Who among us works in radio?

useta

in college!

yep, i am. still. must be sixteenth year going, or samthung.

FUN TRICKS:

* I used to take callers out of "program", but leave the line on the air. They'd think they were talking to the host when really, they were just talking to themselves.

* Likewise, we had this host who was a right-winger who did his show out of New Mexico. He'd go on about the U.N. spying on the Ozark National Forest, and I'd play helicopter sounds over him with "audition" turned off. That way, the sounds would go over the air, but he wouldn't hear them.

Callers would try to tattle, saying "Do you hear the choppers?" and he'd be all "What now?"

* And I'd always call back prank callers. You know we have Caller ID up there, right?

i do at my college

90.7 the lion on mondays sucka

FUN TRICKS:

* dial in to the host and say "Hi, long time listener, first time called" then hang up.

I work for radio musicola and we're movin up...

FUN TRICKS:

* "First time listener, long time caller, how's it going?"

I volunteer at the listener supported community radio station KOPN 89.5fm and host a show every other wednesday night from ten to midnight central time. Tomorrow is my night.

KOPN, what a bunch of hippies.

</KCOU alum>

promotions dir. at uclaradio for a few more months

oh yeah weren't you once a dj here Ned? any Raggett-relics left behind?

my maria is the station manager of the local low power fm station that she just started (with others) here.

http://www.wvvy.org/

Current time: 2:55:47 PM Playing: ILX Comp 2 - the red bull dozers-a woman needs a fish (5:04) Listen online

wow, that's weird timing!

I had Monday nights at the Ole Miss student station when I worked there. It was nice of them to let a non-student have a slot. Did a semester-long Zappa show, a yearlong ripoff of "Desert Island Discs" with local/campus bigwigs, and a couple of years of freeform wankery.

I started this thread last year

Rolling FM Radio Station DJ/Staff Thread 2007

but it got eaten by the ILX2 move.

Been doing public FM for 21 years now!

I'd still like to know what any staff-type folks here think about that 3rd party playlist tracking system. Looked it up recently and it costs bands like $90 for 6 weeks of tracking! That's a lot for a band/label to shell out to confirm their placement in the CMJ charts...

* Likewise, we had this host who was a right-winger who did his show out of New Mexico. He'd go on about the U.N. spying on the Ozark National Forest, and I'd play helicopter sounds over him with "audition" turned off. That way, the sounds would go over the air, but he wouldn't hear them.

I did this once, I was subbing for a dj who had this crazy guy call in every week to do political commentary on the palestine situation. I played "disco inferno" in the background.

do radio stations still have record players? it was fun to play something like edie brickell, shut down the turntable halfway through so the song slowly ground to a halt, and then fire up "kill yr idols" or some such nonsense. can't do that with a cd player.

a guy called in and requested "mr crowley". I put it on and then slowly mixed in the SPK track with the screaming and glass breaking over it. hopefully dude wasn't tripping.

I remember getting called into the gm's office after one of my shows had had an obscenity complaint filed against it. they had circled everything on my playlist they thought was offensive. a track off songs about fucking, "you look like a jew" by pussy galore. I think the offending item turned out to be "dopeman" by nwa. lol 80s.

Sleeve, sorry to rob yr steez!

I work for WFIV (bad website, not the best station either) and 850 WKVL (AM) and I volunteer for the listener-supported (and awesome) WDVX.

I board-op/produce and do a little office stuff. What do y'all do, if you haven't said?

im the station manager here: http://www.koxy.org/

we're on hiatus right now while we upgrade the booth tho

Station manager, oooooooooooooooooooooooooooooooohhhhhhhh

Breaker Breaker!

We've got a fuckin Convoy

jealous roxx

jealous that you are not my station manager instead of this coke-headed weasel *jerks thumb to the left*

i do i do i do i do i do i do: music shows music shows music shows

i was music director at my college station for three years! www.myspace.com/wmeb i think it is. i did my show until last fall, when my work schedule changed and i couldn't find time for it anymore. i miss it. love radio.

hey roxy no worries, that was a 2007 thread! I think this thread will work just fine for what I had in mind, gonna bookmark this.

