It actually concerns the bellish sounds. They sound like a DX-7 but as faras i know, the DX-7 wasn't even made when the song was being produced (1982 i think)Just want to know was the a DX-7 or a fairlight CMI as a suspect.
― The Startrekman, Friday, 27 March 2009 07:32 (sixteen years ago)
The quality is absolutely awful on that, to the extent that it changes the perception of the sounds. What about this:
Is that the same recording? It's slightly faster and higher in pitch. I guess the one you linked to was taped on a VCR so that's why it's slower.
Listening to the clean one it is clearly a DX7 producing most of the sounds. Someone on the youtube comments mentions Dave Grusin being the composer. I imagine someone like him would have got hold of a DX7 as soon as it was released, if not before (ie he may have had a special relationship with Yamaha so they could have given him one to try out, well in advance of release).
― dubmill, Friday, 27 March 2009 10:29 (sixteen years ago)
could be the ppg wave (released in '81)
― rio (r1o natsume), Friday, 27 March 2009 10:55 (sixteen years ago)
No way. Listen to the second youtube.
― dubmill, Friday, 27 March 2009 11:05 (sixteen years ago)
I'm pretty sure it's the same recording, but the first one is slower because of speed variations from playback in a VCR. It's also been encoded at very, very low quality, resulting in all the top end being stripped from the sounds and grungy artefacts added.
― dubmill, Friday, 27 March 2009 11:09 (sixteen years ago)
the DX7 became ubiquitous really fast. ive only used a dx100 which is a scaled down version and that sounds quite like the presets
― straightola, Friday, 27 March 2009 11:43 (sixteen years ago)
http://grusin.net/tv_series_i_z.htm(scroll down a bit for St. Elsewhere)
Elaborating on the combination of instruments used, Dave Grusin reveals that the theme was done on a Fender Rhodes, with a Prophet, OB-X and a Fairlight, neither MIDIed together nor using a sequencer. “I played it all in real time,” he says, adding “if I had done it acoustically, maybe it wouldn't have been as unique in some way.” He also points out that the theme was done electronically, one track at a time,” being pre-MIDI for him.
― snoball, Friday, 27 March 2009 11:49 (sixteen years ago)
I spent £500 on a DX21 in 1986 (and the keyboard on the damn thing had no velocity sensitivity). I always had to borrow or hire keyboards before that because I simply couldn't afford to buy one. People have it so easy now with free VST synths, widely available cracked copies of the finest software and so on.
― dubmill, Friday, 27 March 2009 11:54 (sixteen years ago)
Ah, I have to retract. Here's a better quality recording of the music heard in the youtube clip linked to by Startrekman:
http://www.kfcplainfield.com/sound/stelse.wav
The second one, which I linked to, is definitely done on a DX7 and must be a later re-recording.
― dubmill, Friday, 27 March 2009 12:03 (sixteen years ago)
this show is pretty good. love the pixelated screen wipes
― lord byron stingily (r1o natsume), Monday, 5 April 2010 01:39 (fifteen years ago)
man what
http://en.wikipedia.org/wiki/Tommy_Westphall#The_Tommy_Westphall_Universe_Hypothesis
― goole, Monday, 5 April 2010 03:09 (fifteen years ago)
You've never seen that theory? It's crazy. I lost a good 2 hours one night exploring the spreadsheets and charts people had made.
― he's always been a bit of an anti-climb Max (jon /via/ chi 2.0), Monday, 5 April 2010 03:13 (fifteen years ago)
s...spreadsheets??
― goole, Monday, 5 April 2010 03:14 (fifteen years ago)