish TNPS had that kind of budget and time.

But thankfully they've basically ditched all the vestigial nu-UK-post-punk-dance stuff that you could tell on the last record they didn't quite know how to reach beyond.

For whatever insane reason this record also reminds me of Coil covering Tears for Fears songs. Ha ha I don't know if I can even explain that.

"Coil covering Tears For Fears" - that's brilliant.

Quick observations after my initial listen:
- I concur that it's a grower of a record, whereas the debut was utterly immediate.
- They seem to use the particular badoom-doom drum sound far too often.
- The lead singer has learned how to sing since the debut, and I'm not sure that's a good thing as I loved his wilfully amateurish vocals. Having said that, he sings far less on "Hidden".

Haven't heard the other record, but there's some pretty damned amateurish vocals on "White Chords."

Love that track.

"Drum Courts" is killing me right now, love this album.

it's been a while that indie music has challenged me like this album does

Can't wait to hear this, but unfortunately it isn't out til March here in the States.

Out today. Probably gonna pick this up on the strength of what I've heard, various YouTube songs and so forth.

Got impatient and acquired it anyway. Will probably buy when I have the funds again though, because I absolutely love it.

Wau at track I'd say: this album is actually a proper Thing!

"at track 6 I'd say", sorry.

to say that this album is utterly underwhelming after 'we want war' is an understatement

it's like 'hey we had one song that insidiously and skillfully built up the tension to an awesome climax - and a load of other songs that bashed around with loud drums for a bit and didn't develop at all!'

well, "5" is really good as well. but the rest can hang.

no one in america has ever heard this band

Hi I live in America and like this band a lot.

Yeah, me too. And while I find the new album pales in comparison to the debut, it has grown on me. But we may see it as classic sophomore slump in the future.

So if I were to have to choose between seeing this band and Fucked Up, I should see Fucked Up.

NB. I like Fucked Up but have seen them before, and I was curious about TNP because lots of people around here seem to like them.

Saw them live in 2008 (American here!) and even though me and one other person were the only ones who knew the lyrics to the songs, it was still a very BIG, fun performance. George kills it on the drums and is very fun to look at.

nobody has answered my criticisms of the album

'we want war' is one of the best songs of the last few months, but nothing else (apart from '5') lives up to it

nobody has answered my criticisms of the album

Nothing to answer, really, as I more or less agree with you.

I don't mind going to bat for these guys. Don't think that Hidden is as one dimensional as LJ has portrayed it. Sure there's repetition of certain themes and sounds, but they're being pulled into different shapes track by track and that's what makes it all hang together as an album IMO. Like those drums - yeah, they're always loud and militaristic, but sometimes they're banging out brute hip-hop-ish beats, other times they're more like some sort of ceremonial music by Purcell, like from one of his marches or something. It ends up suggesting this weird mix of current and historical tensions. Same with stuff like that sword sound that keeps popping up. Is it a Wu-Tang reference? Or is some sort of medievalist shit going on? (I love that sound btw, it's probably a bit naff throwing it in there as this signifier of menace, but I think it really works as a sound in itself. Kind of reminiscent of the way that Ben Frost used the howling wolves on his album last year in that respect?)

Odd that you picked up on the closing track, '5', because that's the one track that I couldn't imagine listening to outside of the context of the preceding tracks. Love the way it start out with those Vespertine-ish chimes, but then the woodwinds start playing what sounds like the same melody they played in 'Canticle' and then there's that choral melody that creeps in that seems to be looking back at 'Orion', but it's a lot more muted this time round. Give it a few more listens as a whole, cos things will start falling into place a bit better then.

BTW:

16 July 2010

Big News:

ĦỊĐĐỂŅ LIVE

This winter, These New Puritans present ‘Hidden Live’ – a chance to to witness the album
performed, as it was recorded, with 15-piece brass and woodwind ensemble, multiple
prepared-pianos, live Foley techniques, taiko drums and more; the orchestra will be
conducted by André de Ridder (Gorillaz, Monkey). Following on from the debut per-
formance at London’s Barbican Centre in October with the Britten Sinfonia there will follow
shows at the the Pompidou Centre, Paris, and Crossing Border Festival, Den Hague with more
to be announced in the coming weeks.

Kudos to Dorian:

http://www.guardian.co.uk/music/2010/oct/07/these-new-puritans-hidden-interview

Thanks Nick. They were exactly how I wanted them to be.

Extremely good article -- got me interested in the band singlehandedly!

Bump.

All about Fire-Power.

The music's pretty interesting, but the singing reminds me of Audio Bullys. Also could do with some metal guitars here and there.

I'm very, very glad at the absence of metal guitars.

^ see the last paragraph of Dorian's piece linked above

But yeah, I could see how they might work in a Young Gods or Tricky 'Black Steel' way.

There are just a couple of drops that could use a bit more oomph, and some nice crunchy guitars would do it for me.

Man I really slept on this record this year. Amazing stuff, it's like Mezzanine-era Massive Attack meets Nine Inch Nails meets MIA meets Benjamin Britten meets a really half-arsed singer.

Actually, the vocals are fine if you think of them as imitation 3D or Karl Hyde or someone. But yeah, kind of stunned that anyone would even try and make an album like this, let alone pull it off.

