What If....The Beatles had Never Existed?

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What would musical history sound like without those 4 annoying moptops?
What would the Stones, Oasis and the La's end up sounding like? Hell, would the Byrds have been a barbershop quartet and Herman Hermits a skiffle folk band?
Without Beatlemania, would we instead have had Aretha-mania?
Would rap and metal have been more prevalent in such a world?
Would we (best case scenario) have a completely different kind of fluffy pop music...or (worst case scenario) the pop charts be full of aging Sinatra-wannabes singing bad covers of "Earth Angel"?

Lord Custos Alpha (Lord Custos Alpha), Monday, 23 September 2002 11:25 (twenty-three years ago)

I don't know if music would have changed that much. But I think acceptance of Rock & Roll came sooner because of them. We probably wouldn't have had a "rock & roll president" for another 20 years...

dave225 (Dave225), Monday, 23 September 2002 11:30 (twenty-three years ago)

The Beatles bridged the gap between Rock & Roll & blues-oriented rock & the late '60s - this could have been a natural progression anyway (the syles are so similar), so it's hard to say. As for black music, I think it pretty much developed independently

Jez (Jez), Monday, 23 September 2002 11:35 (twenty-three years ago)

If the Beatles had never existed, would the Meatls have ever existed?

Tad (llamasfur), Monday, 23 September 2002 11:56 (twenty-three years ago)

Tad has hit the nail on the head: everyone else is being very timid.

Basically disinventing the Beatles means either:
nominating orinventing another group who gets to be as big as them (and imagining the effect this had)
or
assuming that no rival group ever got as big, and calculating the effect on the industry, studio practice etc etc

mark s (mark s), Monday, 23 September 2002 12:03 (twenty-three years ago)

If the Beatles never existed:

- We'd all have shorter hair.
- Charles Manson would be a free man.
- No one would care who "the Walrus" was.
- Michael Jackson wouldn't be quite as rich.

Alex in NYC (vassifer), Monday, 23 September 2002 12:37 (twenty-three years ago)

- Charles Manson would be a free man.
Well, for awhile at least. Then he'll believe that Appetite for Destruction was filled with instructions directed at him.

Lord Custos Alpha (Lord Custos Alpha), Monday, 23 September 2002 13:12 (twenty-three years ago)

I also wonder how many hundreds if not thousands of people would never even have been conceived... now that's a weird thought.

Matt DC (Matt DC), Monday, 23 September 2002 13:12 (twenty-three years ago)

and that's just ppl sired by the beatles themselves!!

mark s (mark s), Monday, 23 September 2002 13:17 (twenty-three years ago)

Would Eric Clapton have still stolen Patty Boyd from that 'George' guy who delivered newspapers on Claptons street?
Would Yoko have turned up her nose as that creepy British nobody who kept showing up at all her exhibitions?
For some reason I imagine Paul as some sort of annoying weatherman for a station broadcasting in Wales. I don't know why.

Lord Custos Alpha (Lord Custos Alpha), Monday, 23 September 2002 13:21 (twenty-three years ago)

Biggest thing would have been the effect on Brit cultural life and how perceived in rest of world.

Few if any of the Brit artists who became w/wide stars as a result rush of ambition/credibility The Beatles left in their wake would have made any impact outside UK. Even bands who didn't make much impact outside UK (post Beatles) would have been much more restricted in sense of ambition/scope and general sense of what might be possible.

Britains image as a terminally unhip, wet, miserable, uptight, declining, past-obsessed, class-ridden, theme-park would never have acquired the alter-ego that makes it just about tolerable. No sane person would want to live here.

ArfArf, Monday, 23 September 2002 13:44 (twenty-three years ago)

Basically disinventing the Beatles means either:
nominating orinventing another group who gets to be as big as them (and imagining the effect this had)
or
assuming that no rival group ever got as big, and calculating the effect on the industry, studio practice etc etc

Is it reasonable to assume that choice is B is the more likely scenario? It seems strange that were no other bands with as much a hold on pop culture during their time, nor since. The only thing close that I can think of was Michael Jackson in the 80s. Even now, if there is a television show or special issue of Mojo about the Beatles, it is an *event*.

dleone (dleone), Monday, 23 September 2002 14:09 (twenty-three years ago)

ArfArf do you like dave q!!! (ps i agree with you entirely)

mark s (mark s), Monday, 23 September 2002 14:15 (twenty-three years ago)

Mark I don't understand the reference to Dave q. On reflection I'm being hard on Britain as it is. But not on Britain AS IT WOULD BE.

