certain dub sound....how to create?

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Hello there,

I am trying to create an echo'd out squeal. For an example see Chicken Lip's remix of Sebastien Tellier's Broadway and/or loads of the Emperor Machine stuff.

What synth or whatever are they using to create that squelchy discoid goodness? How can I re-create a similar thing?

xx

James, Sunday, 4 June 2006 16:09 (nineteen years ago)

i havent heard those records, but i do know that lee perry & king tubby and all those guys used a VCS3 Putney thru a copycat echo unit for all their squealy echoing needs

zappi (joni), Sunday, 4 June 2006 22:28 (nineteen years ago)

it's pricey, and flakey

pablo (Pablo A), Monday, 5 June 2006 03:07 (nineteen years ago)

two years pass...

how about that delay effect where instead of fading off after the initial signal, it swells/gets louder?

Tracy Michael Jordan Catalano (Jordan), Sunday, 4 January 2009 15:24 (sixteen years ago)

OK I just found a clip of the Chicken Lips remix. Next time please post an audio sample and a point out which sound you're referring to.

If it's the farty squbbly sound then try getting a freeware vsti called Cosmo Girl II and there's a couple patches in there that'll do it.

There's also a freeware vst called Vintager that can produce that sound, and one called LFObia Mocheese, and one called Arppe2600va, and Arch Avenger Pro, and many more. You'll find the similar sounds in there and then it's just a matter of tweaking the shape and frequency of the LFO to get the sound you want.

PublicRadio, Monday, 5 January 2009 05:28 (sixteen years ago)

and the delay effect is from using a tape delay with a lot of feedback. Dub Delay and arcDev DubbBox are both free and both do this.

PublicRadio, Monday, 5 January 2009 05:30 (sixteen years ago)

If you want self-oscillating/feedbacky dub delay, get a delay unit or plugin with filters on the delay lines and experiment with cranking up the feedback amount, resonance, and frequency/cutoff.

glynsync, Monday, 5 January 2009 05:37 (sixteen years ago)

thanks. i've tried using the semi-shitty factory plugins in cubase and haven't been able to replicate quite the effect i'm going for, but i'll try those other ones.

Tracy Michael Jordan Catalano (Jordan), Monday, 5 January 2009 05:41 (sixteen years ago)

how about that delay effect where instead of fading off after the initial signal, it swells/gets louder?

you know I know it sucks to have to admit that 2009 can't automate everything from 1981 but you do this with your hand.

If you were working in analog you wouldn't ask the question so I'll just explain it for digital - take the dry-wet and/or the feedback variable for your chosen channel and just draw an escalating envelope for it, kind of how, you know, you would do it with your hand, on a knob.

thanks and happy new year,

TOMBOT, Monday, 5 January 2009 05:43 (sixteen years ago)

I mean seriously the whole point of those old record reviews where they talk about how Scientist made the mixing board his instrument, they really meant that he was changing the levels with his fingers. Sorry to be kind of a dick.

TOMBOT, Monday, 5 January 2009 05:45 (sixteen years ago)

yeah i'm not sure i can do that on my old-ass software.

i should just borrow some delay pedals from a guitarist bro.

xp, dude i know, i should have specified that my problem is doing it digitally. sorry i don't have an analog board in my living room.

Tracy Michael Jordan Catalano (Jordan), Monday, 5 January 2009 05:49 (sixteen years ago)

it really boils down to changing the mix of AUX B with your hand, for real. I've done it. Shit's real.

TOMBOT, Monday, 5 January 2009 05:57 (sixteen years ago)

what software are you using?

TOMBOT, Monday, 5 January 2009 05:59 (sixteen years ago)

Hardman Version

three henny opera (Curt1s Stephens), Monday, 5 January 2009 06:00 (sixteen years ago)

oh that's good. with Hardman you can just give your monitor the double deuce and pretty much any effect you want comes out of the speakers

TOMBOT, Monday, 5 January 2009 06:02 (sixteen years ago)

LOL WHATS THE DOBLE DEUCE YIKES ANYWAYS, THE KEY IS THE CURVES--ENVELOPE MODULATION

Sheik Yitzhak Patrin (usic), Monday, 5 January 2009 06:03 (sixteen years ago)

an album title just happened to me and I don't know how to deal

TOMBOT, Monday, 5 January 2009 06:06 (sixteen years ago)

SAME

Sheik Yitzhak Patrin (usic), Monday, 5 January 2009 06:06 (sixteen years ago)

cubase sx

Tracy Michael Jordan Catalano (Jordan), Monday, 5 January 2009 06:07 (sixteen years ago)

:/

Sheik Yitzhak Patrin (usic), Monday, 5 January 2009 06:08 (sixteen years ago)

honestly maybe i'm just not using it to its full capabilities, but basically nothing i do in it is real time

