Why are Suede releasing another album?

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I guess I know the answer (money), but you think these boys would value some degree of credibility.

I was a huge Suede fan and 'Dog Man Star' remains my favourite album of all time. It's beautiful, heart breaking and really powerful. I still think 'Still Life' takes you somewhere else and 'The Wild Ones' and 'The 2 of Us' are simply gorgeous. So this gives you some idea of how much I valued Suede at one time.

Hell, I like 'Coming Up' too - a fine pop album with some lovely melodies.

But... 'Head Music' - was this just one big wind up? It's got be one of the least listened to CDs in my collection and in my humble opinion as close to pisspoor as you can get. It's shite. Terrible. Utterly fucking devoid of anything to say - and I hate the thing.

So now Suede have decided that despite their fans deserting them in droves after 'Head Music' they are ready to return (it's funny cos whenever I bring Suede up in music discussions I've yet to meet anyone who dislikes 'Dog Man Star', but in the same breath I've yet to meet anyone who values 'Head Music' or even bought the wretched thing after hearing 'She's in Fashion' on the radio). You'd think that they'd feel slightly embarrassed about playing universities this time around and new single Positivity (which can be heard on the 'Lost in TV' DVD) is pittiful. Not to mention the fact they seem intent on becoming a joke by hiring one of Strangelove as a band member (Strangelove = bad Suede cover band).

So I ask anyone - do you really care about Suede and isn't about time Brett took the new blonde hair die out of his mop and grew old with some dignity instead of re-hasing former glories to a disintigrating fan base?

Just a thought...

Calum Robert, Saturday, 8 June 2002 00:00 (twenty-three years ago)

And I refuse to see them live in the hope that they might still bang out 'The Drowners'. Sad losers that they are.

Calum Robert, Saturday, 8 June 2002 00:00 (twenty-three years ago)

what's weird is that they are still 'big' enuff to be *the* headliners of that dutch festival after radiohead, and the cure.

'dogmanstar' is still 1 of my favourites too, and for a good 3 years i was literally manchester's biggest suede fan (well, y'know give or take) must have seen them almost 20 times live, but really u have 2 wonder why they kept it up after 'coming up'. hearing 'head music' was 1 of the worst experiences of my music- listening life. no joke. maybe there's life in the old dog men yet.

the reviews in nme and other press of last year's iceland gig were *astonishingly* positive. the new album has cost 1,000,000 quid to make. u have to ask - who's *paying* for it ?

what really galls is that despite being better than pulp, blur et al they never had a stadium-sized tour like they all did, not even when britpop was at it's height. and they STARTED britpop.

fingers crossed tho eh ? i for one couldn't be happier if the new un is fantastic, but from what i've heard ('simon' off the dvd, 'positivity' and 'beautiful loser' off audiogalaxy) it's head music pt. 2.

oh ms. frischmann you got a lot to answer for.

piscesboy, Saturday, 8 June 2002 00:00 (twenty-three years ago)

There are others on this board with experiences similar to yours, Calum -- I await their postings duly. ;-)

Now, my stance: I run the Suede mailing list and have now for almost seven years, much to my surprise at points. I always thought that Dog Man Star was far too fragmented an album to be some perfect masterwork and still think that; its experimentalism is overrated and truly great songs for me rub up against timekillers throughout its length. If I have any preferred album it's Coming Up -- I know some people really have problems with Ed Buller's production on that one but to me it really comes across as a solid, perfect album, the first Suede had ever done. Head Music helps me confirm my belief that one need not pay attention to the lyrics. ;-) I actually think it's a stronger album than it's often given credit for, but the homemade collection of B-sides I put together from that time is the real winner, there were so many great songs in a variety of styles there that I had no doubt Suede could still pull it together as desired.

Which is where I stand with A New Morning, though I regard it with slightly cautious optimism. I actually thought Strangelove were pretty damn good (I don't get your Suede cover band comparison, frankly -- Patrick sounded nothing like Brett for a start), so Alex Lee makes an interesting addition and had already played with them before when Neil was unavailable. "Simon" as a song is a bit evanescent but it's grown on me. All this time and money spent is a bit odd; it's hands down the longest they've spent on any of the albums and a fair amount of the fans on the list were wondering about that. But a few folks have heard a number of the tracks via live recordings and other devious sources (not I, not yet at least!) and they're thinking it's all good...so we'll see!

Right now I'm more looking to them actually playing here live -- they haven't done that in over six years now.

