Alright, we all know that Sting is literate, but what other allusions to literature are out there? Iron Maiden wrote a `choon about "The Rhyme of the Ancient Mariner" (does that count?). The Cure wrote "Killing An Arab" about Camus' "The Stranger" (and even moan out the protagonist's name in the final moments, "oh Meursault"!) The Alarm's signature tune, "The Stand" was based on the Stephen King novel of the same name.
What else, bookworms?
― Alex in NYC, Monday, 29 April 2002 00:00 (twenty-three years ago)
― Orange, Monday, 29 April 2002 00:00 (twenty-three years ago)
Challenge to make this thread more interesting -- find the literary references from acts not classified as 'wordsmiths' or making 'intelligent' music.
― Ned Raggett, Monday, 29 April 2002 00:00 (twenty-three years ago)
― Judd Nelson, Monday, 29 April 2002 00:00 (twenty-three years ago)
― nathalie, Monday, 29 April 2002 00:00 (twenty-three years ago)
PIPER AT THE GATES OF DAWN by Pink Floyd -- chapter 1. of "The Wind in the Willows."
Marillion take their name as a truncation of J.R.R.Tolkien's "Silmarillion."
The Boo Radleys took their name from the object of fear in "To Kill a Mockingbird."
Pink Floyd's live album, DELICATE SOUND OF THUNDER is originally the title of a short story by sci-fi kingpin, Ray Bradbury in which a millionaire goes, fittingly, DINOSAUR hunting.
The Mission UK recorded a cloyingly earnest ode to John Steinbeck called, mawkishly, "The Grapes of Wrath." Said book was also the subject of Springsteen's "Tom Joad," later covered by Rage Against the Machine.
― Justyn Dillingham, Monday, 29 April 2002 00:00 (twenty-three years ago)
― Dave225, Monday, 29 April 2002 00:00 (twenty-three years ago)
Girls Against Boys have "Crash 17 (X-Rated Car)," about J.G. Ballard's "Crash" (the same work that inspired the Normal's "Warm Leatherette").
Scrawl has a song called "Louis L'Amour."
― j.lu, Monday, 29 April 2002 00:00 (twenty-three years ago)
― Bill, Monday, 29 April 2002 00:00 (twenty-three years ago)
And Rush: Tom Sawyer
― JM, Monday, 29 April 2002 00:00 (twenty-three years ago)
BLOODHAG
― Brian MacDonald, Monday, 29 April 2002 00:00 (twenty-three years ago)
― jorge ohwell, Monday, 29 April 2002 00:00 (twenty-three years ago)
now if someone can mention all the allusions to literature in momus songs...make sure you have a whole week off
― erik, Monday, 29 April 2002 00:00 (twenty-three years ago)
― Lord Custos, Monday, 29 April 2002 00:00 (twenty-three years ago)
― A Nairn, Monday, 29 April 2002 00:00 (twenty-three years ago)
my fave is 'you'll never spend a season in hell if you lie in bed all day'
― keith, Wednesday, 1 May 2002 00:00 (twenty-three years ago)
(1) song on nowhere based on bit of franny and zooey "she knew she was able to fly / because when she came down / she had dust on her hands from the sky"
(2) song on stereolab's peng repeating quote from first chapter of one hundred years of solitude, slightly altered: "across the river are all kinds / of magical instruments / while we keep on living like monkeys" (nee "donkeys")
(3) "catch the breeze" (i think) on daydream nation borrowing from denis johnson: "i wanted to know the exact dimensions of hell"
― nabisco%%, Thursday, 2 May 2002 00:00 (twenty-three years ago)
― Ron, Thursday, 2 May 2002 00:00 (twenty-three years ago)
― elizabeth anne marjorie, Thursday, 2 May 2002 00:00 (twenty-three years ago)
― Damian, Thursday, 2 May 2002 00:00 (twenty-three years ago)
ABBa The day before you came
(Blancmange later changed it in Barbara Cartland in their up-t-date cover version, to sooth the kitchy synths even more)
― erik, Thursday, 2 May 2002 00:00 (twenty-three years ago)
Some others: Hey Jack Kerouac (10,000 Maniacs), Something Wicked This Way Comes (Barry Adamson), Alice in Blunderland (Beefheart), Bug Powder Dust (Bomb The Bass - a Burroughs ref), 1984 (Bowie), Wuthering Heights (Kate Bush), Crusoe (Cinerama), Tale of Two Cities (Dave Clarke), Riding the Waves (For Virginia Woolf) and The Lighthouse (both Cockney Rebel), Killing An Arab (Cure), War & Peace (DJ Die), The Joke (Fall), Hunchback of Notre Dame (Frantic Elevators), Atrocity Exhibition, Dead Souls and Interzone (both Joy Division - the last's another Burroughs one), Das Kapital (Killdozer), Cat In The Hat (Little Benny And the Masters), Billy Budd or Suedehead (Morrissey), Through the Looking Glass (Mott the Hoople), Tender Is The Night (The Long Fidelity)(Triffids), Vanity Fair (Tom Verlaine). I note that some of the acts' names have literary links too.
There are of course loads about the Bible, if you count that as literature, and lots with coincidentally similar titles (e.g. Hard Times) or where something other than the book is the likely inspiration, usually the movie.
― Martin Skidmore, Thursday, 2 May 2002 00:00 (twenty-three years ago)