ArfArf, Monday, 23 September 2002 15:00 (twenty-three years ago)

this probably wouldn't have happened...

http://cjvanston.com/media/images/artcd/ringo.jpg

-----------
http://go.to/stevek

steve k, Monday, 23 September 2002 15:01 (twenty-three years ago)

your final para (the "terminally unhip" one) looked like you copied it out of mr q's journal, that's all

mark s (mark s), Monday, 23 September 2002 15:05 (twenty-three years ago)

yeah, definetely a dave q-ism.

Julio Desouza (jdesouza), Monday, 23 September 2002 17:40 (twenty-three years ago)

Would the La's sound more like the Black Crowes?
Would Oasis even exist? (pleasesayno pleasesayno pleasesayno)

Lord Custos Alpha (Lord Custos Alpha), Monday, 23 September 2002 20:35 (twenty-three years ago)

nobody would be bigger than Jesus

blueski, Monday, 23 September 2002 22:11 (twenty-three years ago)

Mark Chapman would be sitting around at home, twitching nervously and furrowing his brow as if he'd forgotten to do something but not quite sure what

blueski, Monday, 23 September 2002 22:13 (twenty-three years ago)

"Britains image as a terminally unhip, wet, miserable, uptight, declining, past-obsessed, class-ridden, theme-park would never have acquired the alter-ego that makes it just about tolerable. No sane person would want to live here."

What about James Bond movies? The whole Brit-swank jet set scene seemed to develop independently of the teen-sensation rocknroll scene, probably due to a generation gap of sorts.

But if the Beatles never existed then Cliff Richard woulda done the theme to "Live and Let Die", I guess. Also the Beastie Boys would need some other pop star's famous son to hang around with 'em and release goofy lightweight Tropicalia-pop albums on Grand Royal. And the Meatmen's "One Down Three To Go" would have been about John Bonham.

Nate Patrin, Monday, 23 September 2002 22:44 (twenty-three years ago)

massive disagreement with dave225 and others.. to me, this is like imagining a modern world unnafected by, like, ww2. i don't think any of the bands mentioned in this thread would exist, nor even would their respective genres. i'm not sure the modern pop schere would be better or worse, just a really rather vastly different thing.

m wodge, Monday, 23 September 2002 23:28 (twenty-three years ago)

The Small Faces would have actually gotten some recognition in the States. In many ways they'd be the perfect stand in. They went from straight up blue eyed soul, to an amped up mod version of the same, to psychedelia, to burnout in much the same manner and time frame.

Skip the whole Rod Stewart rebirth bit, that's a different band as far as I'm concerned.

Dave Beckhouse (Dave Beckhouse), Monday, 23 September 2002 23:37 (twenty-three years ago)

Brian Wilson wouldn't have felt the same level of perceived competition..

electric sound of jim (electricsound), Monday, 23 September 2002 23:51 (twenty-three years ago)

And the Meatmen's "One Down Three To Go" would have been about John Bonham.
Well, ironically enough, no Beatles might indirectly mean No Led Zep. Robert Plant himself said he wanted Led Zeppelin to sound nothing like "the Pop scene" because to him "the stuff was dire and it felt like it had no 'intention' at all."; So how could there be a Zep if their was no Fab Four to rebel against? (Although maybe he was rebelling against Hermans Hermits. I'm not sure. He didn't elaborate.)

Lord Custos Alpha (Lord Custos Alpha), Tuesday, 24 September 2002 01:37 (twenty-three years ago)

"Nobody would be bigger than Jesus"

If The Beatles had not existed, would it have been necessary to create them?