Ned Raggett, Saturday, 8 June 2002 00:00 (twenty-three years ago)

my favourite soundbite from the history of the Melody Maker- "comparing The Auteurs to Suede is like comparing Catherine Deneuve to Wendy James".

jamie, Sunday, 9 June 2002 00:00 (twenty-three years ago)

Wendy James roWr

N., Sunday, 9 June 2002 00:00 (twenty-three years ago)

Ignoring the last, largely laughable, comment - I think that Suede were once deserving of their 'best new band' tag. For a while I honestly believed that they were one of the best bands of all time. The debut single 'The Drowners' has two amazing B-sides (the end 'ahlalalalalahoooow' section to 'To the Birds' is still hypnotising) and, to quote the Sci Fi Lullabies review from NME (seeing as how some moron brought in soundbites) 'The Living Dead' is simply 'as beautiful as music gets'.

'Dog Man Star' is, of course, poetic, pretentious, indulgent and awesome. I think it holds together perfectly as an album - you get the feeling of being taken through this gritty, low rent existence from track 1 through to 12.

The debut album puts first LPs by the more acclaimed likes of Oasis and The Strokes to shame. 'Pantomine Horse' is incredible.

It's strange they never indulged upon a stadium tour around the time of 'Coming Up' when their popularity was at least as big as 'Different Class' era Pulp.

'Head Music' broke my heart. It was shit and I didn't think much of the B-sides around this time either, save for 'Crackhead' and 'Since you Went Away' which were okay. Neither was 'High Rising' or 'My Dark Star' though. Listening to 'Positivity' and seeing Brett's new hair do I just see a sad, past it indie star singing rubbish with abysmal lyrics.

Wish they'd cal it quits.

Calum Robert, Sunday, 9 June 2002 00:00 (twenty-three years ago)

"Head Music" was pretty bad. I don't know why, but I never expected them to recover from that; hearing the new one isn't very good doesn't surprise me. My vote for overall most consistent LP is probably "Coming Up", although the debut is gorgeousness and gorgeosity.

Sean, Sunday, 9 June 2002 00:00 (twenty-three years ago)

Wendy James roWr

i cannot disagree!

i didn't think shes in fashion was that bad, but the rest of head music was bad. coming up was their best album for me, as to why they never capitalized on this to full extent, i don't know. i dont think they were as big as different class era pulp tho, i wonder if by 96 the britpop thing had become less of a 'genre' in which many bands could leap forward, to one which centered around a few bands. ie it had become band dominated rather than scene dominated. in a certain sense there was a feeling for me that Coming Up had been released a year too late for mega-success, that that time had come and gone.

gareth, Sunday, 9 June 2002 00:00 (twenty-three years ago)

I'm not too sure because Q magazine ran a feature on the best 100 albums of all time and Coming Up was said to ahve sold 500,000 in the UK, while Different Class sold 320,000.

Dunno if that's right or wrong. Pulp were certainly very big around the time of Different Class, but then you couldn't switch your radio on in mid 1996 without hearing Beautiful Ones or Trash.

Calum Robert, Sunday, 9 June 2002 00:00 (twenty-three years ago)

laughable indeed. if only The Auteurs had written a masterpiece like 'She's A Good Girl'.

jamie, Sunday, 9 June 2002 00:00 (twenty-three years ago)

Please notice that when I defended Sleeper I defended them as great throwaway indie pop that still reminds me of my early student days. Never did I say, for one second, 'She's a Good Girl' is anything approaching a good song.

Also - never did I say they were in a class with Suede or produced an LP anywhere near the vicinity of 'Dog Man Star'.

You my friend are what is known as 'a class A bum smell'.

Calum Robert, Sunday, 9 June 2002 00:00 (twenty-three years ago)

fifteen years pass...

only one google hit for "a class A bum smell"

niels, Wednesday, 18 October 2017 07:05 (eight years ago)

Jesus Christ, who is that fuckwit?

more Allegro-like (Turrican), Wednesday, 18 October 2017 15:55 (eight years ago)

Put his name into the search tool. He was the Turrican of his day.

Jeff W, Wednesday, 18 October 2017 21:37 (eight years ago)

He wishes.

Gholdfish Killah (Turrican), Wednesday, 18 October 2017 21:39 (eight years ago)

turrican tbfttl isn't known for violent misogyny

imago, Wednesday, 18 October 2017 21:39 (eight years ago)

Yeah, I mean there's no fucking way I would ever start a thread titled "If Marti Pellow agreed to put his entire head up Alison Moyet's bum for Comic Relief would you sponsor him?", for one - so I mean, he can just fuck off with that comparison.

Gholdfish Killah (Turrican), Wednesday, 18 October 2017 21:42 (eight years ago)

he's done rather well for himself. It always amuses me when his name crops up on other boards or facebook from non-ilxors complaining about him yet are blissfully unaware of nicky wire in a banana suit

starving street dogs of punk rock (Odysseus), Wednesday, 18 October 2017 21:45 (eight years ago)


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