Also I would like to hear Dan Perry's opinion on this.

i think it's my favourite they've done but that's mostly due to them moving in sound a little towards things i like more and becoming a little more accessible i guess? not that field of reeds was bad or anything it's just a bit... idk if dense is the right word but it was more of an appreciate at a distance thing rather than being that moving to me while inside the rose is more direct in appeal. i can understand people who loved field of reeds being a little underwhelmed by this one though.

Field of Reeds is if anything a little bit too diffuse in places, in that the bits that aren't incredible just drift away a little. The new one has a lot more shape to it.

at a certain point i could see this being my album of the year. every time i put it on it's an almost overwhelming experience of depth and beauty lol

i'm not sure what the end of "beyond black suns" reminds me of but my god

depeche mode plays slowdive's pygmalion

reminds me of Air 'New Star In The Sky' a little bit

Only just hit me the other week the similarity of Where The Trees Are On Fire's chords to the coda of the Beach Boys 'Surf's Up' (also therefore in turn I suppose 'La Ritournelle')

I'm currently listening to Field of Reeds on a pair of £50,000 Linn speakers and *fucking hell*.

(Not my speakers, obviously)

Envious

NEW MUSIC
Listen here:https://t.co/aG0LLIzWqM
thank you to RUSHMORE HIGH SCHOOL for their dystopian vocals
THE MIRAGE is a song we originally wrote when we were 16 , now reformed.
more soon – - tnpX pic.twitter.com/bpjTItrQsB

— THESE NEW PURITANS (@TNPs) January 29, 2020

This song is kind of silly but I am still digging it hardcore

very few bands can pull off a non-horrible song with a kids' choir; TNP is thankfully one of them

Absolutely loved Inside The Rose

a live date in london and new music on its way...

https://www.instagram.com/p/DGnMxSLojbc/

Ooh

new post says "TOMORROW"

a new TNP album would be most appreciated at this present moment of shit

and there it is:

These New Puritans today announce their hugely anticipated new album Crooked Wing, due for release on 23 May in multiple digital, CD and vinyl formats, via Domino.

Crooked Wing is the band's long-awaited fifth album - their first in six years. Produced by Jack Barnett and Bark Psychosis pioneer Graham Sutton and executive produced by George Barnett, it ranges from brutal to beautiful, and cements TNP’s reputation for visionary music that defies categorisation and convention. It features an unpredictable lineup of guest musicians such as Caroline Polachek and veteran jazz double-bassist Chris Laurence.

These New Puritans - Essex brothers Jack and George Barnett - are previewing the record with the double A-side single "Bells" / "Industrial Love Song," both of which are available to stream and download now.

so stoked

two new songs out today...

https://www.youtube.com/watch?v=ZZ-MWiFgIzs
THESE NEW PURITANS - INDUSTRIAL LOVE SONG [FEATURING CAROLINE POLACHEK]

https://www.youtube.com/watch?v=l1EJe8QwEQA
THESE NEW PURITANS - BELLS

floored by these

wowwwww gorgeous, both of them

these are just wonderful, if they keep this up this should be their best album

Preordered the hell out of this of course.

stunning tracks

"bells" is especially astounding, all those rhythmic shifts

it's sort of like five blue nile songs seamlessly stitched together, but it's a lot more than that

Bells is a masterpiece and it's only track 2 on the new record. This could be an incredible album. Gonna be a long wait until release day

yeah it's wild that bells is only track 2 and not the album's centrepiece

track times:

Waiting 3:08
Bells 7:05
A Season in Hell 5:04
Industrial Love Song 3:50
I'm Already Here 6:10
Wild Fields (I Don’t Want To) 4:05
The Old World 3:51
Crooked Wing 6:14
Goodnight 5:49
Return 2:07

both of these tracks wouldn't be too out of place on secrets of the beehive

I was saying to Joseph that “Industrial Love Song” could be their “Don’t Give Up”.

I thought Inside the Rose was their best album so if this beats that it could be… the best album ever?

feel spoiled by new TNP and Real Lies albums in the same couple of months. humour me here, it's like when Bark Psychosis albums were coming out at the same time as Disco Inferno's

"bells" is the best thing they've ever done so i'm fully expecting the album to live up to that

doing a discog run, pretty sure this is the greatest band of all time that isn't the radio dept.

Need to go back and listen to Hidden one of these days, feel like it could hard in this present moment

https://www.youtube.com/watch?v=GmRykHQsoIM

nowhere near as incredible as the first two singles but still pretty decent

i like this, good to know the new one will have its loud moments

ah the beautiful isle of sheppey

Yeah I like this as a clear contrast to the other released tracks - it’s as if they updated Hidden vibes for their current sound/approach.

https://www.youtube.com/watch?v=vad8yBqJZuU

pretty good!

Two more days until the entire album is released. This has been a very long countdown

i really like how they're trying to recreate depeche mode without synthesisers here

"bells" is still the best thing i've heard all year

Couldn't wait for my preorder to be released tomorrow. The leak is out and yeah, this is fantastic. Can report that the early promise of Bells is upheld, particularly on the quieter second half. Title track is chill-inducing.

nothing else quite touches "bells" but this is still excellent and their best work

I had sky-high expectations for this and fuuuccckkk it delivers.

"Industrial Love Song" had me worried they weren't going to be industrial at all this time, but "Wild Fields" delivers. (I do like the whole thing, but I tend to like them more the louder the drums are)

The Old World is gorgeous

(as is the whole album obviously)