Stewart Osborne (Stewart Osborne), Wednesday, 25 September 2002 11:33 (twenty-three years ago)

michael angelis would have done the voice for 'thomas the tank engine'.

joh lennon would be a bitter drunkard but still alive.

liverpool would receive far fewer japanese tourists and echo & the bunnymen would be its favourite sons.

'penny lane autos' which is actually around the corner on smithdown road would be called 'smithdown road autos'.

michael wells (michael w.), Wednesday, 25 September 2002 11:45 (twenty-three years ago)

If The Beatles had not existed, would it have been necessary to create them?
Yes. They were inevitable. It might have been the Dave Clark 5 (diggin' that "Bitz & Pieces" Target ad.) .. Something would have filled that void.. but would it have come around the same time, or would it have been much later?

Without the Beatles, the Stones may have dominated Rock & Roll, which would have distanced the older generation from Rock & Roll .. so maybe fewer record deals made in the 60s ..

I think it was only their image as clean-cut that was important in history - the music itself was only influential because of their popularity. Their popularity owes more to their image than to their music..

dave225 (Dave225), Wednesday, 25 September 2002 12:42 (twenty-three years ago)

dave that is piffle

i. no beatles = no rolling stones (except as a long-forgotten covers band in some dingy west london club until the R&B fad ended)
ii. the completely unexpected popularity of their sound — plus the cheeky, quickwitted way they dealt with grown-up interviewers and reporters, their cheerful disrespect for industry norms — consistently outstripped EMI's and later Capitol's attempts to contain or package them
iii. they are "cleancut" maybe in retrospect, after 30 years of rockers calculatedly grooming themselves to be scruffy and non-descript for the easily impressed teenage boy market

mark s (mark s), Wednesday, 25 September 2002 13:04 (twenty-three years ago)

No Beatles = The Monkees as the biggest band in the world everrr.

Roger Fascist (Roger Fascist), Wednesday, 25 September 2002 13:16 (twenty-three years ago)

mark -

I'll give you #1, maybe.. It was only a "what if" - didn't need to be the Stones.. what I meant was that Rock & Roll would continue to be seen as rebellious -

#2 - The "adult" population accepted the Beatles because they were cute & witty, not because they liked Beatles' songs as much as Dean Martin songs.

#3 - huh?? Suits & haircuts = clean-cut (for Rock & Roll) in 1964.

dave225 (Dave225), Wednesday, 25 September 2002 13:33 (twenty-three years ago)

"rock and roll" was completely off the charts map in 1964: it wasn't "rebellious", it was nowhere — and who are you comparing them with, scruffwise?

in 1963-65, they were about sex, not its absence

#2 - The "adult" population accepted the Beatles because they were cute & witty, not because they liked Beatles' songs as much as Dean Martin songs

well i'm not sure what "adult" in quotemarks is meant to mean, but this just isn't remotely true of any of the age-groups which actually bought into them: people adored the noise they made

you're backforming a critique of their lack of rebelliousness by judging them against the (somewhat formulaic) stances of rebellion of later years, which of course season on season had to be ratcheted up for effect (until you reach GGAllin)

jonathan miller — in 64/65 — compared them on TV to the Midwich Cuckoos: ie their strange-cut suits and long girlish identikit hair (which made them look quite alike), plus the way they seemed to communicate telepathically, or spoke in this dialect which few Brits outside the North-west and no Americans were familiar with, reminded him of the alien children in Wyndham's sci-fi novel, eg clever and beautiful and threatening

adults who *didn't* like the noise they made, and ESPECIALLY didn't like beatlemania (which of course got compared to nuremburg rallies), found them v.sinister and weird

mark s (mark s), Wednesday, 25 September 2002 14:01 (twenty-three years ago)

Clean Cut? Hmmmm.
Maybe Motown woulda had more "mindshare" without the Beatles.
Supremesmania!
(Yes, I know that "Supremesmania" would never have gotten as big as "Beatlemania" 'cuz the 60s were full of bigots and misogynists...but still, even 5% more mindshare is nothing to sneeze at.)