I have occasionally done production work, but mostly just stick to doing my show. We are all required to review CDs and stuff. I love our station, we have some really good DJs. We are also a "CMJ Core Station", for whatever the fuck that's worth. Right now our streaming is down (changing servers) but station website is here: www.kwvaradio.net and streaming is thru Shoutcast, search for "KWVA". I'm on Mondays at 4 PM PST.

I was trying to remember the name of this listening /charting/tracking service we use that I mentioned above but I can't think of it right now.

Thought for discussion: Do all successful independent FM stations have a strong General Manager who has been there long-term? Seems to me that it is a key factor...

Hm. Our station definitely has had the same dude in charge for a long, long time, and is a successful station despite this particular guy being seemingly terrible at his job and widely disliked.

So, I mean, you may be on to something.

I'd love to get into radio, actually. No college radio experience or similar though. Is it just a question of volunteering for a few months to learn enough to be let on the air? Surely anyone can do a graveyard shift on hospital radio. Or at least that's what I'm hoping...

Define "work?" I host Breakfast of Champions Thursday on WMBR, listen to two weeks of archived programming here.

What kind of computer programs do you all use in studio (if you use computers -- the station I volunteer at, WDVX, is all oldstyle. Everything is run on like a 1960s TEAC)?

When no one's in the studio, we run off SAM Broadcaster (streaming audio manager). We're very low-budget (and low-power, at 93 watts). What we transmit is actually a 64-k webstream because the bandwidth at the studio building is so low. But we get to use the studio for free, so no complaints. Nobody gets paid in our operation. Matter of fact, it costs us money to do it. It's all for the love. If anybody here sends me a mix sans swearwords and it's good, I'll play it on our radio station for almost all of martha's vineyard to hear. My show is Wednesday, 10-12 noon (listen at http://rs1.radiostreamer.com:8360). This week I'm going to play a lot of Nigerian stuff.

i keep doing that - scott and I share a cmputer now

also, i often put up archives of my show at myspace/mariad
The one that's up there now might actually be a skotmix

i've probably beat you all over the head with it already, but i'm doing an eight-week reading + discussion program about old science fiction stories for Resonance FM in london with former board regular mark sinker and a rotating cast of bozos. sorry i mean valued guests. it's called "a bite of stars, a slug of time, and thou" and is available for the castin o' the pods at http://freakytrigger.co.uk/slugoftime

http://www.wrek.org/?q=staff
http://psychoutwrek.blogspot.com/

some of our gear:

Eventide BD500 digital cart machine

some Tascam pro CD players. The CD-450's are awesome, the "professional" CD-01U is garbage.

D-16 digital audio console

Mosely MRC 1620 remote control to transmitter

we just got approved for an antenna height raise, twice as much power (up to 1000 watts), and a station expansion! Life is good.

there is a damned dog loose in the studio

there were a bunch of old guys loose in our studio. grizzled ones.

Can anyone find a list of hand signals used in broadcasting on the web? We're having a breakdown in communication in this piece.

wow I had no idea such things existed.

only four google results for "hand signals" + "web broadcasting", but I'm sure you already know that. not much info in any of them.

sounds like you should call a journalism school, maybe?

i've basically invented our system of signals at our station, but i know there is a standard language. the only one i know from this is the "C" sign = 30 seconds left.

i think she meant an article, published on the web, about hand signals in broadcasting

the only hand signal we used at my station was this one http://twothirds.org/wp-content/uploads/2007/06/middle_finger.jpg

well yeah, that is what i meant

xpost pretty sure that one's universal in the field

ta da!

http://books.google.com/books?id=0e8SjtqlRfIC&pg=PA9&lpg=PA9&dq=%22hand+signals%22+%2B+radio&source=web&ots=Gegm3nSAUR&sig=CtNxRqe2KqV-MDAJJkYudQNLghI&hl=en

firefox is being forced to close!

wtf I am using ff on a mac.

it is a Google Book Search result so I cannot C-and-P

weird

here is the pdf file

you want pages 9-11

http://www.sendspace.com/file/qsck8r

bump 4 roxy

THANKING U SLEEVE!

