Appetite For Destruction- C or D

Message Bookmarked
Bookmark Removed
What do you think? It's obviously the best album G n R put out, but it's absolutely amazing that it could be so incredibly misleading as to the rest of their career.

, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

i don't listen to rock music because it's dominated with negative egotistical misogynistic crap like this

ethan, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

Good answer!

, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

To quote Ethan's lovely "Why the fuck did you bother?" answer on the beatles thread: yawn. Do you two have to start?

To answer the question (and yes, Ethan's right, G'n'R are misogynistic scumbags and anti-gay to boot - definitely not moral values I want around if I cared about such things), Appetite for Destruction is classic classic classic. It rocks like a bastard on speed.

Unfortunately, G'n'R as a rock outfit are duds. Even duds can put out amazing work every once in a while.

Ally, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

classic.

admittedly, i've never heard it. but, still classic.

i'll buy it one day too

gareth, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

The greatest album ever made. I really need to get me some speed.

Otis Wheeler, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

One brief, shining moment. Then they could actually *afford* the drugs, and there you are.

Ned Raggett, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

"With your bitch slap rappin' and your cocaine tongue you get nothing done"... This isn't on Appetite, but what the hell does it mean? Does "You could be mine" mean anything? I've never bothered to figure it out, but I swear this line truly makes no sense in the context of the song (which seems to make no sense by itself). Incidentally, I own no GNR and I guess that means I probably will never buy it. It fits right in with Metallica on memory shelf of phantom albums.

, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

I am still upset that "Rocket Queen" didn't become the edited single it deserved to be. But look at the track listing sometime! They couldn't very well single-ize every song but damn you know if they'd wanted to they could've. Classic.

We are still dealing w/the consequences of GnR's angry white rock dystopia, musically and otherwise. This album and Nation of Millions defined the 80's for me.

Tracer Hand, Wednesday, 2 May 2001 00:00 (twenty-four years ago)

I heard "Rocket Queen" on the radio yesterday, all six minutes, and it sounded like the greatest song ever. Probably cuz it is, except for when I'm listening to "Nightrain".

Otis Wheeler, Thursday, 3 May 2001 00:00 (twenty-four years ago)

Classic all the way. But then I gravitate to misogynistic wankers in music :) Favorite tracks: 'It's so Easy', 'Nighttrain' and 'Mr.Brownstone' ("I dont'worry bout nuthin cause worry is waste of my fuckin'time" - dude!). Ah just gotta get me some heroin right now!

Omar, Thursday, 3 May 2001 00:00 (twenty-four years ago)

Classic (duh). Made album the entire L.A. (and world?) hard rock scene had been trying to make ever since VH-VH and glam ignited the Strip, late-70s. Whole band oozed reckless personality. Whole album oozed piss, spit, sex, vemon, fire. And other good stuff.

(USE YOUR ILLUSION albums suffer from bloated production, esp. poor drum mix, excessive album length, preponderance of codas, diluted focus, Axl's shorts, yet still classics awash with classic moments: coda to "Estranged," pedal-down intro to "Shotgun Blues," words to "Pretty Tied Up," etc. Plenty UYI songs would fit on AFD; not "incredibly misleading" at all. Disappointing career path, yes.)

AP, Thursday, 3 May 2001 00:00 (twenty-four years ago)

"rocket queen" is a favorite of k-rock here in new york. i think both kris and maura are big fans of it but i never got it until i heard it on the radio. sweet.

g & r absorbed the career of led zeppelin -- subsumed it, arguably -- with frightening speed, coming right out of the gates with their zoso or, even better, an album filled with "immigrant song"s. but they were a little too good at their studies, advancing to their physical graffiti largely at the expense of the rock, and when they went back to basics it was a little too late.

but, still, appetite for destruction: utter classic. it's what 6th grade sounded like.

fred solinger, Thursday, 3 May 2001 00:00 (twenty-four years ago)

That's a pretty kick ass 6th grader, which means it wasn't what your 6th grade sounded like.