Lord Custos Alpha (Lord Custos Alpha), Wednesday, 25 September 2002 14:08 (twenty-three years ago)

motown is interesting cz i think the beatles gave it cachet outside its "natural" outreach (they were assiduous at crediting sources), at the same time as poaching some of its potential audience

at the famous encounter of the beatles and the supremes (1964 at a guess), they both managed to freak each other out: the latter by being super-coiffed and accoutred young ladies in demeanour (born poor in the projects and now meeting white ppl, hence on their best best best finishing-school behaviour), when the former were expecting funky and sassy streetwise chiXorZ

mark s (mark s), Wednesday, 25 September 2002 14:15 (twenty-three years ago)

By "adult" I mean old sacks. The people that controlled what got on TV and (largely) radio. People who were not interested in Rock & Roll or the Beatles - and really, never were. The Beatles were still "something the kids listen to" - but since they weren't (seen as) encouraging riots (Jerry Lee Lewis, Little Richard, Bill Haley) (OK attack me for that next - but Beatlemania was NOT the same thing... more later..) .. the Beatles, and Rock&Roll in general, stood more of a chance. Before the Beatles, rock&roll was as evil as communism.

you're backforming a critique of their lack of rebelliousness by judging them against the (somewhat formulaic) stances of rebellion of later years
No I'm not... I'm talking about the perception of the Beatles to the adult/establishment population.. Maybe the British response was far different from the American response.. but "even yer grandma loved those lovable moptops from Liverpool." .. (before the Jesus comment.)

dave225 (Dave225), Wednesday, 25 September 2002 14:23 (twenty-three years ago)

Their popularity owes more to their image than to their music.

Their image is largely irrelevant for first few releases due to lack of media at the time. Easy to forget in the age of the internet that in the UK in 62/63 there was very little in the way of access to media for both consumer and performers, even with the well connected Epstein in charge. Most of the population still didn't own a tv then, radio was 'rationed' and there was no wide ranging pop press other than the NME (Melody Maker still mostly jazz) and definitely no internet. Mainstream press had no interest in music until an act became popular.

People probably didn't even know what they looked like until the singles became hits, (no picture sleeves either). The early singles success in UK is almost entirely down to the music and word of mouth which makes their success all the more extraordinary.

US is a different story admittedly but they wouldn't have broken through as strongly as they did if they didn't have the goods to back it up. Juat look how succesful or otherwise UK acts had been in the 10 years previous.

Billy Dods (Billy Dods), Wednesday, 25 September 2002 14:40 (twenty-three years ago)

so their "importance in history" is entirely down to what the old people who didn't care about rock n roll thought of them?

i think i must have misunderstood what you meant by "importance in history": it's true that relative indifference to content on the part of the sacks helped them GET through into history (it wasn't the only factor)

rock&roll (first time round) was "something the kids listened to", acc.the view of these same people

basically what i don't understand here is the refusal to grant the biggest pop group in history *any* agency in
i. their own arrival, and
ii. the world they made

it was the success of the beatles that allowed 50s rock'n'roll back in as a subject of discussion: they gave pop an awareness of HISTORY, something it had never really had before (when it happened in jazz, it happened at the point that jazz seceded from the pop world); they opened a space in which trainspotting — cf stones/yardbirds etc — could be chartsexy AND "art"

i think almost all subsequent attempts at historicising them try and strip one of their contradictory elements out of the story, to make it make more sense in the light of whatever aesthetic stream they themselves favour (or else blow them up into this ridiculous Historical Inevitability which anyone wd have blundered into)

billy they DID have picture sleeves!! and also there were lots of teenybop mags, many devoted just to them!!


mark s (mark s), Wednesday, 25 September 2002 14:52 (twenty-three years ago)

but yeah, about the rest of the mediation, exactly

mark s (mark s), Wednesday, 25 September 2002 14:52 (twenty-three years ago)

Sorry - I don't mean that they had no talent or that their songs weren't influential.. Little Jimi Hendrix (Oh gawd, I don't know - I can't think of a good example) may not have ever picked up a guitar if he had never heard "I Wanna Hold Your Hand." But Little Gilbert Dumond may have been really impressed by The RiverDrainers - who knows what we missed out on? .. And I might have 2million dollars, if only that moth hadn't sneezed in Argentina.

