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Having recently read 'Bad Vibes' I'm more certain than ever that I never want to meet him. Despite being a complete bounder I still love much of his work. Which one does ILM love most of all, if any?
Poll Results
| Option | Votes |
| New Wave (The Auteurs, 1993) | 6 |
| After Murder Park (The Auteurs, 1995) | 6 |
| Now I'm a Cowboy (The Auteurs, 1994) | 4 |
| The Facts of Life (Black Box Recorder, 2000) | 4 |
| Baader Meinhof (Baader Meinhof, 1996) | 2 |
| Passionoia (Black Box Recorder, 2003) | 1 |
| Luke Haines is Dead (Luke Haines, 2003) | 0 |
| Das Capital (Luke Haines, 2003) | 0 |
| The Worst Of Black Box Recorder (Black Box Recorder, 2001) | 0 |
| The Oliver Twist Manifesto (Luke Haines, 2001) | 0 |
| Christie Malry's Own Double Entry OST (Luke Haines, 2001) | 0 |
| How I Learned To Love The Bootboys (The Auteurs, 1999) | 0 |
| England Made Me (Black Box Recorder, 1999) | 0 |
| Off My Rocker At The Art School Bop (Luke Haines, 2006) | 0 |
― featuring Strawberry and the Shortcakes (Billy Dods), Tuesday, 14 April 2009 14:27 (seventeen years ago)
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