I think I was like 8 when it came out? I forget when it came out, maybe a little younger. My friend Jennifer went and bought it with her allowance money, and then her mom took it away when she heard us listening to it and listened to the words. It was pretty sweet.

Ally, Thursday, 3 May 2001 00:00 (twenty-four years ago)

Bought it because I was in a metal band at the time and the somewhat insane and over ambitious guitarist decided we had to cover Welcome To The Jungle. Have my vocal chords ever recovered - er - yes, but I left the band soon afterwards.

Gave AfD away soon after disliking much of the "metal crap" on the disc. Never regretted it until last year when we got a Guns'N'Roses pinball machine installed down my bar. Shoot the ramps to hear a dodgy digitsed version of Sweet Child O'Mine. Use the multiball to knock Slash's hat off and hear him swear. Kinda bought it all back. So patchy, but classic.

Pete, Thursday, 3 May 2001 00:00 (twenty-four years ago)

Oh such a timely question - yesterday was the coming-down side of my three day manic high, and all i could think of walking along to work were the lyrics on One In A Million, Mr Bownstone and You COuld Be Mine - and the day before that, my flatmate had asked wtf - oh my god, I've just discovered the menstruation monsters - http://www.alloy.com/winprizes/midol/index.html- and so I was pondering how as a queer boy, how the fuck can i have such regard for eminem and gnr - but yeah, absolute classic and gnr are the only band I've ever waited in a record store for 4 hours for when Use came out - what a dya, it's even going into my second novel, albeit slightly more edited/eroticized...he's been dancing with...Phew.

Geoff, Friday, 4 May 2001 00:00 (twenty-four years ago)

five months pass...
It's a well-executed, completely derivative hard rock album. Like Cinderella's Long Cold Winter or the Blue Oyster Cult's Agents of Fortune except it makes somewhat less of a connection for me. If anything is especially significant about it it might be the lyrics. The level of acclaim showered on it is mind- boggling. People who would never dream of touching a Deep Purple record love it to pieces - it's not that special! It's not like it's Led Zeppelin or something (I can't imagine Fred's post being serious.) I'm not even convinced it's any better than Aerosmith's first greatest hits album.

And, yeah, props for "Rocket Queen."

sundar subramanian, Monday, 22 October 2001 00:00 (twenty-three years ago)

I will shower the full ah LOAD of my acclaim on ver Appetite because cowbell quarter-notes are never wrong and GnR know how to capitalize on this supersalient factotum

Tracer Hand, Monday, 22 October 2001 00:00 (twenty-three years ago)

God, everyone I love on IL* thinks this record is a masterpiece, it makes me feel very sad and lonely. And old. I hate it! Gimme Young, Loud and Snotty! Or Apocalypse Dudes. Actually, I just read Sundar's post, and that's pretty much how I feel. Except, *of course* it's not any better than Aerosmith's first greatest hits album!

It is really fun to blast "Welcome to the Jungle" in the car when you're driving over the hill from the Valley into Hollywood after a long trip, though. That's classic.

A famous rock star once told me that she hated dancing to Appetite for Destruction when she was a stripper because they kept changing the time signatures and it made her feel awkward.

Arthur, Monday, 22 October 2001 00:00 (twenty-three years ago)

It's not as good as a few Aerosmith albums, and certainly not as good as Apocalypse Dudes. It's probably not even as good as Ass Cobra. On the whole, I think I prefer The Spaghetti Incident, actually. There's lots of absolute crap on Appetite. But "Rocket Queen" is so white trash funky and "Sweet Child of Mine" is just perfect. The contour of the song is so universal (and not in the simpified soft-loud Nirvana sense); it goes from the delicacy of Genesis (smile, childhood, fore-foreplay, it's narrative: Axl's turn) to the apocalypse of Revelation (orgasm, Axl shuts up and lets Slash do the talking: multiple guitar solos, building upon each other) and then answering the "where do we go?" (post-coital depression) question with something resembling cries from hell. That second guitar solo is just unbelievable. It's the best rock ballad ever, and it's not even slow! When did Aerosmith, or anyone else, ever come close to this?

