closer to the heart (it blows) yyz (sounds like the theme to a late night talk-show) that lame newer acoustic tune about the guy with aids roll the bones (worst song ever/worst rap ever recorded) cinderella man (gay) new world man (gayer) big money (gayest) Time stand still (gayest+1)
oh god i hope rush don't read this list I LOVE YOU GEDDY! Cygnus X-1 FOREVER
....holy shit i'm a loser...time to start new thread to validate some level of coolness
― geeg, Wednesday, 10 July 2002 00:00 (twenty-three years ago)
― Kris, Thursday, 11 July 2002 00:00 (twenty-three years ago)
― dave q, Thursday, 11 July 2002 00:00 (twenty-three years ago)
"Subdivisions" is wholly redeemed by the line: "Any escape might help to soothe the unattractive truth, but the suburbs have no charms to soothe the restless dreams of youth." Nice.
― Alex in NYC, Thursday, 11 July 2002 00:00 (twenty-three years ago)
― Tracer Hand, Thursday, 11 July 2002 00:00 (twenty-three years ago)
― Sean, Thursday, 11 July 2002 00:00 (twenty-three years ago)
p.s. what's with this "gay" crap?
― zebedee, Thursday, 11 July 2002 00:00 (twenty-three years ago)
― Mark, Thursday, 11 July 2002 00:00 (twenty-three years ago)
― mark s, Thursday, 11 July 2002 00:00 (twenty-three years ago)
― Andy, Thursday, 11 July 2002 00:00 (twenty-three years ago)
True, how true. *puts on Liza album*
― mike bott, Thursday, 11 July 2002 00:00 (twenty-three years ago)
Now, first of all, I think "Fly By Night", "Limelight", "Cinderella Man", and "Closer To the Heart" are all great. I'm sure Josh is embarrassed about this now but I'd never really noticed how brilliant the "Limelight" solo is until he commented on it once. It just takes the song into this totally other space for its duration. The way the tone shifts like light and shade with the phrases resisting the pull of the drums - if you can look past the AOR-ness it's really quite impressive. Mostly I really like the melody of that track. "Cinderella Man" is just a great piece of angular pop-pomp (with a somewhat rub guitar solo). I kind of agree with geeg about "YYZ" (Why do even non-fans always like this?) and feel somewhat similarly about "La Villa Strangiato" but I doubt either is one of their worst ever tracks. "Roll the Bones" and "Big Money" are awful, I agree, but "Nobody's Hero" gets my vote as possibly the worst song of all time.
― sundar, who remembers when it felt kinda out-there to talk about Rush on this bo, Friday, 12 July 2002 00:00 (twenty-three years ago)
― sundar subramanian, Friday, 12 July 2002 00:00 (twenty-three years ago)
― Sean Carruthers, Friday, 12 July 2002 00:00 (twenty-three years ago)
― Jeff W, Friday, 12 July 2002 00:00 (twenty-three years ago)
― Mark, Friday, 12 July 2002 00:00 (twenty-three years ago)
Probably because it's so uncharacteristic (perhaps why you two don't like it?) -- for one thing there's no Geddyvox (who's often a turn-off) plus the bass/drums is like some small band adaptation of Ornette Coleman's Prime Time. All the guitar fills during the main melody are Lifeson at his fussiest, again the ornamentalized, mutating melody line is very Ornette (it's basically a jazz fusion song themed around a rhythm and a melody rather than around changes is what it boils down to). And the guitar solo has all this strange, intervallic playing in this totally legato style that sounds like something Allan Holdsworth might do if he had any knack for rock phrasing at all; it's unlike anything else Lifeson ever did. It probably isn't that much different than the canned studio music of the time, but still for Rush it's very unique.
― Kris, Friday, 12 July 2002 00:00 (twenty-three years ago)
"YYZ" and "Strangiato" are growing on me.
― sundar subramanian, Saturday, 20 July 2002 00:00 (twenty-three years ago)
― Dare, Sunday, 21 July 2002 00:00 (twenty-three years ago)