But if the Beatles hadn't become big, someone else would have - probably later... I'm not trying to discredit the Beatles at all - but as a musical impact, I think someone else would have been there if the Beatles hadn't been. But culturally, I think rock&roll would not have been accepted & taken off as soon if not for the Beatles.

dave225 (Dave225), Wednesday, 25 September 2002 15:30 (twenty-three years ago)

mark - you said,
"Basically disinventing the Beatles means either:
nominating or inventing another group who gets to be as big as them (and imagining the effect this had)
or
assuming that no rival group ever got as big, and calculating the effect on the industry, studio practice etc etc "

.. I'm choosing #1, and saying it would have taken longer.

dave225 (Dave225), Wednesday, 25 September 2002 15:33 (twenty-three years ago)

(yeah, my "piffle" was directed at a misreading of what you said, dave, sorry)

mark s (mark s), Wednesday, 25 September 2002 15:37 (twenty-three years ago)

Mark (trainspotter alert) only Penny Lane and Let it be had picture sleeves. Parlophone was far too parsimonious to waste money on such an ephemeral object as a 45.

Otherwise fair enough about the teeny mags. Before my time of course ;-)

Billy Dods (Billy Dods), Wednesday, 25 September 2002 15:41 (twenty-three years ago)

billy i think i'm thinking of EPs: i shall drag down my tattered lewisohn when i get home

mark s (mark s), Wednesday, 25 September 2002 15:45 (twenty-three years ago)

It was crucial to the history that The Beatle's music could be analysed (and shown to be remarkably sophisticated) in traditional musicological terms. I feel ambivalent about this: that The Beatle's music could be analysed in this way validated it as a means of analysing ALL pop music, which badly hampered the development of a vocabulary for discussing pop music that didn't work in those terms.

But it was this that allowed heavyweight music establishment figures like Bernstein and Copeland to out themselves as Beatles fans, which completely changed the weather for pop music's development as an art form. Key to this was The Beatle's almost total lack of conventional musical training. They continually presented themselves with musical problems where each solution had to be (in the Koestlerian sense) an Act of Creation, because although there were conventional solutions to these problems(as the songwriters in the Brill building, or at Motown or even to some extent Brian Wilson knew) Lennon and McCartney did NOT know them so that their solutions continually took trained musicians by surprise.

The people in the musical establishment who "bought" The Beatles (and at first of course they were a heavily ridiculed minority) would NOT have bought The Rolling Stones or The Small Faces at any price. And of course it was painful for many to find these qualities in a band so lowest-common-denominator popular.

ArfArf, Wednesday, 25 September 2002 16:04 (twenty-three years ago)

ArfArf's second para bang OTM, which also explains the Beatles decline. Once they realised they could do just about anything, what else is there to do, apart from fall apart.

Also explains punks disavowal of technique. Using it as a means for finding out new things without being constricted by a 'proper' way of doing things.

Billy Dods (Billy Dods), Wednesday, 25 September 2002 16:19 (twenty-three years ago)

one month passes...
if the beatles had never existed then i would jsut be a normal teenager obsessing over something else...

Dustin Hensley, Friday, 15 November 2002 19:40 (twenty-two years ago)

nine years pass...

http://thebeatlesneverexisted.com/

Kevin John Bozelka, Wednesday, 27 June 2012 21:23 (thirteen years ago)

http://thebeatlesneverexisted.com/

Your go.

Mark G, Friday, 29 June 2012 15:08 (thirteen years ago)

the kennedy brothers 'd be still alive

t**t, Friday, 29 June 2012 16:58 (thirteen years ago)

site is temporarily unavailable

or perhaps it...never existed

click here if you want to load them all (Hurting 2), Friday, 29 June 2012 20:51 (thirteen years ago)

well suspected, Hurting2, well suspected.

t**t, Saturday, 30 June 2012 19:11 (thirteen years ago)


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