problem is, i don't think i've ever been in a club before midnight, when its already rammed and things have really taken off.
so, ILX djs out there... whats the deal with this sort of thing? do i have to worry about the dudes playing after me? shall i get quite bosh happy, play some massive tunes... i've got about 1 - 2 hours to fill.
this really isn't much of a question, i know all i've gotta do is make sure i've got a nice selection of stuff to play and just see what people react to. more interested in what are you experiences with warmup djs/djing? give me some insight...
― george bob (george bob), Monday, 29 January 2007 15:35 (eighteen years ago)
― TOMBO7 (TOMBOT), Monday, 29 January 2007 15:41 (eighteen years ago)
in my own perfect club scenario, the warmup dj would be playing the sort of techno/house that usually gets played at 5 in the morning. the stuff ilm seems to go mental for. nice to listen to, nice to dance to.
― george bob (george bob), Monday, 29 January 2007 15:49 (eighteen years ago)
― TOMBO7 (TOMBOT), Monday, 29 January 2007 16:19 (eighteen years ago)
Personally I'd probably play a lot of really odd moog and 80s soul obscure bullshit.
― TOMBO7 (TOMBOT), Monday, 29 January 2007 16:22 (eighteen years ago)
― george bob (george bob), Monday, 29 January 2007 16:51 (eighteen years ago)
― Valoss (valoss), Monday, 29 January 2007 16:52 (eighteen years ago)
I am the opening DJ at my weekly. This is actually really nice because I can start anywhere I want. I usually play some low tempo disco at 105-110, work my way up into the teens, and by the time I hit 120 I can go in a lot of directions. The party is ready to go by the time I am done and the guest comes on. You don't want to go too hard in the beginning because people are not there to see you. You are there to build it up.
If you do well people will nod their heads and sway a little. If not, they will just ignore you. Mainly, just worry about the technical stuff. Mix well, keep an eye on your level and don't try and do anything too flashy. Mainly, get in there and get out without looking like an asshole.
Also, don't be a rock star. Get there early, do your job, be nice to the staff and promoters and stay relatively sober the whole night. Treat it professionally, like it's a job. If you are competent(not great, just competent) and reliable people will ask you back because you are easy to work with. Do this long enough and you will move up the ranks. You will need talent to be a star, but you only need to be professional to be a working DJ. Just shoot for working right now, don't worry about anything else; that will come in time.
I hope this helps. I hope I don't sound like a patronizing jack ass. Pay attention to the last paragraph because most people wash out because of a lack of work ethic, not a lack of talent.
― Disco Nihilist (mjt), Thursday, 1 February 2007 08:59 (eighteen years ago)
its funny, for me this is going to be much harder than going out and playing a 2+ hour kind of set. i've got a few years worth of stuff all remixed so its got a bit of my stamp on it and re-edited so i can go out and jam with it / play with the crowd. hearing one of those mixes is what initially got her exited. but for the time being i think i'll eat my ego and just assume a record selector role and concentrate on doing some nice straight mixes.
one other question i have, how do you find playing records from different decades over a club pa works out? i mean, modern stuff and stuff from the 80s/90s *sounds* so different way that i'm kind of worried about mixing those kinds of records together. do you just subtly eq stuff so you don't lose that energy?
― george bob (george bob), Friday, 2 February 2007 13:45 (eighteen years ago)
― The Macallan 18 Year, Friday, 23 February 2007 23:26 (eighteen years ago)