Schoenberg's String Quartets

This might be a challops but I'm really fond of #3: that opening motive, the rhythmic energy, the way he basically abandons any sort of rigidity with his use of a 12-note row.

#2 is probably the most important, maybe the greatest achievement. #4 seemed popular on FB; I always think of it as the most hardcore. I don't know if I've totally cracked it yet.

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Well, look at this lonely thread.

I've not listened to the String Quartets in a while so I'm working from memory here.

I voted for #2 because it has the right amount of balance between tonal and extended tonalities.

The rigidity at times was, for me, part of its allure, especially when bringing contrapuntal melodies and harmonies into the mix, which I was always a fan of, back since Bach's day. I was a huge Bach fan before, and when I discovered Schönberg's take on counterpoints, it left such a big impact on my life. I started incorporating them into my finger-picking folk guitar stuff. Not that I was any good at it. I always tried to incorporate some of Schönberg's aesthetics into my own music but always failed miserably.

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Oh, that's interesting. I was expecting #4 to do well. Who gave the other vote for #3?

The Juillards are my pick for best recording BTW.

I don't think I've ever cracked these really. Quite like bits of 2, should listen to 4 sometime.

3 is sooo good why is this not more standard repetoire. it's even catchy

OTM

OK so I might have softened on techno/house and even hip-hop. But Schonberg? There's the limit! :)

Do you even hate the more tonal late Romantic Schoenberg?

Geir I don't see how you could hate the 1897 quartet in D major. it's got melody up the wazoo