I am writing something on appropriation in the visual arts and was wondering if anyone knew of any good articles or books on the effect that the advent and "democratization" of such tech developments had on originality, authorship, etc...any ideas would be greatly appreciated
― iago g., Wednesday, 12 March 2008 19:25 (seventeen years ago)
www.bangbros.com
― and what, Wednesday, 12 March 2008 19:25 (seventeen years ago)
very funny. i know what that is...forgot to put the obligatory line about no sarcastic non-answers and look what i get...but thanks!
― iago g., Wednesday, 12 March 2008 20:51 (seventeen years ago)
There's an 80s anthology of critical writings on video art called Video Culture: A Critical Investigation that has a number of essays that might make sense for you.
If the legal background is of interest you should read the Supreme Court opinions in the Betamax case (http://w2.eff.org/legal/cases/betamax/) and in Grokster (http://w2.eff.org/IP/P2P/MGM_v_Grokster/).
Michael Snow, who made "Wavelength," wrote a little piece called "Playing The Radio" that might help too.
― dad a, Wednesday, 12 March 2008 21:50 (seventeen years ago)
Sherrie Levine?
― I know, right?, Wednesday, 12 March 2008 21:53 (seventeen years ago)
Goodwin, Andrew. “Sample and Hold: Pop Music in the Digital Age of Reproduction.” On Record: Rock, Pop and the Written Word. Ed. Simon Frith and Andrew Goodwin. New York: Pantheon, 1990. 258-73.
Straw, Will. "Value and velocity: the 12-inch single as medium and artifact.” Popular Music Studies. David Hesmondhalgh and Keith Negus, eds. London: Arnold, 2002.
And actually, bangbros might fit the bill here.
― Kevin John Bozelka, Wednesday, 12 March 2008 22:02 (seventeen years ago)
Thanks, everyone.
― iago g., Thursday, 13 March 2008 00:14 (seventeen years ago)
So there is a book on cassettes, reviewed here by a one time ilxor.
https://4columns.org/dayal-geeta/high-bias
― xyzzzz__, Sunday, 1 October 2023 17:55 (one year ago)