for me, search "Drop", and "In Gorbachev We Trust" ... it's rapidly, rapidly downhill from then on.
― phil, Monday, 20 May 2002 00:00 (twenty-three years ago)
― N., Monday, 20 May 2002 00:00 (twenty-three years ago)
― cuba libre (nathalie), Monday, 20 May 2002 00:00 (twenty-three years ago)
― Dan Perry, Monday, 20 May 2002 00:00 (twenty-three years ago)
But the music? Now it just sounds like easy listening indie / house. Whereas the acid house remix of Strange Day's Dream (97) was a total revelation to me. You could use all this weird acid stuff in a song? How fucked was that?
I don't think they ever became innovative as dance producers. That was for Orbital, Orb and later The Prodigy etc. to run with.
― Vinnie, Monday, 20 May 2002 00:00 (twenty-three years ago)
I absolutely agree with this, actually. Where we differ is that I think that _En-Tact_ has aged remarkably well. The first 7-8 tracks are immensely wonderful.
― dek1, Monday, 20 May 2002 00:00 (twenty-three years ago)
― electric sound of jim, Monday, 20 May 2002 00:00 (twenty-three years ago)
Either way, yeah, I can't say I have the same passion for The Shamen as I did several years ago, but certainly "Drop", "What's Going Down" and surrounding singles, "In Gorbachev We Trust", "Phorward", and "En Tact" are all highly classic.
"Omega Amigo" was a grossly underrated pop single.
― Brian MacDonald, Monday, 20 May 2002 00:00 (twenty-three years ago)
Boss Drum was quite all right at the time but I will hardly ever listen to it again.
― alex in mainhattan (alex63), Monday, 2 December 2002 21:27 (twenty-three years ago)
― donut bitch (donut), Monday, 2 December 2002 21:36 (twenty-three years ago)
The cover art on 'Boss Drum' is just so early-nineties futuristic, though. It's worth it to me just for that. It looks like the cover of a Nintendo game.
― Tom Millar (Millar), Monday, 2 December 2002 22:47 (twenty-three years ago)