Tracy Michael Jordan Catalano (Jordan), Monday, 5 January 2009 06:08 (sixteen years ago)

ok I've never used cubase, and that has been on purpose, but if you can program a control change on an effect from one level to another over time, that's how you do this; once again sorry I can't be more specific but, uh, yeah

TOMBOT, Monday, 5 January 2009 06:32 (sixteen years ago)

what the hell kind of response is it when someone asks, hypothetically, 'how does one make that sound' and the response is essentially 'i think you're lazy or disingenuous for not keeping it real and building your own audio workstation out of coconuts like some guy did in the middle of the Caribbean thirty years ago'

PublicRadio, Monday, 5 January 2009 07:26 (sixteen years ago)

an honest response that addresses the issue at hand

what kind of response is it when somebody asks "I want to make this noise" and you go "the fuck I know about anything but here are some other noises you can make if you slap my limp dong against a condenser mic fed into a roland suckchamber"

TOMBOT, Monday, 5 January 2009 07:48 (sixteen years ago)

oh I'm going to have to work on that that was somethingawful F- lame; apologies

TOMBOT, Monday, 5 January 2009 07:49 (sixteen years ago)

anyway you have to caress it with your hand is the lesson

TOMBOT, Monday, 5 January 2009 07:50 (sixteen years ago)

okay i have done some research, i am going to try some plugin automation when i get home tonight

Tracy Michael Jordan Catalano (Jordan), Monday, 5 January 2009 16:20 (sixteen years ago)

wait, can't you make that noise by having the feedback on a tape delay at an unusually high level until the signal distorts and "swells"? pretty sure that's what you mean

rio (r1o natsume), Monday, 5 January 2009 16:29 (sixteen years ago)

when i crank up the feedback on a plugin it doesn't really swell in a cool way, just kind of plays at the same level forever without feeding back. maybe if i line up a couple delays in a row...

Tracy Michael Jordan Catalano (Jordan), Monday, 5 January 2009 16:36 (sixteen years ago)

you can do this with any analog or simulated analog delay, doesn't even have to be a tape delay.

do you have any analog delay plugins?

VISION QUEST TO KNOCK YOU UP (John Justen), Monday, 5 January 2009 16:39 (sixteen years ago)

(TBH, i am kind of with tom on this in the sense that knob twiddling this is going to be much easier than properly setting some sort of envelope curve, but then again i am dorky analog guy so eh?)

VISION QUEST TO KNOCK YOU UP (John Justen), Monday, 5 January 2009 16:40 (sixteen years ago)

hey guys, thanks. i figured out for the first time last night how to do effects plugin automation, ie i twiddle the knob on the screen in real time and then it records that motion at that point in the song. i feel pretty dumb for never doing this before.

also i still couldn't get the right sound by cranking the feedback on the basic cubase delay, but i downloaded that arcdev dub box and got exactly what i was looking for.

imm, people (and hardmen) helping people.

Tracy Michael Jordan Catalano (Jordan), Tuesday, 6 January 2009 16:20 (sixteen years ago)

I'll go ahead and repeat myself:

"...and the delay effect is from using a tape delay with a lot of feedback. Dub Delay and arcDev DubbBox are both free (VSTs) and both do this."

PublicRadio, Thursday, 8 January 2009 04:35 (sixteen years ago)

i'll go ahead and repeat myself:

"...but i downloaded that arcdev dub box and got exactly what i was looking for."

Tracy Michael Jordan Catalano (Jordan), Thursday, 8 January 2009 04:44 (sixteen years ago)

Certain Dub Sound's How To Create is my 2009 album of the year

TOMBOT, Thursday, 8 January 2009 05:04 (sixteen years ago)

anyway I am glad this thread had a happy ending after I was a big drunkity bully all over it.

TOMBOT, Thursday, 8 January 2009 05:06 (sixteen years ago)

Certain Dub Sound's How To Create is my 2009 album of the year

the moment between when i read this and when i realised what i was reading was weirdly beautiful

Lemonade In Hammocks (electricsound), Thursday, 8 January 2009 05:09 (sixteen years ago)

btw i also found out that cubase likes to start some shit after i start adding effects automations, like refusing to undo normal actions and crashing. my workaround is to twiddle the knobs, then export/re-import that part (and remove the effects/automation from the track).

Tracy Michael Jordan Catalano (Jordan), Thursday, 8 January 2009 05:22 (sixteen years ago)

Oops you got it. And I was frustrated that other people weren't reading. Welp, I'm a hypocrite. I'm glad you found what you're looking for. That dub box is nice because it has a nice reverb built in.

The other thing you might consider getting is a convolution plugin and some spring reverb impulses. That's the dub reverb, that drippy artificial reverb sound.

PublicRadio, Wednesday, 21 January 2009 21:12 (sixteen years ago)


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