Depeche Mode: Blasphemous RumoursYazoo: Only You
OK, go on. More suggestions? :-)
― Geir Hongro (GeirHong), Monday, 4 October 2004 00:22 (twenty-one years ago)
― MindInRewind (Barry Bruner), Monday, 4 October 2004 00:38 (twenty-one years ago)
― B.A.R.M.S. (Barima), Monday, 4 October 2004 01:24 (twenty-one years ago)
― DEEBZ (ddb), Monday, 4 October 2004 13:58 (twenty-one years ago)
― Loose Translation: Sexy Dancer (sexyDancer), Monday, 4 October 2004 14:15 (twenty-one years ago)
― Myonga Von Bontee (Myonga Von Bontee), Monday, 4 October 2004 19:32 (twenty-one years ago)
― Taxi Dancing in the Soft Prison (Ben Boyer), Monday, 4 October 2004 19:34 (twenty-one years ago)
― Joseph McCombs (Joseph McCombs), Monday, 4 October 2004 19:35 (twenty-one years ago)
― Sean Witzman (trip maker), Monday, 4 October 2004 19:35 (twenty-one years ago)
― Geir Hongro (GeirHong), Monday, 4 October 2004 19:36 (twenty-one years ago)
― joseph cotten (joseph cotten), Monday, 4 October 2004 19:36 (twenty-one years ago)
― Geir Hongro (GeirHong), Monday, 4 October 2004 19:37 (twenty-one years ago)
yes, also black dice.
― peter smith (plsmith), Monday, 4 October 2004 19:39 (twenty-one years ago)
― jones (actual), Monday, 4 October 2004 19:47 (twenty-one years ago)
― DEEBZ (ddb), Monday, 4 October 2004 20:40 (twenty-one years ago)
― Loose Translation: Sexy Dancer (sexyDancer), Monday, 4 October 2004 20:49 (twenty-one years ago)
― n/a (Nick A.), Monday, 4 October 2004 20:50 (twenty-one years ago)
― Loose Translation: Sexy Dancer (sexyDancer), Monday, 4 October 2004 20:52 (twenty-one years ago)
― Spencer Chow (spencermfi), Monday, 4 October 2004 20:53 (twenty-one years ago)
and on a depeche tip: the version of behind the wheel with the hubcap-on-the-road noise at the beginning (click ... oh, that'll be the album version, then) ... so simple, so beautifully done. CHRIST, that's a good song.
― grimly fiendish (grimlord), Monday, 4 October 2004 21:16 (twenty-one years ago)
― firstworldman (firstworldman), Monday, 4 October 2004 22:07 (twenty-one years ago)
White Noise - An Electric Storm
http://www.geocities.com/CapitolHill/Lobby/2554/whitenoise.html
― dlp9001, Monday, 4 October 2004 22:36 (twenty-one years ago)
― Shakey Mo Collier, Monday, 4 October 2004 22:40 (twenty-one years ago)
― darin, Monday, 4 October 2004 23:20 (twenty-one years ago)
― Myonga Von Bontee (Myonga Von Bontee), Monday, 4 October 2004 23:49 (twenty-one years ago)
― M Carty (mj_c), Tuesday, 5 October 2004 06:20 (twenty-one years ago)
― M Carty (mj_c), Tuesday, 5 October 2004 06:46 (twenty-one years ago)
― Geir Hongro (GeirHong), Tuesday, 5 October 2004 11:20 (twenty-one years ago)
― Dadaismus (Dada), Tuesday, 5 October 2004 11:22 (twenty-one years ago)
Anyone?
― Michael Jones (MichaelJ), Tuesday, 5 October 2004 11:31 (twenty-one years ago)
This used Hugo Zuccarelli's Holophonic recording system, a supposedly revolutionary technique which actually sounds like much the same idea as Manfred Schunke's Artificial Head recording technique, which was used on, among others:
Can - FlowmotionLou Reed - Street Hassle (or is it "The Bells"?)
To be honest I don't think any of these records sounded that different from records using the usual techniques
― Dadaismus (Dada), Tuesday, 5 October 2004 11:45 (twenty-one years ago)
Forgot to mention Husker Du's "Indecision Time", in which the vocal "Go to the left/Go to the right" is hard-panned appropriately.
― Myonga Vön Bontee, Wednesday, 1 April 2009 07:01 (sixteen years ago)
Bluebells by Patrick Wolf; firework takes off in left air, explodes in right ear.
The Open had one track on their second album that did something very interesting with moving a backing vocal around not only left-to-right but also up-and-down, so it sounded like it was rotating in a circle.
― Sickamous Mouthall (Scik Mouthy), Wednesday, 1 April 2009 07:12 (sixteen years ago)
'black satin'. those handclaps zapping left-right-left disoriented me to the point of falling over once. thanks for that, miles!
― prince of PLURsia (haitch), Wednesday, 1 April 2009 07:24 (sixteen years ago)
I nominate Jimi Hendrix for worst/best stereo effects.. in that they're awesome and yet really corny.
― billstevejim, Wednesday, 1 April 2009 08:10 (sixteen years ago)
I'm thinking specifically of stuff like "EXP" or some of the forgettable songs on Electric Ladyland.
― billstevejim, Wednesday, 1 April 2009 08:11 (sixteen years ago)
Zep's "What Is And What Should Never Be," the chord stabs alternating channels before the big ending kicks in.
― OK, fine, yes, I Goggled it (Pancakes Hackman), Wednesday, 1 April 2009 10:20 (sixteen years ago)
Lou Reed's "Metal Machine Music" - "STRICT STEREO SEPARATION"
― snoball, Wednesday, 1 April 2009 10:53 (sixteen years ago)
The Young Gods - L'eau Rouge. Play Kurt Weill
Lotsa early sampling close panning fx.
― MaresNest, Wednesday, 1 April 2009 11:04 (sixteen years ago)
aphex twin - mount st michel saint michael's mount or whatever it's called.
― the next grozart, Wednesday, 1 April 2009 14:41 (sixteen years ago)
Destroy: Most Beatles albums (where stereo = half the band in one ear, half in the other).
― M Carty (mj_c), Tuesday, 5 October 2004 06:46 (4 years ago)
I love that kind of separation. At least it leaves that listener in no doubt that this is a stereo recording rather than a mono one ;)
― Geir Hongro (GeirHong), Tuesday, 5 October 2004 11:20 (4 years ago)
It is neither a stereo effect, nor evidence of stereo at all. It is, strictly speaking, evidence of mono recording, and is most closely related to the recording limitations of the time (which have been expounded upon elsewhere @ length). Ditto goes for a lot of Jamaican recordings where new tracks were added to instrumental mixdowns on a 2 track deck. Actually this makes me crazy (surprise!), and I pine for the days when your basic hi-fi amp had a mono button to sum the 2 sides together.
I mostly find it most useful for sampling, EG: getting Ringo breaks off Beatles records. I will also note here that the intro drums for Sgt Pepper's has a nice whisper by John ("lies") under it.
Just my penny's worth.
― factcheckr, Wednesday, 1 April 2009 15:20 (sixteen years ago)
Low's most recent album Drums and Guns makes excellent use of stereo techniques, with all the vocals fed effectively into the right channel and the drums front and center, where they should be.
― ilxor, Wednesday, 1 April 2009 16:31 (sixteen years ago)
I'll add any Adrian Sherwood / On-U sound production to this, and anything with a stereo Rhodes tremolo as well. I'm a sucker for both. There's lots of stereo Rhodes on those Lonnie Liston Smith albums.
― factcheckr, Wednesday, 1 April 2009 20:09 (sixteen years ago)