i dont claim to be the greatest photographer in the world. most of the time, its by blind luck that i take some of my best pictures. lately ive done quite a bit of editorial work so i thought it might be nice if i passed along some of my wisdom, most of which i accquired by making many, oh so many, mistakes.this info might be particularly useful for bands looking to be photographed but can apply to anyone in general. if im missing anything, chime in. ill happily field your questions if you’ve got ‘em.» you dont have to be the snappiest dresser in the world to look amazing on camera. i mean, springsteen rocked it in jeans and a white t-shirt! the point is, take a moment to make yourself look mildly presentable. wrinkled shirts are a photographer’s nightmare—we can photoshop stains, holes, etc but wrinkles? no way. get an iron and touch up that shirt or pants.if you’re being photographed with a band, try to coordinate your outfits. im not talking matching suits, just some forethought. avoid having more than one bandmate in a patterned shirt. let one person wear the pattern and keep everyone else in solid colors.unless you are looking to advertise benetton or gay pride [these are not bad things, mind you], wearing similar colors is an ideal situation. one time i went to a phillies game and N*SYNC showed up in team jerseys, each a different color. it was a cute but stupid gimmick. go with one color, like, say, blue. you’ll get a nice variety of shades and fabric textures that way. failing that, stick to neutrals. see the picture on the right for clarification.» i know you’re hungover as shit but please please please fake a pleasant attitude. smiling a little will go a long way. if you feel good you will look good on camera. indulge your ego, a little. please. i like to joke with my subjects so that they laugh. people look great when they’re laughing.» keep talking to a bare minimum during a shoot. when the photog is snapping away lots of pictures in a short amount of time and you’re talking, more than likely will we wind up with a picture of you making some goofy-ass face. no one wants to be immortalized that way.» there are two places you can look—right into the camera and off to the sides. you run the risk of looking weird otherwise. try not to blink so much. you will make the photog ver ver ver happy.» don’t slouch! your mother said so and for good reason—having good posture makes you feel better. feeling better puts you in a good mood. a good mood translates well on camera. the entire point of this is to make you look good, right?» concepts? you dont need a concept—a good photograph stands on its own. some of my best work has occurred in the most nondescript locations, like parking lots.» avoid shooting in front of brick walls, unless you want to appear on rock’n’roll confidentials “hall of douchebags”. solid color walls, like white ones, are best. [they also make everyone’s skin tons look great.] however, should you find yourself in the presence of a truly amazing wall, dont stand right up against it. get about 5-10 feet away from it so it will show up on camera in a pleasing manner.» you should always get two photos taken—one horizontal and vertical shot, respectively. that way people can pick and choose which image fits best for their materials.» ask for a copy of the image at 300 dpi resolution and no smaller than 4×5 inches. this will create a manageable file size for you to email to publicists, magazines, etc in the future. save the image in JPEG format, as its pretty universal!
this info might be particularly useful for bands looking to be photographed but can apply to anyone in general. if im missing anything, chime in. ill happily field your questions if you’ve got ‘em.
» you dont have to be the snappiest dresser in the world to look amazing on camera. i mean, springsteen rocked it in jeans and a white t-shirt! the point is, take a moment to make yourself look mildly presentable. wrinkled shirts are a photographer’s nightmare—we can photoshop stains, holes, etc but wrinkles? no way. get an iron and touch up that shirt or pants.
if you’re being photographed with a band, try to coordinate your outfits. im not talking matching suits, just some forethought. avoid having more than one bandmate in a patterned shirt. let one person wear the pattern and keep everyone else in solid colors.
unless you are looking to advertise benetton or gay pride [these are not bad things, mind you], wearing similar colors is an ideal situation. one time i went to a phillies game and N*SYNC showed up in team jerseys, each a different color. it was a cute but stupid gimmick. go with one color, like, say, blue. you’ll get a nice variety of shades and fabric textures that way. failing that, stick to neutrals. see the picture on the right for clarification.
» i know you’re hungover as shit but please please please fake a pleasant attitude. smiling a little will go a long way. if you feel good you will look good on camera. indulge your ego, a little. please. i like to joke with my subjects so that they laugh. people look great when they’re laughing.
» keep talking to a bare minimum during a shoot. when the photog is snapping away lots of pictures in a short amount of time and you’re talking, more than likely will we wind up with a picture of you making some goofy-ass face. no one wants to be immortalized that way.
» there are two places you can look—right into the camera and off to the sides. you run the risk of looking weird otherwise. try not to blink so much. you will make the photog ver ver ver happy.
» don’t slouch! your mother said so and for good reason—having good posture makes you feel better. feeling better puts you in a good mood. a good mood translates well on camera. the entire point of this is to make you look good, right?
» concepts? you dont need a concept—a good photograph stands on its own. some of my best work has occurred in the most nondescript locations, like parking lots.
» avoid shooting in front of brick walls, unless you want to appear on rock’n’roll confidentials “hall of douchebags”. solid color walls, like white ones, are best. [they also make everyone’s skin tons look great.] however, should you find yourself in the presence of a truly amazing wall, dont stand right up against it. get about 5-10 feet away from it so it will show up on camera in a pleasing manner.
» you should always get two photos taken—one horizontal and vertical shot, respectively. that way people can pick and choose which image fits best for their materials.