Kris, Monday, 22 October 2001 00:00 (twenty-three years ago)

will their comeback album ever come out? wasn't it supposed to be their transition to electronica?? didn't they try and get Moby to produce it, and he laughed in their faces?

Important questions for enquiring minds. As far as 'techno' goes, I'm imagining some hideous familial link to U2's "Zooropa" and "Pop," REM's "Up" ... maybe they'd luck out and sound like Buckethead?

didn't Eric Clapton participate on some side-electronic project?

Dare, Monday, 22 October 2001 00:00 (twenty-three years ago)

Well thank the metal gods Moby didn't produce it, because then it would be wank. I say bring in the Young Gods. Now that would be a marriage made in heaven.

oh yeah Fred must be serious, because he's right. ;)

Omar, Monday, 22 October 2001 00:00 (twenty-three years ago)

So Biblical narratives are universal?

"Sweet Child O' Mine" does less for me than "Dream On," "Don't Fear the Reaper," "Dirt," or any Cinderella ballad even, and doesn't come close to "Stairway to Heaven," which relates that particular narrative much more thoroughly and effectively. "Think About You," on the other hand, is really nice. It's probably my favourite song on the album.

You're right, Arthur. I don't know what I was thinking - Aerosmith's Greatest Hits is way better.

Also, "Don't Cry," "Patience," and "November Rain" are among the worst songs ever. (What was the one with the dolphins in the video? That sucked too.) I remember wishing death on Guns 'n' Roses through the first half of high school.

sundar subramanian, Monday, 22 October 2001 00:00 (twenty-three years ago)

november rain is not bad.

ethan, Monday, 22 October 2001 00:00 (twenty-three years ago)

Just gave the album a spin annnnnd: it's still as great as it was back in the day. Quite refreshing actually to hear it again. Lovely mix of nihilism, sleaze and utopian/opiate dreams (or should I pull a Penman and say utopiate? ;). And it's filled with classic lines, "your daddy works in porno, now your mom is not around.", "besides, you got nothing better to do and I'm boooaaared.", etc. The Led Zep comparison is a bit false anyway (like them too, although in the end I prefer songs about heroin to songs about hobbits), same with Aerosmith. It just became clear to me that GnR reside in the company of The Stooges. Yeah, that great. :)

Also remembered how big they really where at school: metalheads, jocks, posh girls, hiphop heads, geeks...everybody loved them.

Omar, Tuesday, 23 October 2001 00:00 (twenty-three years ago)

what ally said first time

di, Tuesday, 23 October 2001 00:00 (twenty-three years ago)

What is the narrative of "Stairway to Heaven"? It makes no sense to me.

Kris, Tuesday, 23 October 2001 00:00 (twenty-three years ago)

This will probably be my last post to this thread but

Appetite is one of the top-10 selling albums of all time so it's no big surprise that its popularity crossed high school fashion statements.

It sounded to me like choppy, funky 70s Aerosmith (who were mostly influenced by the Stones and Stooges) was the direct source material for the guitars (Janis Joplin for the voice and I think I'd prefer her too). The Stooges would never have played those kinds of 'heroic' guitar solos and anthemic riffs like in "Welcome to the Jungle" - it seems quite clear to me that it comes from a more classic hard rock influence base.

Re "Stairway": just the delicacy of Genesis to the apocalypse of Revelation deal, with cries for hell and a much more satisfying guitar solo all included.

sundar subramanian, Thursday, 25 October 2001 00:00 (twenty-three years ago)

The Stooges as in nihilistic energy not in same use of guitar solo's (that's the way I prefer making connections ;) Comparing them to Aerosmith is kinda obvious innit?

Omar, Thursday, 25 October 2001 00:00 (twenty-three years ago)

cock rock w/o the clever swagger of an early jagger .

anthonyeaston, Thursday, 25 October 2001 00:00 (twenty-three years ago)

nine months pass...
The greatest Guns N Roses record and one of the greatest albums of the 1980s. "Welcome To The Jungle" alone is worth the price of the disc.

