Who among us is still clinging to flimsy theory that he's still credible/sane/worthy?
Full story here: http://www.nypost.com/news/regionalnews/51894.htm
I mean, really, what an asshole! Maybe, Mikey, your album didn't sell because it was a pile of crap!
― Alex in NYC, Sunday, 7 July 2002 00:00 (twenty-three years ago)
― Matt Riedl (veal), Sunday, 7 July 2002 00:00 (twenty-three years ago)
― Tadeusz Suchodolski, Sunday, 7 July 2002 00:00 (twenty-three years ago)
Alex yr usual theory is that crap sells well BECAUSE WE ARE ALL SHEEP etc. So maybe Jacko has a point: viz he carefully made some pabulum as per usual but this time because of sudden racism tommy m REFUSED to forcefeed it to the masses, hence poor sales which you wd not expect from such a rubbish record (because rubbish sells well and everything that sells well is rubbish).
My theory is that it sold badly because it had that spoiler thing on it to stop people copying it for free. This is based on no research (or logic, much): i just hope it proves to be the case because hahaha....
Hahaha anyway, in general. I am afraid I love this story in all its ramifications. If MJ turns it into a concept alb my joy will be complete.
― mark s, Sunday, 7 July 2002 00:00 (twenty-three years ago)
My theory is he's forgotten how to write good songs; and combining modern r&b production with his essentially unchanged vocal style just doesn't work. People aren't interested in him anymore as an artist - only as a celebrity. Therefore no need to purchase.
― David, Sunday, 7 July 2002 00:00 (twenty-three years ago)
― Mr Swygart, Sunday, 7 July 2002 00:00 (twenty-three years ago)
I wondered about the picture, too; the lips seem excessively red, even for MJ.
― Michael Daddino, Sunday, 7 July 2002 00:00 (twenty-three years ago)
That's what singles are for - to promote the album. Are you suggesting most people listen to albums before buying them? People heard the singles and decided not to buy the album. Either that or they ignored even the singles because they'd already lost interest in Jackson as an artist (huge numbers of people fall in that category imo).
However MJ's theory is much funnier, so I believe it. The whole world loves "Invincible"! They just can't find it in the stores!
― John Darnielle, Sunday, 7 July 2002 00:00 (twenty-three years ago)
Here's hoping that MJ (or someone) realizes that pseudo-encrypted CDs of that sort = lost sales, then.
Not everyone has access to those (ie no net connection or technophobic whatever). Anyway for those that get stuff that way, they have no excuse for saying they didn't hear it if it was available on the net.
i. i hardly heard the MJ singles *at all* on the radio: maybe i was just un/lucky, but it really DID seem underpromoted that way ii. i think MJ — of all ppl — needed to reach OUT into net-freebie world instead of retreating from it, because his core audience are (presumably) ageing, even if he is not iii. it was like the normal word-of-mouth dimension was gagged: i agree it might have been boredom (with who they expect he's stayed, and the few fragments they hear confirming that) and also of course a delayed reaction to the child-molesting stories (like "don't mention the war")
The decision to play stuff is supposed to be down to Radio 1 or whoever, not in the hands of the record company, although I'm not sure to what extent pseudo-payola operates in British radio or the USA for that matter - backhanders, other inducements...any ideas? If this area *is* corrupt, that would have been an opportunity for Sony to deliberately under-promote. OTOH maybe radio just didn't want to play it (because they didn't like it very much and/or they thought their listeners wouldn't be that interested).
― Julio Desouza, Sunday, 7 July 2002 00:00 (twenty-three years ago)
― Lord Custos III, Sunday, 7 July 2002 00:00 (twenty-three years ago)
― keith, Sunday, 7 July 2002 00:00 (twenty-three years ago)
JACKO MUST GO ON!!!
Morally, he's been at best very dubious: he may or may not have actually engaged in SEX with minors, but he clearly was involved in kissy-face and bed-sharing with children not his own, and quite frankly that's disgusting enough. As a social presence, key-RIST. Musically, sometimes engaging, sometimes anti-climactic, and not really any fun anymore...hmmm...this was supposed to be an argument FOR him, wasn't it?
However, I don't think he'll ever find any kind of withdrawal from the public eye acceptable. Plus, nobody's in any kind of position to say NO to him in a meaningful manner, either.
― Graham, Sunday, 7 July 2002 00:00 (twenty-three years ago)
― mariab, Sunday, 7 July 2002 00:00 (twenty-three years ago)
― dave q, Monday, 8 July 2002 00:00 (twenty-three years ago)
public fail to buy his new LP => MJ goes after tommy mottola = he interpreted "no THANKS geez" as "apologies but we were not told there was a new LP"
― mark s, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Jeff W, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Andrew, Monday, 8 July 2002 00:00 (twenty-three years ago)
It'll be TWICE as delicious if the album is the REAL clinker we all know he's still got in him!
― Matt Riedl (veal), Monday, 8 July 2002 00:00 (twenty-three years ago)
― Sean Carruthers, Monday, 8 July 2002 00:00 (twenty-three years ago)
An uneasy Sharpton admitted he was "taken aback and surprised" by the verbal assault, which started during a press conference with the rotund reverend and lasted throughout the Gloved One's crosstown tour on Saturday.
"In fact, he's always been supportive of the black music industry," Sharpton said. "He was the first record executive to step up and offer to help us with respect to corporate accountability, when it comes to black music issues."
At times during his anti-Mottola diatribe, Jackson held up posters of Mottola with horns, and called him "devilish." He also accused Mottola of describing another black artist with a racial slur.