» ask for a copy of the image at 300 dpi resolution and no smaller than 4×5 inches. this will create a manageable file size for you to email to publicists, magazines, etc in the future. save the image in JPEG format, as its pretty universal!
― maria tessa sciarrino (theoreticalgirl), Saturday, 15 October 2005 22:04 (nineteen years ago)
― maria tessa sciarrino (theoreticalgirl), Saturday, 15 October 2005 22:05 (nineteen years ago)
― maria tessa sciarrino (theoreticalgirl), Saturday, 15 October 2005 22:08 (nineteen years ago)
― Casuistry (Chris P), Sunday, 16 October 2005 00:35 (nineteen years ago)
― Casuistry (Chris P), Sunday, 16 October 2005 00:36 (nineteen years ago)
― Hurting (Hurting), Sunday, 16 October 2005 02:37 (nineteen years ago)
The only image online right now from the last press shoot was used here:
http://www.staticmultimedia.com/content/music/features/feature_1112723858
And it's perhaps not the most representative, but you can probably still guess who the drummer is...
― Casuistry (Chris P), Sunday, 16 October 2005 03:08 (nineteen years ago)
― Hurting (Hurting), Sunday, 16 October 2005 03:15 (nineteen years ago)
i kind of agree with this, i kind of dont. i believe in doing what looks good for the image but at the same time, i have to tell a story. if the drummer's always up in the front, the viewer might get the idea that they're the primary songwriter/in charge. lord knows i dont want to create any sort of bizarre power struggles.
normally ill shoot a few with the primary songwriter(s) in front and try a couple different configurations.
― maria tessa sciarrino (theoreticalgirl), Sunday, 16 October 2005 17:58 (nineteen years ago)
― maria tessa sciarrino (theoreticalgirl), Sunday, 16 October 2005 18:03 (nineteen years ago)
― maria tessa sciarrino (theoreticalgirl), Sunday, 16 October 2005 18:09 (nineteen years ago)
― Hurting (Hurting), Sunday, 16 October 2005 19:01 (nineteen years ago)
That's not true. Some people just *are* more photogenic than others. But it's not specifically to do with looks (though yeah, handsome/pretty people have a better chance of being photogenic) but with how *comfortable* and natural you appear in front of the camera.
Photogenic is a good word, because it's ambiguous - does the camera love you - or do *you* love the camera? the most photogenic people I know are those who actively enjoy being photographed, they are comfortable with it and that comfort and happiness shows.
― Paranoid Spice (kate), Monday, 17 October 2005 08:06 (nineteen years ago)
kate, do you always try to argue points that you're actually agreeing with?
im going to spare you the photo theory because this is a musician's resource forum, but yes, how you're photographed has everything to do with looking good. the emotional part is just that -- a part. having a keen sense of observation when comes to issues sch as composition is crucial. like everything else in the world, being photographed and the act of photographing is an activity comprised of giving and receiving. its a two way strett.
it doesnt matter if you're attractive or feeling great, if someone photographs you from a lower perspective looking up, you're going to look bad. if you're feeling bad, the photographer can pick up on it.
i know lots of people who feel very uncomfortable being in front of the camera, mainly because they feel powerless in the situation. having someone staring at you through this teeny little box can be intimidating [sometimes more for the photographer than the subjects, but thats a whole 'nother discussion]. i drafted up these pointers to help feel less so intimidated by the process.
in the following pictures [which i took] i dont consider any of these people to be traditionally "beautiful" or "photogenic". its a healthy combination of feeling at ease in front of the camera AND making sure they're being photographed in the best means possible.
http://static.flickr.com/6/9131890_57accf76ba.jpg
http://static.flickr.com/26/51627491_86d1bfb2d1.jpg
― maria tessa sciarrino (theoreticalgirl), Monday, 17 October 2005 17:04 (nineteen years ago)
Guy up front with book is me; bearded guy is drummer.
― Casuistry (Chris P), Monday, 17 October 2005 21:02 (nineteen years ago)
― n/a (Nick A.), Tuesday, 18 October 2005 18:33 (nineteen years ago)
― maria tessa sciarrino (theoreticalgirl), Tuesday, 18 October 2005 18:34 (nineteen years ago)
― n/a (Nick A.), Tuesday, 18 October 2005 18:41 (nineteen years ago)
― maria tessa sciarrino (theoreticalgirl), Tuesday, 18 October 2005 19:59 (nineteen years ago)
Gawd, I love me some rock and roll confidential.
― Pleasant Plains /// (Pleasant Plains ///), Thursday, 20 October 2005 23:09 (nineteen years ago)
wait, of course i would. in fact, that would be incredible.
― maria tessa sciarrino (theoreticalgirl), Friday, 21 October 2005 01:10 (nineteen years ago)
mod?
― Roxymuzak, Mrs. Carbohydrate (roxymuzak), Friday, 21 October 2005 16:47 (nineteen years ago)
― Pleasant Plains /// (Pleasant Plains ///), Friday, 21 October 2005 20:54 (nineteen years ago)
― jw (ex machina), Friday, 21 October 2005 21:10 (nineteen years ago)
― Pleasant Plains /// (Pleasant Plains ///), Friday, 21 October 2005 23:56 (nineteen years ago)
― Polysix Bad Battery (cprek), Wednesday, 8 March 2006 17:17 (nineteen years ago)