Steve Morrissey, Saturday, 3 August 2002 00:00 (twenty-two years ago)

eleven months pass...
OK, I've come around on at least some of this. "Sweet Child O' Mine" came on the radio when my sister and I were driving back to Edmonton and we kept driving around until it ended, even after we'd reached where we needed to be. I pretended Robert Plant was singing and it all made sense. The opening actually is pretty lovely, with the guitar and bass sort of flowing against each other, and the production is pretty full and clean. Actually, it's one of the songs my best friend and I used to sing to kill time while traffic counting so I don't know why I resisted for so long.

I've also come around that if played really loud when really drunk "Enter Sandman" = 100% classic.

sundar subramanian (sundar), Monday, 21 July 2003 14:57 (twenty-one years ago)

ethan's first response to this thread is funny in so many ways.

guns n'roses much improved on the aerosmith model, mostly because axl rose is a better singer/dancer/lyricist et al than steve tyler. (better than the early jagger, too, for that matter)

i hate to go all "replacements thread" but i don't think anyone who doesn't appreciate g'n'r just a BIT really likes rock'n'roll.

Justyn Dillingham (Justyn Dillingham), Tuesday, 22 July 2003 08:04 (twenty-one years ago)

I 'lost' my tape copy many, many years ago, but, like Misplaced Childhood by Marillion, I keep wanting to pick it up again whenever I see it on sale for £5-£6 just to see if I can enjoy it now even 10% as much as I did when I was 11. I have a suspicion that it may well be classic.

Nick Southall (Nick Southall), Tuesday, 22 July 2003 08:17 (twenty-one years ago)

four years pass...

holy shit

Tracer Hand, Thursday, 14 February 2008 21:19 (seventeen years ago)

i don't listen to rock music because it's dominated with negative egotistical misogynistic crap like this

-- ethan, Wednesday, 2 May 2001 00:00 (6 years ago) Bookmark Link

Dom Passantino, Thursday, 14 February 2008 21:21 (seventeen years ago)

tbh I don't trust anyone who didn't play the shit out of this aged 14.

Dom Passantino, Thursday, 14 February 2008 21:21 (seventeen years ago)

dom i think you missed the defensive irony there

Tracer Hand, Thursday, 14 February 2008 21:33 (seventeen years ago)

i always think on "sweet child of mine" that he's about to go "ay yi yi yi yi... 'm not your steppin stone"

Tracer Hand, Thursday, 14 February 2008 21:34 (seventeen years ago)

passantino this thread was started by nude spock who had just spent like 50 threads hating on rap music for being negative and egotistical and misogynistic

and what, Thursday, 14 February 2008 21:38 (seventeen years ago)

cock rock w/o the clever swagger of an early jagger .
-- anthonyeaston, Thursday, October 25, 2001 12:00 AM

BIG HOOS aka the steendriver, Thursday, 14 February 2008 22:13 (seventeen years ago)

early jagger wasn't that clever really and i *like* the stones

fuckin' love this record 2 deth

M@tt He1ges0n, Thursday, 14 February 2008 22:14 (seventeen years ago)

i forget that nude spock was an actual poster

J0rdan S., Thursday, 14 February 2008 22:15 (seventeen years ago)

early jagger wasn't that clever really and i *like* the stones

was loling @ mick/ljagger conflation

BIG HOOS aka the steendriver, Thursday, 14 February 2008 22:20 (seventeen years ago)

doi i'm slowww today...

M@tt He1ges0n, Thursday, 14 February 2008 22:21 (seventeen years ago)

Man, you think I can keep track of all Nude Spock's wacky pseudonyms?

Dom Passantino, Thursday, 14 February 2008 22:27 (seventeen years ago)

tbh I don't trust anyone who didn't play the shit out of this aged 14.

It didn't exist when I was fourteen.

