Best Music Review Website?

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Not sure if this has been asked before, because I'm new, but: Where do you go for your reviews? What site is the smartest, or most comprehensive, or most trustworthy, or coolest, or hippest, or most gloriously anti-hip, or just plain flat-out best? And don't let's start talking about "what's the worst," because that's a whole 'nother thing, no?

Matt C., Monday, 19 August 2002 15:29 (twenty-three years ago)


i tend to like their stuff...

mark p (Mark P), Monday, 19 August 2002 16:06 (twenty-three years ago)

The two best are probably Pitchfork and Neumu.

Yancey (ystrickler), Monday, 19 August 2002 18:16 (twenty-three years ago)

Simon Reynolds' web site. I don't agree with everything he has to say, but he makes me think which is more than can be said for most. His archives are helpful because maybe (actually certainly) I didn't know as much when I was 16 as now, so I can go back to 1996 and see what I was missing then.

Aaron Grossman (aajjgg), Monday, 19 August 2002 18:21 (twenty-three years ago)

Simon Reynolds' site is definitely good, yes. I got the most out of theDark Legions Archive and LARM!, very thorough and critical reviews, although their appeal is (understandably) limited. John Chedsey's siteis good too although John himself is a bit too much of an aestheticist. But some of the other reviewers there are excellent. But also this and this.

Siegbran Hetteson (eofor), Monday, 19 August 2002 18:47 (twenty-three years ago)

in love with these times in spite of these times is the best, i think it is at www.ilwtt.org

keith, Monday, 19 August 2002 22:16 (twenty-three years ago)

www.hyperdub.com

by far

geeg, Tuesday, 20 August 2002 04:53 (twenty-three years ago)

i like urbansmarts for hip-hop. the ratings are pretty conservative, usually, and he doesn't get too caught up in hype.

pitchfork is wunderbar, even though i never read other people's shit

Brad Haywood, Tuesday, 20 August 2002 12:52 (twenty-three years ago)

Old reviews: trouserpress.com
new reviews: eh- umm....http://66.9.86.135/ (basementlife)

f4df, Tuesday, 20 August 2002 15:16 (twenty-three years ago)

The War Against Silence (www.furia.com/twas). Some of the records he reviews are dodgy but the writing is quite excellent.

electric sound of jim (electricsound), Wednesday, 21 August 2002 00:08 (twenty-three years ago)

Two more good ones:
popmatters.com
75 or Less

lyra (lyra), Wednesday, 21 August 2002 03:23 (twenty-three years ago)

Come on, this thread would be incomplete without mentioning the by far most comprehensive music review website: AMG.

alex in mainhattan (alex63), Friday, 23 August 2002 15:59 (twenty-three years ago)

fourteen years pass...

For some writing I'm doing I'm trying to find reviews of Eno's 'Here Come The Warm Jets', from when it came out ('74). Save this gem from RS:

This record is annoying because it doesn't do anything. The songs aren't strong enough individually or collectively to merit more than a passing listen. Save for some incendiary guitar work by Robert Fripp during "Baby's On Fire," the instrumentation is pretty tepid. In fact the whole album may be described as tepid, and the listener must kick himself for blowing five bucks on baloney.

i've not had any luck so far. Is there a database somewhere to find old, original reviews that I don't know about?

Le Bateau Ivre, Sunday, 26 March 2017 16:31 (nine years ago)

there's the christgau review, of course, which is actually a little hard to find because it's categorized under plain "ENO":

The idea of this record--top of the pops from quasi-dadaist British synth wizard--may put you off, but the actuality is quite engaging in a vaguely Velvet Underground kind of way. Minimally differentiated variations on the same melody recur and recur, but it's a great melody, and not the only one, and chances are he meant it that way, as a statement, which I agree with. What's more, words take over when the music falters, and on "Cindy Tells Me" they combine for the best song ever written about middle-class feminism, a rock and roll subject if ever there was one. My major complaint is that at times the artist uses a filter that puts dust on my needle

Karl Malone, Sunday, 26 March 2017 17:56 (nine years ago)

(oh, i left off his letter grade, which was A)

Karl Malone, Sunday, 26 March 2017 17:56 (nine years ago)

you're asking for a database of contemporaneous reviews, though, and i don't know about that. other than christgau and rolling stone's archives (and maybe creem?) i'm not sure that one exists

Karl Malone, Sunday, 26 March 2017 18:01 (nine years ago)

rock's back pages has a couple mentions, but it's subscription based

mark s, Sunday, 26 March 2017 18:04 (nine years ago)

Thanks Zach, that's actually very helpful! I was looking for Xgau but couldn't find it. Nice juxtaposition with RS too, though that was probably expected around that time? Interesting times.

A db of old reviews should exist imo.

Le Bateau Ivre, Sunday, 26 March 2017 19:28 (nine years ago)

Two more good ones:
popmatters.com
75 or Less

― lyra (lyra), Tuesday, August 20, 2002 11:23 PM

I had 387 reviews up at 75orLess, but after the label took over and the reviews stopped, Mark fucked up the site so badly that there's not even much of an archive anymore. :(

Ⓓⓡ. (Johnny Fever), Sunday, 26 March 2017 20:18 (nine years ago)

:'-(

Le Bateau Ivre, Sunday, 26 March 2017 20:59 (nine years ago)

bangs in creem:

I've had Here Come the Warm Jets in import copy since early spring, and the best of it still stuns and fries me every time I slap it on. Side two does tend to meander a bit, but side one has one of the most perfect lineups in years, solid and throbbing primitivo all the way but with the strangest increment of avant-girdings, like a cross between Nico's Marble Index and Slade. Don't worry, Eno may like synthesizer but this isn't one of those doodley-squats like George Harrison's Electronic Sounds -- these are hard-driving, full-out rock'n'roll songs with consistent percussive force, slashingly economical guitar solos by Fripp and Roxy's Phil Manzanera (who is the most exciting new guitarist since James Williamson, whom he technically far surpasses), and the consistent acidulous edge of Eno's vocals.

Which is where the real twisto action comes in. This guy is a real sickie, bubs, sick as Alice Cooper once was sposed to be, sicker by far than David Bowie's most scabrous dreams. What will you make, for instance, of a song which begins with diabolical electronic telegraphy and the lyrics "Baby's on fire/Better throw her in the water/Look at her laughing/Like a heifer to the slaughter/Baby's on fire/And all the laughing boys are itching..." Don't tell me about the sleaze in your Silverhead -- Eno is the real bizarro warp factor for 1974. It's like he says in "The Paw Paw Negro Blowtorch": "By this time I got to looking for some kind of substitute/I can't tell you what kind, but you know that it rhymes with dissolute..." Meanwhile, the drums are pounding and the guitars are screaming every whichaway in a precisely orchestrated cauldron of terminal hysteria muchly influenced by though far more technologically advanced than early Velvet Underground. Don't miss it; it'll drive you crazy.

http://music.hyperreal.org/artists/brian_eno/interviews/creem74a.html

Thus Sang Freud, Sunday, 26 March 2017 23:47 (nine years ago)

this has links to a whole bunch of period reviews:

http://www.moredarkthanshark.org/eno_interviews.html

Thus Sang Freud, Sunday, 26 March 2017 23:59 (nine years ago)

Hey thanks, thats very helpful!

Le Bateau Ivre, Monday, 27 March 2017 10:30 (nine years ago)

I don't know if they cover Eno, but I just came across http://www.rockscenester.com , a "complete and completely free online archive of Rock Scene magazine (1973-1982)."

ArchCarrier, Monday, 27 March 2017 11:25 (nine years ago)


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