Creative block

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How do you deal with a creative block, like not being able to come up with good new parts or new songs or whatever? Is it better to back off and assume that inspiration will strike at a later date? Or better to try and force your way through and just keep working until something decent happens?

n/a, Tuesday, 19 June 2007 15:14 (seventeen years ago)

Look to the mysterious far east for inspiration.

Hurting 2, Tuesday, 19 June 2007 15:47 (seventeen years ago)

ok

n/a, Tuesday, 19 June 2007 16:21 (seventeen years ago)

In seriousness, it might help to do something that broadens your horizons on your instrument, like learn to play a song that's in a style you don't usually play

Hurting 2, Tuesday, 19 June 2007 16:31 (seventeen years ago)

Depends how long it's been going on.

If it's short term, then I generally wait it out. Letting the fields lie fallow for a few weeks or months is a pretty good idea.

But if it's long term, just force yourself, churn, like priming a pump, go for quantity not quality, which will come back with practise.

Masonic Boom, Tuesday, 19 June 2007 16:40 (seventeen years ago)

Also, it's a good idea to look at reasons *why* you feel like you're blocked.

If you feel stressed and tired, like you don't have the time to do anything any more, try to make time, schedule writing sessions and force yourself to play, even if you don't feel like it.

If you hate music and you just don't want to have anything to do with it any more, try to do something that recaptures your love of music - listen to your favourite albums, go see a band you really love.

Masonic Boom, Tuesday, 19 June 2007 16:42 (seventeen years ago)

I'm currently backing off, but in the back of my mind I'm afraid I won't come back to it.

At least I have a lot of gigs to play in the meantime, so I still feel like I'm doing music without having to be all that creative.

Jordan, Tuesday, 19 June 2007 16:55 (seventeen years ago)

Sometimes I'll take a walk or do something else like play videogames or turn the tv on while having the instrument in my lap and the song playing. Sometimes not thinking about it is the best way. Or listening to something that inspires you that has nothing to do with the song's style or subject.

Jubalique die Zitronen, Tuesday, 19 June 2007 19:55 (seventeen years ago)

work with different people, or on a different instrument

electricsound, Wednesday, 20 June 2007 08:17 (seventeen years ago)

OK, these are kinda ridiculous but two things that have helped me break through a lot of creative logjams.

1. Practice/write in the morning. In the morning, I don't have any songs stuck in my head, my ears aren't tired from listening to music and co-workers all day and I'm just sluggish enough to play something interesting that isn't the same box of routines I usually end up playing.

2. Play someone else's set-up or go to a music store and try out a different instrument. I was in Sam Ash a couple weeks ago just killing time and I tried out one of the new Gretsch reissues. Great guitar, but I really liked the chords I was playing, so I ended up phone-camming what I was doing and picked it up when I got home.

Elvis Telecom, Wednesday, 20 June 2007 20:04 (seventeen years ago)

GARDENING! try it, it works. especially if you have some means of quickly writing/recording your ideas, just humming or whatever, then back to the gardening.

Had this epiphany when i was working on an allotment with my dad. Most creative I've been in ages. This seems to work in the same way as going to sit somewhere, or for a walk, except your not concious of the fact that you're going for a walk to be creative, you're kinda just.. gardening.

Altho not good if you need fingernails to play your guitar and you end up breaking one. Booooo

clocker, Friday, 22 June 2007 19:26 (seventeen years ago)

I got a new one. open garageband, browse through the loops and pretend you're Hans Zimmer.

TOMBOT, Saturday, 23 June 2007 23:45 (seventeen years ago)

got a lot of mileage out of some oblique strategies today. simplistic canonical arrangement that turned out to work really well was an example of "honor thy error as a hidden intention" - also a lot of the others relating to basically being lazy, faking it, stealing, etc.

the toughest thing sometimes is abandoning the urge to work harder and longer on a track. In my mind I have an approximate minimal time budget for musical stuff, when really it should be just like any other kind of writing; when it's done it's done, leave it alone and mix down the master already.

TOMBOT, Sunday, 24 June 2007 06:46 (seventeen years ago)

oh and also learning about the tiny little button in Live that just reverses the sample playback, when I'd been dropping into Audacity for it and making my life 5x harder up until the other day

TOMBOT, Sunday, 24 June 2007 06:47 (seventeen years ago)


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