JUKIN' BONE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

FUCK YEAH!!!

WHERE HAVE YOU BEEN ALL MY LIFE????????????????????????????????

in love

NEED...................SECOND.............ALBUM.................NOW.............

MY MAILMAN: "This is like early headbanging music." proceeds to bang head. (he has no hair.)

c'mon skot let us in on the action!

album of the year. ANY year.

http://4.bp.blogspot.com/_7pi2v28KCmI/SDL5D3xQexI/AAAAAAAAAaU/_Af-GrowpyA/s400/FRONT.jpg

http://3.bp.blogspot.com/_7pi2v28KCmI/SDL4inxQewI/AAAAAAAAAaM/r2kMqKKE9WU/s400/BACK.jpg

OMG! Missing third album!!!

http://3.bp.blogspot.com/_BYIA6IOsrqk/Sf8cEotPJ9I/AAAAAAAAA0E/QxqXybvrn4A/s400/front.jpg

i wish i didn't hate downloading stuff so much. i wanna hear the lost third album.

live reunion concert using their original name of Free Will. some record company suit made them change their name to Jukin' Bone:

http://www.cdbaby.com/cd/freewill

this looks promising!

can't find a good picture of Way Down East, their second album for RCA.

Listen here!!!

http://www.myspace.com/jukinbone

i kinda want everyone who walks into my store to leave cuz i want to play whiskey woman as loud as possible. old guy in here now. just don't have the heart to do it to him.

gorge must have their rekkerds.

seriously, they should have been huge. this is one of the best hard rock records i've ever heard.

well you ain't kiddin'!

http://www.myspace.com/jukinbone

gorge must have their rekkerds.

If he doesn't, the world will not make sense to me.

i love how it's recorded like a demo. most of it live in the studio. studio chatter after every track.

this is basically like a better Ram Jam

even wafer-thin rca dynaflex vinyl can't kill how great this album is.

Here you go - click for bigger image:

http://static.rateyourmusic.com/album_images/s579638.jpg

They kinda sound like Brownsville Station to me. And the live-in-the-studio atmosphere reminds me of that peculiar Grand Theft album.

i don't know how i feel about this ebay description:

JUKIN' BONE-WAY.. 72 WHITE TRASH HARD ROCK SKANK SEALED

i do appreciate that this seller always has an altar set up for the records he is selling:

http://cgi.ebay.com/JUKIN'-BONE-WAY..-72-WHITE-TRASH-HARD-ROCK-SKANK-SEALED_W0QQcmdZViewItemQQimsfpZTL0908032110002r2786QQimsxZ20090803QQitemZ290336156536QQsalenotsupported

http://www.digstation.com/FTPFiles/ALB000029512/ART%20FILES/large.jpg

Created as a way to preserve and respect the great music of the British Blues Boom era of the Sixties, Mark Doyle & The Maniacs is the brainchild of guitarist/producer Mark Doyle. Signed to RCA in the early ‘70s with his first band, Jukin’ Bone (who played their own brand of fiery, Anglophilic blues rock), Mark has gone on to record and tour with artists as varied as Meat Loaf, Bryan Adams, Judy Collins, Leo Sayer, and Hall & Oates. A visit to the Discography page at his website details the 65 albums that Mark has been involved in.In describing the impetus for making the record, Mark explains: “Old heroes die hard, and these were mine back when I was a teenager and first started playing the electric guitar. I’m sure Jeff Beck, Eric Clapton, Peter Green and Kim Simmonds had their own heroes – “authentic” blues men like B. B., Albert, and Freddie King, Otis Rush, Hubert Sumlin and Buddy Guy, but I did not yet know of them, and only discovered them translated and morphed through the brilliant playing of those four English kids.”None of this would mean anything without a killer, hand-picked band to lay the music down “just as those guys had to do it: live in the studio.” In describing his “posse of energetic, passionate and similarly reverent bandmates”, Doyle says:“I couldn’t have surrounded myself with a better band. Jack “Penetrator” Lipton handles the punk snarl of those “garage blues” days better than anybody I know; Terry Quill rose to the occasion when I called him and asked him to dust off his old harps, that I was looking for Brian Jones and Keith Relf rather than Paul Butterfield. Less of a surprise is Terry’s always great guitar playing (he’s in the right speaker, plays the second solos on #7 & 8, and does all the wah and slide stuff.) Michael P. Ryan shares the lead vocals with Jack, and plays excellent bass throughout. Younger than the rest of us, I really enjoyed watching him discover the British Blues from our era. And then there’s the incomparable Frank DeFonda, who really is the engine that propels all of this along. You can tell how much the music resonates with him. All in all, they’re a bunch of Maniacs! And kudos to Jocko, the “6th Maniac”, for immersing himself in the whole ethos of the original versions and bringing his engineering and mixing chops to the table.”So take a wild ride that starts with Them’s “Mystic Eyes” and passes through The Yardbirds, Fleetwood Mac, Savoy Brown, and John Mayall, ending with Robin Trower (technically past the era, but evoking it nonetheless.) Along the way there is one original song by Mark and his old Jukin’ Bone bandmates George Egosarian and Joe Whiting, “New Set of Blues,” which is meant to conjure up the spirit of the era. Turn it up and Shake ‘Em On Down!

Bangs mentioned them in his "If Oi! Was A Carpenter" essay in the Voice in 1982: "This stuff sounds a whole lot like much of the heavy metal shit I grew up on, if you forget your guitar-flash Aerosmiths or maybe guitar solos altogether and dig back into some of the really vile metal stuff like early Grand Funk, Bloodrock, and Jukin' Bone."

No trace of them in Popoff's '70s metal book, though. Weird.

this is basically like a better Ram Jam

I don't think I'd go that far, which is not to insult Jukin' Bone. Ram Jam was a Kasenetz-Katz band and all that entailed.

Jukin' Bone's Whiskey Woman is pretty organic, American post-high school doing its take on the Brit blooz boom, fairly accurately described in the thing xhuxk found. There's a lot of Grand Funk-like approach on that record, only not as peculiarly Mark Farner. And the covers of "Goin' Down" -- which comes from listening to a Jeff Beck record, and "The Hunter," from a Free record, boil down everything you had to know to get your cool cat's hard rock union card in '71.

Hadn't seen the Bangs quote anywhere, but he heard the Grand Funk thing going on, or the Terry Knight thing, since Bloodrock was another Terry Knight-managed and produced act. And that's mostly about a kind of '71 raw semi-pro brutality in approach, not lo-fi but not hi-fi -- either, which was part of all the good records in the genre.