Alex in NYC, Thursday, 14 February 2008 23:53 (seventeen years ago)

...

Dom Passantino, Thursday, 14 February 2008 23:54 (seventeen years ago)

Classic, as is most of The Spaghetti Incident, a good half of the GNR Lies EP, and a good third of Use Your Illusion.

Appetite is the equal of Eat 'Em And Smile as far as rock 'albums' of the era go. Not too many albums from that period are classic from start to finish, but both of these are.

If Assholes Could Fly This Place Would Be An Airport, Friday, 15 February 2008 01:46 (seventeen years ago)

If Don't Cry and November Rain had been on it (like Axl wanted), it would be the greatest rock album by far. As it is, it's the greatest rock album by a little bit.

Matt Armstrong, Friday, 15 February 2008 02:30 (seventeen years ago)

A famous rock star once told me that she hated dancing to Appetite for Destruction when she was a stripper because they kept changing the time signatures and it made her feel awkward.

-- Arthur, Monday, October 22, 2001 12:00 AM (6 years ago) Bookmark Link

I miss Arthur.

Tracer Hand, Saturday, 16 February 2008 14:08 (seventeen years ago)

it's such a great observation too. Basically every hit has some big change that makes it hard to dance to. Motley Crue is much more strip club appropriate.

Matt Armstrong, Sunday, 17 February 2008 02:16 (seventeen years ago)

one year passes...

That's the greatest goddamn thing I've ever seen.

Mr. Snrub, Sunday, 19 July 2009 05:42 (fifteen years ago)

I think the Veruca Salt upskirt was a tad unnecessary

III IV V (Bo Jackson Overdrive), Sunday, 19 July 2009 16:18 (fifteen years ago)

two years pass...

one of my favourite guitar records hands down.

charlie h, Saturday, 6 August 2011 00:32 (thirteen years ago)

no doubt

some dude, Saturday, 6 August 2011 00:33 (thirteen years ago)

i also prefer no doubt to this album

king of torts (strongo hulkington's ghost dad), Saturday, 6 August 2011 00:37 (thirteen years ago)

dude how you gonna even

some dude, Saturday, 6 August 2011 00:42 (thirteen years ago)

slash, dog

slash

some dude, Saturday, 6 August 2011 00:42 (thirteen years ago)

WELLL WELL WELLLLLLLLL MY MICHELLLLLLLLE

Neanderthal, Saturday, 6 August 2011 00:45 (thirteen years ago)

i've been listening to this on and off in the past few years, after leaving it long, long behind in my early adolescence. and i like it but i'm really not that impressed anymore by the guitars.

j., Saturday, 6 August 2011 01:19 (thirteen years ago)

lol i would set all the members of no doubt on fire if it meant saving this album

king of torts (strongo hulkington's ghost dad), Saturday, 6 August 2011 01:38 (thirteen years ago)

i would do that just to make a nice deluxe reissue with outtakes happen

some dude, Saturday, 6 August 2011 01:44 (thirteen years ago)

half the tracks would probably just be Axl spewing racial slurs indiscriminately

Neanderthal, Saturday, 6 August 2011 02:37 (thirteen years ago)

If you fuckin wit appetite u fuckin wit tha best

om nom nom nnamdi asomugha (upper mississippi sh@kedown), Saturday, 6 August 2011 03:51 (thirteen years ago)

I think the only song I've grown sick of on Appetite is "Sweet Child O' Mine" for obvious reasons.

