Tell Me about the Fender Jazzmaster (MOD: Also Jaguar, etc.)

The trem is...interesting.
set the trem-lock to locked. Tighten the adjustment screw until it suddenly stops doing anything(but still moves without more effort) re tune. Now turn the screw the OTHER way until the guitar goes a tiny bit flat. Then simply tighten slowly until it goes back in-tune.

you're done!
If you still have problems, it's either THAT guitar or....you.

GZ out.

some questions:

1. what is AV?
2. if i was bad at shop class, won't i fuck this up?

Shop class...
Hmmm.
I could send the wood for like a buck, but I can't guaratee It'll be fitted.

it'll have hole that line up, but John will need to have the neck off a strat with the neck off so I could get the shape approximated.

Anything else is just... difficult.
John, tell him how to take a neck off.

Taking a neck off is easy if you can just get past the inherent scaryness of it.

1. Prop the instrument face down on some sort of inclined surface, so that it's supported only at the base of the body and at about the 3rd fret. Think towel on a table, with a stack of books under the neck.

2. Capo the neck at the 1st fret, if the strings are still on it (yes, it is ok to leave the neck under tension. Don't worry so much.)

3. Grip the instrument with your thumb on the neckplate and your fingers on the front of the neck. What you want to be able to do is counteract the tension of the strings as you remove the neck bolts. THIS IS VERY IMPORTANT, because if you don't, the string tension will pull the last screw out of the hole and strip/crack it. Which is bad.

4. Now, while maintaining your death grip, remove the screws in a cross-pattern (upper right, lower left, lower right, upper left). When you have removed all screws, slowly release your hold on the neckplate, and let the strings pull the neck from the body in sort of a clmshell motion. Ta-dah! Now you are a skilled luthier. Tell all your friends.

To reattach neck, operate in reverse.

First thoughts :

1) Amazing build quality
2) Really nice neck - great finish, really fast. Action nice and low.
3) ALL the pick-up positions sound good and the rhythm circuit wasn't as dark as I was expecting. Will definitely be able to get masses of good sounds out of this.
4) Why the feck do they ship these with 09 gauges on? I reckon I'll have to go up to 11s right away. Mind you, even with 09's I didn't get the strings to pop out of the saddles on bends, apart from the low E which jumped when I yanked it hard.

Incidentally, Peter Cook's is a pretty strange place - it's in a residential street off the Uxbridge Road, and is sort of in a couple of houses knocked together. Really shabby from the outside, but nice inside and v.friendly and helpful staff. Good prices too.

The Stratocaster scale is 25.5" from saddle to nut. This is only about 4% difference in scale. All Gibson guitars, Les Pauls etc, are 24.75". That's only a quarter of an inch difference between the Jaguar and the Les Paul. Far too often is the Jaguar referred to (and dismissed) as a "short scale" guitar. When in fact it is more of a medium scale. And as has been mentioned, not dissimilar to the standard Gibson scale. There are also smaller scales than 24" used for guitars as well. For example, the 22.5" scale necks used on 'student' Mustangs, Musicmasters and Duo-Sonics etc.

The fretboard radius is curved to 7.25" on a Jaguar, the same as alot of other Fender guitars. Some people complain about "choking off" on these radius. A problem which can always be solved by raising the action by a very small amount. If people are insistent on having the action so low, in combination with bending 8's two whole notes, then nothing can stop choking off on a 7.25" radius. A Japanese Jaguar special has a 9.5" radius fretboard.

Sonic Youth signature Jazzmasters: http://fender.com/sonicyouth/

The Thurston model looks kinda cool actually.

i'd quite like the lee ranaldo one!

My Jazzmaster is in my mom's closet in America and I miss it so much.

as a committed wide-range humbucker fan, the lee guitar looks amazing.

I guess what I really want is the Lee model with the green finish of the Thurston one.

Honestly though, shouldn't the signature models be just a box of Jazzmaster parts to build your own config?

Anybody know what they mean by "newly revoiced and improved Fender wide range humbuckers"? Did they actually use cunife magnets this time around? Curious bout what's actually under the hood.

probably overwound like every other bastardized fender pickup of the last 10 years :(

What y'all think of this jazz/jag bridge: http://www.masterybridge.com/home.html

My thoughts:
1) $HMMM.00
2) Posts are set or whatever and it doesn't swivel. They say it stays in tune w all kinds of divebombing: but how??
3) Otherwise, want.

Offset guitars website have many users of the mastery bridge. Most are totally positive about it, but there are a few reports that you MAY still need to use tape/glue etc to stop unwanted movement. I haven't seen or used one, but it seems a pretty expensive solution to me. I don't believe you can divebomb with it - i've certainly not read any reports that the range of operation is any greater than with any other jag or jazz trem/bridge combination.

I've just changed the bridge on my Jag to a Mustang bridge with tape-wrapped posts, and it's 100% stable. I think you may lose a little bit of trem range by locking the posts compared to a properly set up, fully floating system (I have my Jazzmaster with stock bridge for comparison), but I was having so many rattling and tuning problems with the stock bridge that I decided to switch.

Dude does some divebombing in a video on the website, actually.

Hmm - I'll have to look at that.

dude in one of my bands sprung for one of those mastery bridges, it's pretty sweet

Bumping to vent how much I hate setting up my Jazzmaster. I hope GZeus doesn't yell at me cuz I shimmed it with match sticks.

WTF

WAI?

(ahem: What about it?)

They look like the bullets from the "tooth gun" in eXistenZ.

I can see that they'd make a difference to a fixed bridge instrument, but on a Jazzmaster with so many other things affecting tone?

ahem: What about it?

Oh nothin really, just WTFing because I have an abundance of time, and basically what snoball said. Like it'd probably be way more effective to develop some G&L style saddle lock thing or something, or something to directly increase string>body transference, etc... Also LOL @ "man made ivory" angle for yr weird plastic parts.