this might seem pointless , but hear me out: these three years represent a radiophonic utopia of sorts. Just past the reach of the '60s, this short period inherited the wild, mind-expanded experimentalism of that hallowed/reviled decade while simultaneously outgrowing many of its embarrassing mannerisms (plus, this is just before all of that calcified into the cheesy & empty quasi-fascism of arena rock). Also top 40 rarely got as good again then it did during these three years (if you ever catch a random Casey Kasem show from this period, you'll know what I mean), partly because, as Scott Miller pointed out, radio programmers had yet to see the point in dividing up audiences between black and white musics. Certainly this is the real apex of what folks like Simon Reynolds and Sasha Frere-Jones are hankering after when they call for a current desegregated zone of pop music. These three years mark a time when grimy funk, bloozy and boozy country rock, and post-acid proto-metal (and goth proto-noise-rock) could all be seen as occupying the same continuum...
Poll Results
Option | Votes |
1972 | 12 |
1970 | 7 |
1971 | 7 |
― Kanye Twitty (Drugs A. Money), Thursday, 2 April 2009 11:41 (fifteen years ago) link