Steve Earle's Jerusalem: Principled Stance, or Shit-disturbing?

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I haven't seen anyone else talking about this one recently (and oddly enough using the search function here to look for "Steve Earle" turns up more posts from me than from anyone else...) Surely there have to be some other fans here, or at the very least some other people who have been pissed off by Earle's very ...ahem, "unpatriotic" stance on the war against terrorism both in his public speech and on the new album, Jerusalem.

I've had the album for about a week now, and there's certainly an awful lot to like about the album musically speaking, even if it's not his best; I like it bunches, except for the one track that sounds like it's Johnny Mellencamp. Lyrically speaking, it's bound to generate more debate than before I think; even though Earle has never really shied away from political cause, he front-loads this album with a lot of pretty unambiguous talk about what's going on in America right now, especially with the government whipping up hysteria over the terrorist threat that's coming after EVERY LAST CITIZEN or something like that. It's not surprising that Earle consider's Bush's stance on the issue total and complete bullshit, knowing how he feels about other issues, but is he a bit too earnest about it here? I remember reading somewhere else that Earle had stated that he's more concerned about how his constitutional right have already been abridged by the reactions of the government than he ever was or will be about being a victim of any terrorist act.

The liner notes on the inside of the album contains the following:

In spite of our worst intentions and ignorance of our own history our Constitution has, thus far, proven resilent enough to withstand anything that we throw at it including ourselves. For myself, my faith in this one institution of our all too human (and therefore imperfect) society is absolute but, I hope, not blind. It was built to last but only if properly maintained. Fierce vigilance against the erosion of its proven principles is the very heart of our peculiarly American brand of democracy. It was framed by men whose names we are taught to remember by rote: Thomas Jefferson, Benjamin Franklin, John Adams, Patrick Henry, Aaron Burr... the list is long and distinguished and we call these men patriots. In times like these it is also important to remember the names of John Reed, Emma Goldman, Abbie Hoffman, Bobby Seale, Malcolm X, Martin Luther King...those who defended those same principles by insisting on asking the hardest questions in our darkest hours.

God bless America, indeed.

Steve Earle, Fairview, Tennessee

So, is he too provocative by half? Is he oversimplifying the issue? Is he right on target? Should we be asking harder questions of ourselves before we all do something stupid? Oh, and what do you think of the album itself?

Sean Carruthers (SeanC), Friday, 4 October 2002 21:54 (twenty-two years ago) link

I don't want to get into Earle's politics, because I just got home from work and don't feel like thinking...at all. But musically, the new album is a letdown. The songs either re-hash old melodies or create unmemorable new ones. One star.

paul cox (paul cox), Friday, 4 October 2002 22:03 (twenty-two years ago) link

I haven't heard the music, but with what I've read about the album, it seems designed to either piss off people who wouldn't hear it anyway (i.e. the Nashville country mafia and the vast sections of Middle America who listen to their drivel) or to impress the lefty-leanin', latte-swillin' Young Urban Professionals who are delightfully "shocked" (in a different sense from the first group) that Earle expounds their "views."

Which is, of course, a completely different issue from whether the music is any good or not. And I haven't heard it, so I can't comment.

hstencil, Friday, 4 October 2002 22:10 (twenty-two years ago) link

Oh, and btw, Jerusalem is exactly the kind of record one would expect Steve Earle to make post-9/11, as is The Rising by Springsteen. Whether they're good albums or not (I wouldn't know), they're completely predictable in terms of themes/media impact/what-have-you.

hstencil, Friday, 4 October 2002 22:15 (twenty-two years ago) link

While those comments are fair enough, where's the cut-off between singing/speaking about things you truly believe in and pandering to the gallery? Is it possible to release a politically themed (or even tinged) album in earnest without questions about provocation? And how is Earle's reaction, if indeed it is designed as a provocation, any different than the government's immediate "let's kill the bastards that did this to us" reaction? Is there middle ground?

Sean Carruthers (SeanC), Friday, 4 October 2002 22:23 (twenty-two years ago) link

The most honest thing about it is that it was suggested to Earle by his labelhead as a good career move.

James Blount (James Blount), Saturday, 5 October 2002 03:55 (twenty-two years ago) link

Aaron Burr?!!!

James Blount (James Blount), Saturday, 5 October 2002 03:56 (twenty-two years ago) link

haha aaron burr oops surely he means benedict arnold?

Political opinions do tend to be predictable, at least after the first couple of times. I had a dream last night in which I was ranting abt the indiscriminate way naplam worked, and what this said about America in Vietnam. The person I was ranting to — who had a nice Shropshire accent — was mocking the predictability of my opinions. Given that I had just had my hair set alight with napalm abt two minutes earlier in the dream I was not impressed by this critique.

mark s (mark s), Saturday, 5 October 2002 08:22 (twenty-two years ago) link

Thomas Paine is the usual Revolutionary War hero name dropped by would-be radicals. Apparently not for washed up arena rocker radicals though, blame/credit Gore Vidal.

James Blount (James Blount), Saturday, 5 October 2002 08:30 (twenty-two years ago) link

Oh, and btw, Jerusalem is exactly the kind of record one would expect Steve Earle to make post-9/11, as is The Rising by Springsteen.

Personaly, I would have expected Springsteen's record to be a lot more "how has this tragedy affected the common people", and a lot less "look at my fancy biblical metaphors"...

Me, I'm all for the liberal leftie propaganda (the right-wingahs got theirs, why shouldn't I get mine?), but some of the stuff Steve Earle says really is pretty damn foolish- like the idea that John Walker joined the Taliban because he couldn't identify with N'Sync.

Daniel_Rf, Saturday, 5 October 2002 11:57 (twenty-two years ago) link

yeah, surely more likely bcz he couldn't identify w.steve earle? (ie it wz the "liberal-leftie" option on offer locally that he felt let down by?)

mark s (mark s), Saturday, 5 October 2002 12:19 (twenty-two years ago) link

I'm a big Steve Earle fan and I was let down musically by this album too. It has a couple of gems but overall is pretty middling. I like Steve's politics...I mean, I was predisposed to like this album in every way and still felt disappointed. It's still Steve, so it's not horrible to me at least, but it's probably my least favorite album of his that I can think of.

teeny (teeny), Saturday, 5 October 2002 20:01 (twenty-two years ago) link

two weeks ago my dad was in NY and he showed me Marie's Crisis Cafe, supposed to be the spot where Paine write "The American Crisis".... my dad said it had changed.

Tracer Hand (tracerhand), Saturday, 5 October 2002 22:28 (twenty-two years ago) link

Marie's Crisis in the West Village? The old school "prune room" gay piano bar? I never knew that! What was it when your dad was around?

Arthur (Arthur), Saturday, 5 October 2002 22:39 (twenty-two years ago) link

I Like the album. Lots of offhandedly cool production touches, grim lyrical stance (I suspect many won't like it because of this: in the past he's broken up the grim moments with Irish-sounding instrumentals, straight-up love songs, his sister's fairly absurd voice...none of that here!). I don't need to agree with his politics to find a lot of thought-and-argument provoking on JERUSALEM, though I generally do agree with his politics. I see him as the anti-Toby Keith, and the world sore needs that.

He Ain't Ever Satisfied, is all!

matt riedl (veal), Sunday, 6 October 2002 15:08 (twenty-two years ago) link


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