<3

feel so shitty right now. lots of weird conflict undertones going on. tension between student and community factions. volunteers treated badly. i've been there for ten years and i can't really figure out what's wrong right now. got a good relationship with the GM and we're gonna talk soon but it just sucks. good DJs are leaving. ten years (11 actually) is longer than any job/house/relationship i've had.

if anybody has more specific info regarding FCC policy around student/community ratios and volunteer requirements and such I would love to hear more or get pointed towards info. or if any of y'all have been through upheavals at stations before.

I probably shouldn't even be posting this here.

"if anybody has more specific info regarding FCC policy around student/community ratios and volunteer requirements"

can you be more specific? i'm the operations manager at a college/community station and i might be able to help. you can email me using the email in my user profile if you don't want to talk about it in public.

great, thanks.

lol

Important song note:

Have you heard, seen, downloaded, or otherwise considered the song "Did You Say" by stephaniesid? Please DO NOT play the song!

There are EAS tones in this song, used as sound effects at about the 20-second mark. EAS is the Emergency Alert System and it is prohibited by the FCC to use the tones in any circumstance other than a valid EAS issued by the federal, state, or local agency. It is a big deal too, the FCC fined iHeartMedia $1million for airing the tones in a program. You would recognize the EAS tone if you heard it, all radio and television stations air the tone before and after any Emergency Alert message, an example is here via YouTube.

We have not put this track on rotation. The record label is aware and working to get an edited version out.

So again, DO NOT AIR ANY CONTENT WITH EAS TONES!

Hahaha

regarding recent discussions on the DMCA and the prohibition of multiple songs by the same artist in an hour, I thought I'd c&p this message from our station manager regarding "The Current" and their all-Prince marathon:

spoke with The Current and they are indeed streaming this as well as broadcasting over their FM airwaves. I asked about how they're doing it considering the DMCA rules and was told they are disregarding the rules... they said they may be the test case and they are willing to do that (they have good legal counsel and lots of money). To my knowledge there has not been enforcement against any stations disregarding the artist/time DMCA rules, but as more stations do it, I can see enforcement beginning. As mentioned above, the recording industry is ever-lobbying to protect artist rights (and protect the labels' profits), and the DMCA came from that intent. The DMCA is outdated (it was written based on 1996 treaties), as digital technology has changed a lot, but it is still the rule and we still have to follow it.

So yeah, our manager is not willing to be a DMCA test case, hence the restriction. If you hear a station do this, they are technically violating the DMCA. Hopefully this will get resolved/changed in the courts sometime this decade (especially if stations keep flaunting the rules like this).

This is a long, interesting (if you’re interested) artcile on the new prominence of the Adult/Hot AC formats, but which also touches on lots of other general issues in current radio programming — including the reluctance of pop stations to play hip-hip/R&B, and their corresponding decline in relevance (“Have you looked at a Top 40 chart from 20 years ago — the diversity in styles, artists, tempos?” asks a programmer. “We’ve gotten very safe, very homogenized.”); the “tempo” debate (Top 40 playing too many ballads); the “zero mainstream currency” of rock (“with the exception of Imagine Dragons, ‘the Foreigner of this decade’”), etc.:

https://www.rollingstone.com/music/music-features/adult-contemporary-radio-hits-millennials-724945/

(I haven’t worked in radio for years, and don’t even really listen, but I still find this stuff interesting!)

The way they're using "millennials" seems odd but I think I'm actually in favour of making generational terms meaningless.

