(diddli-duh) BOOOM. It starts so damned HEAVY, great drone duh-duh bassline underpinning the menacing intro - heavy but restrained, do bands do this anymore? Has anyone EVER done it as well as it's done here? )Who's Billy running from?) ... The chorus just BLOSSOMS out of nowhere, monsoons of delicious pathos punching me straight in the gut. And how is the chorus so complex? I mean, the chorus itself explores more subtleties of dynamics and tension than most albums do over their entireties. Woosh...(leeeveeellllll-out)... WOOOOOSHHHH [jizz-worthy tendril of guitar filigree] ... Elliot's voice, for once finally matching the intensity of the song (and perfectly at that). Brief solo and WHOA - is it done? No, it settles into an entirely new groove, wonderful Leppard modulations, more pre-choruses (always, right?) ... will there be another chorus? (Please?) -- And that's the end. A nerdily intoned "bang-bang", and the weird pseudo-runout groove *metallyklankklank*. Billy got me, and he got me good.
― Clarke B., Thursday, 6 June 2002 00:00 (twenty-three years ago)