So, Thom Yorke has taken to wondering if Tony Blair is keeping a file on him. He wishes. But anyway, *are* there people in rock music who are 'subversive' anymore? (Define it however you like). And if so, who the hell are they?
― Tom, Saturday, 28 October 2000 00:00 (twenty-four years ago)
A 1974 Genesis fan keeping a file on Thom Yorke? Why would he feel
the need :) ?
No, seriously, I think "subversiveness" is an overrated quality which
ultimately means and equates to very little. Nevertheless, I think
it's possible for certain music to implicitly become subversive not
because of what it is in itself, but because of the nature of the
environment surrounding it, which cleans up and sentimentalises what
the music is criticising and celebrating an escape from. By those
criteria, Luke Haines's take on the 70s *becomes* subversive in the
context of the current obsession of British TV with 70s nostalgia
shows, but alongside a serious academic dissection of the labour
unrest during the Callaghan era, "The Rubettes" and "Some Changes"
seem as simplified as "I Love The Seventies". Obviously the
nostalgia reaches far more people than the analysis, though, so in
terms of the difference between his take on the 70s (which is bitter,
resigned, dancing on the grave of that whole world) and that of the
mainstream British media, then yes Haines seems very subversive
indeed. Nevertheless, the subversiveness is secondary to the sheer
brilliance of his music, and unlike actual quality in music, it's not
intrinsic, just lent by accidents of time and context. And it's far
less important.
Think of subversiveness as an optional byproduct, and the actual
quality of the music as the key factor. If Saturday-night TV was
dominated by documentaries on the National Front and the three-day
week, Haines's music would seem much less subversive, but it would be
every bit as good, and would lose nothing whatsoever in the process.
― Robin Carmody, Sunday, 29 October 2000 01:00 (twenty-four years ago)
Louie Louie is the root of all this, and then the whole backwards
music/suicide murder scare, and in every case this is a result of
misunderstanding. Marilyn Manson probably has a file, doesn't make
him subversive though. P.K. Dick's "Radio Free Albmuth" captures pop
subversiveness best, I think, as a novel. Artistic subversiveness
does not usually equal political subversiveness in message. In fact,
as Thomas Frank and the Baffler crew seem to prove over and over (and
over and over and over...) again, mass culture is a self-healing and
all encompassing institution which can incorporate, and does
incorporate, all forms of artistic innovation.
― Sterling Clover, Tuesday, 31 October 2000 01:00 (twenty-four years ago)
Has anyone been subversive? You said "anymore", so I assume that they
were once. I think subversiveness is something made up by the
government, today's "subversive" types are Hollywood people who
are "targeting" children into becoming evil wood nymphs (or something
to that effect). Thom Yorke, incidentally, is about as subversive as
pudding. Not even an exotic pudding, like flan, but just regular ol'
from the box pudding. Why would Tony Blair care about anything he
does? The Spice Girls are more subversive, for heaven's sake.
Honestly speaking, I don't think any artist has set out with an
attempt to be subversive. Political, maybe, but this rubbish about
backwards songs and satanic messages if you play a recording at a
slow speed - that's too clever for your average rocker, IMO.
Perhaps Marilyn Manson is subversive, but not in the ways scaredy
cats think he is. It's more of a subversion that he's tricking metal
types into thinking of him as this ultimate bad ass, when in reality
he goes on Politically Incorrect and writes novels. He probably
knits, too.
― Ally, Wednesday, 1 November 2000 01:00 (twenty-four years ago)