Sharpton said he was "inundated" with calls yesterday from top African-American artists and producers furious over Jackson's nasty personal attack on the Sony heavyweight.
"To call Tommy Mottola a racist is just ridiculous - he's one of the biggest supporters of black music I know," said producer Steve Stout, one of several angry black execs who rang Sharpton.
Sharpton stood shoulder-to-shoulder with Jackson at the reverend's Harlem headquarters Saturday, getting a big smooch from the one-time King of Pop as he started his crosstown tour to denounce Mottola and Sony.
Along his Harlem-East Village-Midtown route, Jackson also lashed out at the industry at large, saying execs "really do conspire against black artists."
"I didn't know that Michael planned to personally attack Tommy - but nobody tells Michael Jackson what to do," Sharpton said, adding that he "stands firmly behind" Jackson's view on the industry overall.
The Jackson spectacle was timed to coincide with Sharpton's big racism-in-music "summit" tomorrow. Sharpton says he intends to keep "Michael's personal issues with Tommy" separate from the "broader industry issues" at the meeting.
But Jackson's personal swipes may have torpedoed any constructive developments, as black artists line up to defend the Sony boss.
"Michael Jackson playing the race card is a cop-out - a last-resort move by a guy who is frustrated that his big project didn't work," said Courey Rooney, the African-American producer of Jennifer Lopez, Destiny's Child and Marc Anthony.
As a kid, Rooney said, he "idolized Jackson" and worked on part of Jackson's failed "Invincible" album - the record at the heart of Jackson's beef with Sony. The record company poured $60 million into producing and promoting it, but Jackson contends the company didn't back him enough.
Rooney believes Michael Jackson's checkered past - especially his pedophilia charges - played a huge role in the record's lousy sales.
― J Blount, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Motel Hell, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Lord Custos III, Monday, 8 July 2002 00:00 (twenty-three years ago)
"No, Mikey. NO. GET DOWN. NO! Sit! SIT! STAY! No treats until you sit. Sit.....awwwwww. Good boy. Stay. Now shake hands....Goooood Boooyyy! Now, go get the stick. gogettitboy."― Lord Custos III, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Tracer Hand, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Ben Williams, Monday, 8 July 2002 00:00 (twenty-three years ago)
― bnw, Monday, 8 July 2002 00:00 (twenty-three years ago)
Then we hang him!
Then we murder him!
And then we kill him!
― Did anybody tell you that this is the private club of the Satan's Helpers?!?, Monday, 8 July 2002 00:00 (twenty-three years ago)
And my friend with particular taste LOVES that album! Maybe the public didn't want it, but maybe like the rockists all say maybe they SHOULD have and Sony's job should have been to convince them of that, eh?
― Sterling Clover, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Mr swygart, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Celeste, Monday, 8 July 2002 00:00 (twenty-three years ago)
― Alex in NYC, Monday, 8 July 2002 00:00 (twenty-three years ago)
But seriously. Comments about his surgery? Irrelevant. Proclaiming he's not "male"? Immature. Questioning his race? Downright stupid. A little research goes a long way, you know. And, of course, some tolerance.
MJ may be past his "prime", but don't forget -- his "prime" came at a certain time. Thriller's success was half timing, half genius. Invincible is in no way a bad album -- I actually enjoy it more than his older stuff -- and just because it will never sell 45 million copies, doesn't make it a flop. Actually take a listen to it, without comparing it, and you'll see what I mean.
While I don't know what's going on with the whole "Mottola is the devil" thing - to be honest, I don't really care - I just hope that MJ's tactics step up a little from name-calling. Proof would be great, Mike.
"I look in the mirror, I know I'm still black."
― Prue, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
― dave q, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
It would be a flop if it barely goes into profit or makes a loss. We're talking about capitalism here.
― David, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
And prescribing "tolerance" to his critics while the man himself feverishly blames poor sales on the industry's "racism" smacks of sour, sour grapes. Why can't he emerge from his plush coccoon of denial and realize that quite possibly, his efforts on INVINCIBLE simply didn't gel with the changing tastes of the music-buying public? Why can't he gracefully accept that perhaps his days in the limelight are behind him and that it's high time to make way for others to inherit his (VERY MUCH SELF-PROCLAIMED) title (I'm not even going to dignify it by spelling it out). Why is it everyone ELSE's fault that the record didn't set the world on fire?
― Alex in NYC, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
You're mentally blocking out the one about the children, aren't you Sterling?
That said, "She Rocks My World" wasn't nearly as bad as everyone said it was, and if I recall there was some remix of "Unbreakable" constantly being played out on urban stations a while back which was *pure* *class*. I think considering everything else that's gone on with his life MJ's musical standards (bar the songs about the children, obv.) have remained relatively intact.
Also it should be noted that the album before 'Invincible' was hidden within a greatest hits package. The last actual standalone album was, what, ten years ago?
― Tim, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
Won't someone think of the CHILDREN?
That said, "She Rocks My World" wasn't nearly as bad as everyone said it was
OH YES IT WAS. Sorry, but everything about that song made me actually hate Mr. Jackson for the first time ever.
― Ned Raggett, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
Picture: Woman walking a baby on a leash. The baby is flying like Superman. and the caption read....
― Lord Custos III, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
Not with a monumentally stupid title like that. I even like "E-Mail My Heart" more, and that's saying something.
― Tracer Hand, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
― Lord Custos Omicron (Lord Custos Omicron), Tuesday, 7 February 2006 21:01 (twenty years ago)