I'm also wowed by Siegbran Hetteson's brilliant intro to the Metal world. I've gotta discover some of this. (Saddly no Burzum or Goreguts on Morpheus at the moment.)
What I wanted to ask Siegbran is how this stuff compares with the post-industrial apocalyptic folk music of people like Coil and Current 93 which also blend folk melodies, pagan themes and electronic soundscapes.
― phil, Friday, 17 May 2002 00:00 (twenty-three years ago)
Interesting, I just downloaded my first "Summoning" track : "Minas
Morgus" and, apart from the vocal, it reminds me strongly of Clan of
Xymox!
I wasn't expecting that. But I guess you can't be a medaevalist
guitar band without also crossing into goth territroy.
― phil, Friday, 17 May 2002 00:00 (twenty-three years ago)
I should add that Gorguts isn't pagan metal at all, they're a very
fucked-up (not being a musician and knowing next to nothing about
music, that's the best I can come up with, sorry) sounding death
metal band. Try "Obscura" from their '98 album of the same name- they
streamlined a bit on the next one (not that I consider that a bad
thing).
And where is "Siegbran Hatteson's brilliant intro to the Metal
world"? I'm assuming it's on this site- being somewhat new in this
territory myself, it sounds like it'd be worth a read.
― John Dahlem, Friday, 17 May 2002 00:00 (twenty-three years ago)
i'm not siegbran, but i'd say it doesn't really compare with coil/c93/death in june, etc, most of the time. there are some rare exceptions where the much ballyhooed 'folk melodies' are actually played in a recognizable 'folk style,' (ulver's "kveldssanger" springs immediately to mind), but generally it's played out as metal with keyboards overlaid...
the one exception i can think of is the quite amazing (and unfortunately, inexplicably NS [national socialist]) band nokturnal mortum, whose "nechrist" incorporates ukrainian folk and 'country' music played on actual, acoustic instruments. "the funeral wind born in oriana" is the track to look for - complete with "wahooo" and other country-music style yelps, and some kick-ass fiddle. one of the rare cases of an NSBM band doing something interesting...
the american band
wind of the black mountains have some atmospheric elements (and occasional acoustic guitar) that may appeal to fans of the c93/dij/coil axis. check "advasary" (cough) and "force fed into blasphemy".
― your null fame, Friday, 17 May 2002 00:00 (twenty-three years ago)
Steve Von Till from Neurosis did a pagan folk album a couple years
back, As The Crow Flies. And of course Neurosis are apocalyptic pagan
metal... I understand they just did a sound & installation piece called
"Cairn" based on monoliths from ancient Hibernia. All the metal dudes
are hippie-pagans now, and the Nordic ones won't even bother to worship
Satan anymore: "He is nothing but a Jewish construct, bah!" Guitars are
out, too, because they're "negro instruments." (I am not at all
referring to Neurosis here, I'm talking about the friend-killing black
metal dudes from Dark Scandinavia).
― Andy, Friday, 17 May 2002 00:00 (twenty-three years ago)
There's definitely a connection. The Current 93/Death In June/Boyd
Rice type of thing certainly had influence, I think that primarily
the dark and repetitive nature of this kind of music proved a
surprisingly good match with metal. A lot of metal musicians have
folk-based side projects. Even Ritchie fucking Blackmore...
Personally I don't think the way most metal bands incorporate folk is
that interesting, most just play folk interludes between more
standard metal music, whereas the most interesting development was
the use of folk melodies within the metal itself (like Graveland or
Nokturnal Mortem do). And the far-right affiliations of many bands
(though not all!) in the folk/metal scene might put more than a few
people off (although equally intolerant and wacky views are held by
Public Enemy, and few listeners seem to let that cloud their
enjoyment of the music).
Considering the whole pagan vs satan thing: I never felt the division
to be that strict. Arguably the essence of metal is the rejection of
Judeo-Christian morality, the whole compassion/tolerance/turning the
other cheek/glorification of weakness and suffering/demonification of
lust/the "shepherd and his herd" metaphor - basically Nietzsches
points in "Der Antichrist" (A highly recommended book by the way,
short, very readable, and filled with "hey the guy's got a point"
moments). Metal somehow tries to embody everything non-Judeo-
Christian, which either means siding with the "anti" figure within
Judeo-Christianity (ie, the devil, Satan, and all the occult rites
that were ascribed to this figure), or siding with other religions
whose values also embody the antithesis of Judeo-Christianity (ie,
Celtic, Nordic, Germanic, Slavic, Greco-Roman - in other words,
pagan). Somewhere along the lines, this was a more suitable metaphor
than "the devil" - his very essence is defined by Judeo-Christianity.
If you want to get rid of J-C altogether, accepting it by using its
anti-figure makes no sense...
Much of this is much akin to 19th century romanticism a la Wagner,
the whole glorification of "the noble pagan", the concept of
a "spiritual suppression" of the European people by this alien middle
eastern morality, etc. Great topics for lyrics at least...
But in the end, satanism and paganism seem to exist side by side.
Loads of bands have lyrics dealing with both. And lots of bands just
criticise Judeo-Christianity and do not use pagan or satanic
metaphors.
But aside from all the philosophizing and ideologies, I don't think
metal really has lost *that* much its "drink beer and bang your head
for Satan" attitude. Somehow I think metal will always swing between
the desire to be Wagner, Tolkien or Milton, and the urge to drink
beer, shout blasphemy and show the middle finger.
― Siegbran Hetteson, Saturday, 18 May 2002 00:00 (twenty-three years ago)