Kimio Mizutani - A Path Through Haze (1971)

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badass

Trip Maker, Wednesday, 18 May 2011 14:41 (fourteen years ago)

totally. kinda ridiculous.

scott seward, Wednesday, 18 May 2011 15:14 (fourteen years ago)

man, this stuff swings hard

original bgm, Wednesday, 18 May 2011 16:05 (fourteen years ago)

VOLCANIC TONGUE: 1971 solo LP, the only album that Japanese guitar god Kimio Mizutani (Uganda/Love Live Life +1 et al) cut as a leader. Here he heads a big band that also features keyboardist Kuni Kawachi and pianist Masahiko Satoh. Julian Cope has a blind-spot for this album in Japrocksampler - but then he dissed the Brush LP, so go figure... I picked it up when it came out on CD years ago in Japan and I still dig it. It mostly consists of delicate orchestral arrangements blown to pieces by Mizutani’s fuzztone lead guitar, generating the kind of surreal headspace that would meld operatic Eastern sonorities with outside garage punk stylings and progressive jazz. If it hardly put Mizutani on the map, it still stands as one of the weirdest marriages of Japanese chamber music and endless distorto guitar ever sunk by a major label. This reissue comes in a replica sleeve and on heavy vinyl. Another fascinating slice of Japanese underground rock history.

JULIAN COPE: Although essentially a session guitarist, Jun ‘Kimio’ Mizutani is best known for his contributions to such classic early ‘70s albums as LOVE WILL MAKE A BETTER YOU by Love Live Life +1, the self-titled Uganda LP and People’s BUDDHA MEETS ROCK. Along the way, the ex-Out Cast member also released one star-studded LP of his own in A PATH THROUGH HAZE. Taking his lead from Masahiko Satoh’s LP of the same name, Mizutani delivered a record of Zappa-styled instrumentals, accompanioed by Satoh himself and Foodbrain’s Hiro Yanagida. The LP was all recorded in a single monster session, in the huge Nippon Gramophon No. 1 Studio, on June 7th 1971, and featured the Toyama String Quartet and Etoh Wood Quartet to further explore the Zappa-meets-jazz consciousness that was so prevalent at the time. Indeed, the record comes across like an album by Glenn Phillips or even something akin to John McLaughlin’s DEVOTION, though without the supreme euphoria achieved on the latter. Besides Mizutani’s rendition of Satoh’s epic title track, the other pieces were ‘Sail In The Sky’, ‘Turning Point’, ‘Tell Me What You Saw’, ‘One For Janis’, ‘Sabbath Day's Sable’, ‘A Bottle Of Codeine’ and ‘Way Out’.

scott seward, Wednesday, 18 May 2011 16:12 (fourteen years ago)

Nice, I don't know this one. I love the People album though and downloaded those Love Live Live +1 and Uganda after reading jrcksmplr. It seems like everything these guys did was some kind of one-off project.

unmetalled world (wk), Wednesday, 18 May 2011 17:17 (fourteen years ago)


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