Neanderthal, Saturday, 6 August 2011 13:25 (thirteen years ago)

slash, dog

slash

― some dude, Friday, August 5, 2011 8:42 PM (Yesterday) Bookmark

can't really argue, but the rhythm section..

notes on camping (Pillbox), Saturday, 6 August 2011 13:40 (thirteen years ago)

Yeah matt sorum's shitty drumming killed gnr more than axls craziness

om nom nom nnamdi asomugha (upper mississippi sh@kedown), Saturday, 6 August 2011 13:41 (thirteen years ago)

sorta seemed like izzy got edged out post-Appetite/Lies, which was damn unfortunate

notes on camping (Pillbox), Saturday, 6 August 2011 13:47 (thirteen years ago)

i love that really gritty guitar sound on appetite -- so earthy and raw. and seriously, pretty much every last song is scorching riff after scorching riff. i can never enjoy listening to the guitar on the illusion records anymore because it sounds so passive and digital.

charlie h, Saturday, 6 August 2011 21:33 (thirteen years ago)

sorta seemed like izzy got edged out post-Appetite/Lies, which was damn unfortunate

― notes on camping (Pillbox), Saturday, August 6, 2011 9:47 AM (7 hours ago) Bookmark

i feel like Use Your Illusion has a pretty healthy helping of Izzy (although he only has writing credits on 40% of the tracks compared to 70% of Appetite). but yeah the Slash book gives a pretty interesting view of how quickly Axl and his team moved to marginalize the other members of the band (legally, musically, etc.) after they got big.

some dude, Saturday, 6 August 2011 21:41 (thirteen years ago)

I enjoy this:

https://www.youtube.com/watch?v=G--larPOJRw

Mark, Saturday, 6 August 2011 22:26 (thirteen years ago)

two years pass...
two years pass...

the cowbell game on this shit is sick.

Neanderthal, Thursday, 28 July 2016 04:29 (eight years ago)

one year passes...

49 unreleased songs????

reggie (qualmsley), Friday, 4 May 2018 11:40 (seven years ago)

woke axl is real

Guns N’ Roses have removed the song One in a Million from a forthcoming reissue of their album Appetite for Destruction. The 1980s rock titans have not commented on the decision, but it seems to have been prompted by the song’s lyrics, which feature racist and homophobic language.

Mahogany Loggins (bizarro gazzara), Tuesday, 8 May 2018 11:07 (seven years ago)

so sincere

I look forward to the many one-star Amazon reviews bearing the title "NOT the complete Lies!!!" and criticizing the political correctness of Axl "Immigrants And Faggots They Make No Sense To Me" Rose

what a time to be alive

Paul Ponzi, Tuesday, 8 May 2018 11:17 (seven years ago)

♪ ♫ i'm not a racist but ♪

♪ ♫ i had to kill her ♪

Devilock, Tuesday, 8 May 2018 16:51 (seven years ago)

I am glad they finally removed all the problematic content from this era of Guns N' Roses

we æt so many shimripl (Whiney G. Weingarten), Tuesday, 8 May 2018 16:59 (seven years ago)

he don't want your civil war

Paul Ponzi, Tuesday, 8 May 2018 17:54 (seven years ago)

these guys always sucked and they always will

Οὖτις, Tuesday, 8 May 2018 17:57 (seven years ago)

the rumors of Woke Axl dating Lana Del Ray are awesome

Joe Gargan (dandydonweiner), Tuesday, 8 May 2018 18:11 (seven years ago)

"Woke Axl" would be a great title for a series of hilarious comic strips in which the titular character self righteously misunderstands all sorts of things, alienating and offending everyone in the process. If I had the talent or the time I'd be all over that.

Paul Ponzi, Tuesday, 8 May 2018 18:15 (seven years ago)

I don't want to dispel the idea of "Woke Axl", but I think the expanded Appetite only includes the Live Like a Suicide tracks not the acoustic tunes Gn'R recorded for Lies.

DavidLeeRoth, Tuesday, 8 May 2018 18:58 (seven years ago)

The tracklisting includes all three Lies songs other than One In A Million. We've already done this on another thread.

chilis=lyrics...hypocrits (sic), Tuesday, 8 May 2018 18:59 (seven years ago)

a molotov cocktail with a match to go: the APPETITE FOR DESTRUCTION Poll
Rolling Reissues 2018

i’m still stanning (morrisp), Tuesday, 8 May 2018 19:59 (seven years ago)


You must be logged in to post. Please either login here, or if you are not registered, you may register here.