Interesting and helpful piece, though.

Yeah, “millennials” seems to be used as just an all-purpose headline hook.

Hm, is this working differently in Canada (or Ottawa)? Fall 2016 ratings for Ottawa seem to show CBC1 (news, talk) way out front, followed by a Top 40 station, an AM talk radio station, the classic rock station, and then an adult contemporary station, just ahead of CBC2 (a few classical programmes and a mix of mid-tempo bland music of all kinds the rest of the day) and an alternative/modern rock station, which is not very different than what I would have expected and not really showing much evidence of a new prominence of Hot AC. I just checked the Fall 2017 numbers and they show the same thing.

not really showing much evidence of a new prominence of Hot AC

or zero mainstream currency for rock (esp given that CBC2 plays a lot of triple A-type stuff).

OK, looking at radio ratings for Boston makes the article make more sense.

Four AC-related stations ahead of the "alternative" station!

Interesting, though: the closest analogue to CBC is NPR, which doesn't even rate.

Here in the L.A. area, the NPR affiliates are KCRW & KPCC, both of which do make the rankings: https://ratings.radio-online.com/cgi-bin/rol.exe/arb003

(It's actually interesting to me that KPCC rates higher than KCRW, I would have expected the reverse.)

Anyway, the L.A. chart also seems to illustrate this phenomenon well -- KIIS (the market's big Top 40 station) is #4, and look at #1-3...!

I think there were some affiliates on the Boston list too. They just seem a lot lower, compared to the dominant place of CBC. OMG, though, three AC stations in your top 4! 2xp

which I guess I knew re NPR; just striking to see it documented. Tbh, I had no idea so many people listen to CBC2. It's practically a station designed by music critics.

https://www.rollingstone.com/music/music-features/ariana-grande-revolutionizing-pop-radio-803279/

(It’s not just about Ariana, btw, lol)

Poor pop radio....such an issue

If each of those marquee artists start pushing four or five singles at once, that would make it difficult for anyone new to get major radio play. This can be especially dangerous at Top 40 radio, further decreasing variety in a format that’s already struggling with what one former promoter calls “lack of diversity.” “It’s hard to make room for other artists,” Graham acknowledges. “I have talks with labels all the time: I would love to get to your song, but when Ari is dropping something [or three somethings], or Bruno and Cardi are coming out, those take the place of other new songs.”

I guess the algorithms tell them they can’t play other people

The thrust of the article is that they actually do want to play other artists, and traditionally try to maintain diversity. What’s not spelled out (b/c it doesn’t need to be) is that no PD wants to turn down a new single from an established superstar.

No pd wants to limit airtime each hour for star’s multiple hits

Well, they want to strike a balance, that’s what makes it a challenge when suddenly the big artists are releasing singles on top of singles.

yeah yeah yeah

https://i.imgur.com/Ghyv9yr.jpg

Between writing, interviewing and radio, the latter was the most fun. God I miss it tons. :-(

headed into my 25th (!!) year volunteering at the local college station, I am on now for another hour-plus

www.kwvaradio.org

coming up on my 32nd anniversary of being on real FM (various Oregon stations), and my 39th of being on cable FM (various Indiana stations). Amazingly I still love it.

Congrats

sweet

39th anniversary! incredible!!

Thanks all!

The cable FM stations didn't really "count" as the signal only available in houses/businesses with cable TV, otoh it was a great place to learn because you could do anything.

https://en.wikipedia.org/wiki/Cable_radio

Eventually the Indiana station (WQAX) morphed into a full FM community station but it was in the 90's after I left. When I finally got on a real microphone at a real station in 1991, I was nervous as hell!

Went to a DJ meeting tonight and the current group of student staff are, I think, the sharpest and most together and most committed staff I've seen in my whole time there. Super inspiring, the DJ director, music dept, sports, marketing, and news all seem really plugged in and engaged. The station's 30th anniversary is later this month. Go team.